The Canterville Ghost Page #5
- PASSED
- Year:
- 1944
- 95 min
- 441 Views
TO THE PARTY IN THE
VILLAGE THIS AFTERNOON.
OOH! GEE!
A PARTY!
IT'S ONLY A
HOLIDAY-AT-HOME DANCE,
BUT THERE'LL BE
REFRESHMENTS.
GIRLS, TOO?
OH, YES.
GIRLS, SHE SAYS.
WHAT ARE THEY?
WELL...
GIRLS, GIRLS,
GIRLS...
OH, I REMEMBER.
THEN YOU'LL COME?
SURE.
OH, YEAH.
DRIVE ALONG, THEN,
JESSICA.
I'M SO GLAD
TO HAVE MET YOU.
4:
00. DON'T FORGET.THANK YOU.
BYE.
GOOD-BYE!
BYE!
BYE!
BYE-BYE!
SEE YOU!
GOOD-BYE!
BYE!
DON'T FORGE THE GIRLS!
BYE!
WELL, WET YOUR WHISTLES.
WET YOUR WHISTLES.
WHAT DO YOU DO ON
MOONLIGHT NIGHTS, DIMPLES?
GRIND CRANKSHAFTS
FOR WELLINGTON BOMBERS.
OH.
BUT IT'S DAYTIME NOW.
OH, WELL.
I SAY, COULD, UH...
ME?
UM, WOULD YOU...
SAM, SAM, ASK HIM
HIM?
AYE, HIM.
RIGHT.
WOULD YOU LIKE TO DANCE?
WHY, I'D LOVE TO.
I BET HE WAS A GOOD DANCER AT ONE TIME.
HERE'S YOUR DREAM MAN,
COOKIE.
THAT'S RIGHT.
HA HA!
MY LADY, MAY I HAVE THE
PLEASURE OF THIS DANCE?
WITH ME?
BUT I DON'T KNOW HOW.
YOU DON'T? THEN IT'S
HIGH TIME YOU LEARNED.
ISN'T IT,
MRS. POLVERDINE?
I THINK:
SHE'S VERY FORTUNATE
TO HAVE SUCH A CHARMING
DANCING TEACHER.
THANK YOU.
MY LADY.
THAT'S RIGHT.
I GO FORWARD,
YOU GO BACKWARD.
WHEN I GO BACKWARD,
VICE VERSA.
1-2-3, 1-2-3.
THAT-A GIRL.
I THOUGHT IT WOULD
BE MORE DIFFICULT.
IT IS FOR MOST PEOPLE.
SWING IT OUT, OLD-TIMER. COME ON.
MIND IF I SAW:
THEM CATGUTS, MISTER?
STUCK WITH THE BUNION EXPRESS.
I CAN'T.
COME ON.
CLIMB ABOARD.
IS THIS INDIAN STYLE?
UGH!
WHOOP! WHOOP!
WHOOP!
HOBOKEN TRIBE.
I BELIEVE THEY CALL I WOOGIE-BOOGIE.
HEY DOODLE DOODLE
DA DA DA:
DOODLE DOODLE:
DOODLE DOO OOH DA
DOODLE DOODLE:
DOO DOO OOH DOO DOO
HOW DOES IT FEEL TO BE
I LIKE IT VERY MUCH,
BUT DOES IT ALWAYS
MAKE YOU SO DIZZY?
IT MAKES MOST OF THEM
EVEN DIZZIER.
SUPPOSE YOU AND I
HAVE A SHORT ONE, HMM?
TWO, UH, NEAT.
YES, SIR.
ANYHOW, WOULD YOU
BELIEVE IT?
THE LIEUTENAN THINKS IT'S APPLESAUCE.
I BELIEVE YOU SAW THE
CANTERVILLE GHOST RIGHT ENOUGH,
BUT THE DAY:
WILL NEVER DAWN:
WHEN HE'D RUN AWAY FROM A
HUMAN BEING, THAT IT WON'T.
