The Debt Page #13
Why didn’t you go? At the
station. You could have got away.
Why didn’t you?
She looks up at him. He stares into her eyes. Beat. Then,
suddenly he kisses her. It’s what she’s waited so long for
and she’s stunned for a moment, then puts her arms around
his neck, returning the kiss hungrily. They are helpless
with desire for one another.
There is a sudden scratch of a key at the front door and,
instinctively, the two break apart.
Stephan enters, hair wet from the rain. He stops, seeing
them, sensing the atmosphere. They stare back at him.
Rachel steps away a little, wiping her face.
RACHEL (CONT’D)
What did they say?
Stephan stares at them in silence. He unbuttons his coat.
DAVID:
Stephan?
STEPHAN:
It’s not happening.
They stare at him aghast - this is the last thing they
wanted to hear.
DAVID:
What the f*** does that mean?
STEPHAN:
The Americans have pulled out.
(To Rachel) Has he been fed?
DAVID:
So...so what does that mean?
RACHEL:
Oh God...
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 65.
STEPHAN:
Did you feed him?
DAVID:
What does that mean? What’s the
plan now?
RACHEL:
(rising panic)
We just need to get him to the
airfield, there must be some
other way, some...
Stephan starts down the hallway towards her, angry.
STEPHAN:
I said has he...?
David instinctively steps in front of Rachel, raises a
hand.
DAVID:
(overlapping)
I’m asking you...
STEPHAN:
(overlapping)
I’m talking to her! Supposedly
it’s her shift now, but instead
of doing what she’s supposed to
be doing she’s out here with you!
(To Rachel) Now answer the
f***ing question: Did you feed
him?
RACHEL:
YES! I fed him!
Stephan stands glaring at her, then turns abruptly away.
STEPHAN:
(Beat)
There’s no plan. There’s no
f***ing plan. They said the
operation is being “reevaluated.”
He turns to David.
STEPHAN:
You know what that means? They’re
going to cut us loose.
They stare at him shocked.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 66.
STEPHAN:
It’s a f***ing mess and they’re
backing away from it quickly as
they can.
RACHEL (CONT’D)
(Beat)
No.
STEPHAN:
It’s happening. I can feel it.
RACHEL:
They can’t just leave us!
STEPHAN:
Yes they can! Because we f***ed
it all up! We f***ed it all up
and now we’re on our own!
Suddenly we hear someone KNOCKING on the front door. The
three FREEZE, staring at each other. Silence.
DAVID:
Were you followed?
Stephan stares at the door, thrown.
DAVID (CONT’D)
Could you have been...?
There is another KNOCK at the door. Stephan turns to the
chest of drawers and takes out the GUN.
RACHEL:
Stephan?
Stephan is hurriedly screwing the SILENCER onto the GUN.
There’s another KNOCK at the door.
RACHEL (CONT’D)
Stephan!
Stephan walks into the living room and aims the gun at
Vogel. Vogel instinctively squirms away, falling to one
side, wriggling back as far as he can.
RACHEL (CONT’D)
What are you doing?
STEPHAN:
If it’s them, he dies.
Vogel lies, breathing hard through his nose, eyes on the
gun aimed at him.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 67.
David suddenly steps in between the two, the gun now
pointing at his chest.
STEPHAN (CONT’D)
Move.
DAVID:
You’re not doing this.
STEPHAN:
He’s not getting away from me.
DAVID:
This isn’t the mission.
STEPHAN:
I decide what the mission is! If
I say he dies, he dies.
DAVID:
We’re finishing this mission.
We’re taking him back.
STEPHAN:
Get out of the way!
There is another KNOCK at the door. David and Stephan stare
at each other, the tension building. Abruptly Rachel turns
and walks down the hallway towards the door. Stephan calls
after her.
STEPHAN:
Rachel. Rachel!
From the hallway we hear the sound of the door being opened
-the murmur of conversation.
The two men stand frozen, listening. Vogel lies, breathing
hard through his nose.
We hear the door close. The three listen as footsteps
approach down the hall...
Rachel walks back in. A long beat.
RACHEL:
(Dully)
It was the lady from the bottom
apartment. She invited us to her
New Year’s Eve party.
She turns and walks back out. The others stay where they
are, frozen.
We hear a PIANO PLAYING as we...
CUT TO:
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 68.
As the piano music plays we see David and Stephan practise
krav magah moves - careful, controlled, but under it all an
edge of real tension between them.
Vogel is tied in his usual place. Stephan sits in a
dangerous mood. He’s playing the piano. A lyrical rendering
of Deutschland Uber Alles. Vogel is watching him.
152 KITCHEN 152
As the music continues the two men’s workout grows more
intense - the punches and blocks build in speed, faster and
faster, both men breathing hard with the exertion, neither
willing to stop, a real violence simmering under the
surface.
153 INT. LIVING ROOM - DAY 153
Stephan knows he’s watched and avoids Vogel’s gaze until he
can stand it no longer and looks...
154 KITCHEN 154
David is the first to break through the blocks - his fist
stopping inches from Stephen’s face. The two men freeze,
staring at each other, breathing hard. The music crashes to
a halt.
Stephan is staring at Vogel. He begins to play the anthem
more discordantly, hitting the keys more violently, as if
the music is possessing him.
Then suddenly he stops, stands up and walks away from the
keyboard. Stares at Vogel.
Vogel is very aware of the sudden change in atmosphere, a
sense of impending violence.
Stephan doesn’t move. The moment hangs.
156 LATER 156
David is taking over the shift from Stephan. They pass each
other in the doorway without a word.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 69.
David stops, staring...
Vogel lies in his usual place. A SACK has been placed over
his head, hooding him.
The effect is deeply sinister.
157 KITCHEN - MOMENTS LATER 157
Stephan sits eating with Rachel. David walks in and throws
the SACK on the table. Stephan glances at it, continues
eating.
DAVID:
What are you doing?
STEPHAN:
It’s your shift.
DAVID:
(To Rachel)
Did you know about this?
RACHEL:
About what?
DAVID:
(To Stephan)
His mouth’s taped. You want him
to suffocate?
STEPHAN:
I was sick of seeing his face. Go
back in.
DAVID:
Don’t do that again.
Stephan gets up and walks calmly towards David as if
shooing him back out the room.
STEPHAN:
You don’t give orders David. It’s
your shift now so you can go back
in there...
He has his hands on David’s chest, gently pushing him back.
David takes his hold of the hands, pulling them free and
suddenly there’s a flurry of violent movement as Stephan
yanks his arms free of David and the two men shove at each
other.
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"The Debt" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/the_debt_566>.
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