WAIT A MINUTE. HERE'S
THE GUY TO BELIEVE.
BOYS, MEET THE DUKE
OF CANTERVILLE HIMSELF.
AHH!
OH!
OH, THE DUKE
OF CANTERVILLE.
HONORED,
YOUR GRACE.
TO MEET A CANTERVILLE.
WHAT'S WRONG WITH
BEING A CANTERVILLE?
WELL, SINCE YOU'RE SO WELL-ACQUAINTED
WITH THE GHOST, WHY NOT ASK HIM?
CUFFY, PLEASE, UH,
WILL YOU DANCE:
WITH ME AGAIN?
SURE.
HEY, YOU!
IT'S ME. CUFFY.
ODD'S GALLOWS, WHAT A
FRIGHT THOU GAVEST ME.
UNCLE,
I'VE BEEN THINKING.
LOOK, YOU CAN COME INTO
FOCUS NOW. IT'S ONLY ME.
OH, EXCUSE ME.
THANKS. THAT'S BETTER.
IT'S SUCH A PROBLEM TO
HAVE TO WALK THESE NIGHTS.
UNCLE, IF YOU'RE SUPPOSED
TO HANG AROUND HERE
UNTIL A CANTERVILLE
DOES A BRAVE DEED FOR YOU,
HOW COME YOU'RE STILL HERE
AFTER 300 YEARS?
HAS IT REALLY BEEN
THAT LONG?
WHAT HAPPENED WHEN
EXCUSE ME. I'M OVERDUE NOW. I REALLY
MUST GIBBER AT THE ORIEL WINDOW.
WAIT A MINUTE.
QUIT STALLING.
WHAT'S WRONG WITH
THE CANTERVILLES?
WRONG? SIR, ARE YOU
IMPUGNING THE FAMILY HONOR?
ALL RIGHT. I WAS WILLING
BUT IF YOU'RE GOING TO
HOLD OUT ON ME...
NAY, NAY, KINSMAN.
I WAS MERELY TRYING
TO SPARE THEE.
SPARE ME?
WHAT? GO ON.
SPILL IT.
MAYHAP IT IS BETTER
IF THINE ANCESTORS
SPEAK FOR THEMSELVES.
COME WITH ME.
HEY, EDDIE.
HE'S OUT THERE.
HARRY. HARRY.
COME ON.
IN HERE, NEPHEW.
UH!
OH, EXCUSE ME.
I KEEP FORGETTING.
IT'S OK.
JUST A LITTLE NEW TO ME.
THIS MUST BE A ROOM I MISSED
SWEEPING OUT THE OTHER DAY.
WOULD THOU COULDS SWEEP AWAY ITS HISTORY.
GAZE UPON THEM,
OUR NOBLE FAMILY.
SIR GERALD DE CANTERVILLE,
THE PROUD SKIPPER
OF THE FRIGATE CRANSTON.
WHEN SHE SANK,
HE WAS THE FIRS TO LEAVE HIS SHIP.
SIR ANDREW DE CANTERVILLE.
FINGER AT BLENHEIM BATTLE
AND SWOONED AWAY.
AND THE BLESSED TWINS.
LIEUTENANT PAUL:
RODE THE WRONG WAY
IN THE CHARGE:
OF THE LIGHT BRIGADE.
LIEUTENANT PETER WAS
YOU MEAN:
THEY WERE ALL COWARDS.
ALL.
THEIR EYES DISTEND,
THEIR KNEES BUCKLE,
THEIR HANDS TREMBLE
AS WITH THE AGUE.
AYE, OF ALL
THE HEROIC FAMILIES
THAT FOR CENTURIES
HAVE BRIGHTENED:
OF ENGLAND,
OURS HAD TO BE A BROOD
OF LILY-LIVERED TITMICE.
SO THAT'S WHY
OH, NAY, NOT AT ALL.
IT NEVER ENTERED MY MIND.
ALL THE FUSS ABOUT?
SO THEY ALL TURNED
CHICKEN ON YOU.
SO THEY ALL HAVE CARROTS
FOR BREAKFAST ON TUESDAYS.
IT'S THE SAME THING
TO ME.
VERILY?
I DON'T CARE
WHAT THE OTHERS DID.
THIS IS CUFFY, SEE?
VERILY.
ALL RIGHT, THEN.
WHEW!
NOW, HARRY, SHOOT!
WE GOT IT!
YIPPEE!
WHAT'S GOING ON?
THE GHOST'S
PICTURE.
HE GOT IT.
WHO?
HARRY!
HE'S IN THE ARMOR.
THAT-A BOY, HARRY.
HARRY, YOU GOT IT.
TAKE IT EASY, HARRY.
TAKE IT EASY, NOW.
CAREFUL. CAREFUL!
GEE, I BROKE IT,
DIDN'T I, EDDIE?
THAT'S RIGHT.
ALL RIGHT, MEN, THIS IS IT.
BATTLE EQUIPMENT!
CHECK THE MEN:
FOR PERSONAL BELONGINGS.
WALKER-DYNAMITE,
PLUNGER BOXES, FUSE, WIRE.
OK, SERGEANT.
LET'S GO!
BROWN! BE SURE TO TAKE OFF THA RING. IT'LL SHINE IN THE DARK.
SURE THING, SARGE.
REMEMBER, WE BLOW
THE REFINERY AT 2350.
WE HAVE TO HOLD THIS POINT THE
EIGHT MINUTES IT TAKES US TO GET BACK
IN CASE ANY JERRIES COME DOWN THIS ROAD
FROM THE COAST AND TRY TO CUT US OFF.
CHECK?
CHECK.
CHECK.
McDOUGLE, YOU'LL FIND THE PHONE
WIRE ABOUT A HALF-MILE DOWN THE ROAD.
CUT IT AND GET BACK
TO YOUR CREW. YES, SIR.
SEE YOU LATER, KIDS.
PROTECTION PLUS:
YOU ALL SET?
YEP.
IT WON'T BE LONG NOW,
GWENDOLYN.
I THINK I'LL KEEP AN EYE OUT FROM ABOVE.
OK, CUFFY.
...BUT DELIVER US
FROM EVIL,
FOREVER AND EVER.
AMEN.
I HAVE SO MUCH SPECIAL
TO ASK TONIGHT.
PLEASE TAKE CARE OF CUFFY.
PLEASE DO.
AND UNCLE SIMON-
YOU KNOW,
I TOLD YOU ABOUT HIM-
HE'S SUCH A POOR, POOR,
FUNNY OLD GHOST,
AND HE'S SO TIRED.
WON'T YOU PLEASE
LET CUFFY SAVE HIM
YE SKULKING, CRINGING,
MISBEGOTTEN PACKAGE OF PEAFOWL,
YE WRETCHED POLTROONS
WHO HAVE DARKENED
ENGLAND'S BRIGHTEST MOMENTS,
NOT FOR LONG NOW
IN CYNICAL MOCKERY,
NOT FOR LONG...
YE DRIBBLE-PUSSES.
AS FOR THEE,
CAPTAIN BERTRAM,
WHO HID TREMBLING
IN A WELL AT WATERLOO,
I SPIT IN THINE EYE.
THEE, FAT ALGERNON,
WHO POSED FOR TWO YEARS
AS A DOWAGER:
TO ESCAPE FIGHTING
A DUEL,
I SPIT IN THINE EYE.
THEE, SIR PERCIVAL,
WHO FOUGHT THROUGH
THE THIRTY YEARS' WAR
WITHOUT FIRING:
A SHOT...
OH!
THE RING!
OH! OH!
AAH!
OH! OH!
DID YOU SEE IT?
OH! AAH!
OOH!
AAH!
THE RING.
OH. WELL, GIVE IT HERE.
THANK YOU.
FORGET IT.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Canterville Ghost" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/the_canterville_ghost_19886>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In