The Family Fang Page #5

Synopsis: Annie and Baxter, the adult children of the controversial husband and wife conceptual performance art couple famous for their quirky macabre public performances, have never got over the fact that their parents kept using them during their childhood in their often gory and disturbing satirical public performances. They often clash with their now elderly parents over this and blame them for their problems in their adult life. However, the two become worried when they're told by the police that their parents have gone missing during their trip outside of town. The brother considers the possibility that something horrible might have happened to them, but the sister is convinced that it's just another one of their stupid games or twisted conceptual performances. She convinces him that they should go and look for them themselves.
Genre: Comedy, Drama, Mystery
Director(s): Jason Bateman
Production: Red Crown Productions
  1 win & 1 nomination.
 
IMDB:
6.1
Metacritic:
67
Rotten Tomatoes:
81%
R
Year:
2015
105 min
$15,335
310 Views


wouldn't solve anything.

It would turn us back into kids.

Is that what you want?

Hey.

Your father and I have decided

to go to the Berkshires

for a few days.

- Berkshires, huh? Great.

- When?

- Tonight.

Is this because

of the Chicken Queen?

What a disaster.

Great art's always difficult,

though, right?

What'd you say?

I just said what you

always tell us.

That great art's

always difficult.

Do me a favor.

Don't talk about things

you know nothing about.

- Okay. Deal.

I found something weird.

That is weird.

There's like a hundred of

these in the back of my closet.

What do you think they are?

I don't know.

Maybe a fan sent them?

I mean, remember that lady

who sent all those teeth

in the Ziploc bags?

They're actually

kind of great.

I mean, look at the detail.

- Yeah.

- What are you doing?

- Nothing.

- Don't look at those.

[bolts lock]

Oh, no. Sh*t.

No, no, no, no, no, no,

no, no, no, no.

- What's wrong?

- I... I don't know.

God damn it.

Where did these paintings

come from?

They're mine.

- They're yours?

- You did these?

Yes, I did.

Since when did you

start painting, Mom?

How do you think

I got into art school?

I stopped when I met Daddy.

So he doesn't know

about these?

Oh, good God, no.

If he ever found out

that I started painting again,

that'd be such a betrayal.

[thumping on door]

[doorknob rattles]

Why is this door locked?

We're... we're talking.

About what?

Our feelings.

[sighs]

Meet me in the car.

- I want you to have these.

Here, that's for you.

That's for you.

Now, promise me that if I die

before your father,

you'll get rid

of all the others.

So let's...

let's put these back.

They're amazing.

Oh, they're just paintings.

They're pretty great, Mom.

Yeah, thank you.

The fridge is full,

so you are welcome

to whatever is in there.

- Thanks, Mom.

Have fun.

- Thanks.

- Give me a kiss.

[coughs]

Drive safe, Dad.

- Yup.

- You look after your brother.

It's only going to be

a couple of days.

- I know.

- I'll be fine.

Bye, Daddy.

Stay out of our room.

- Will do.

[engine starts]

Why is she crying?

She always cries

at good-byes.

I pawned everything

That I had this morning

You know, as awkward

as yesterday was,

I really think

I've cleared a hurdle.

- Oh, yeah?

- Yeah.

I was thinking about what...

what that stupid

"Esquire" guy said.

That every time I make a...

I don't know,

make a mess of things,

I'm just doing exactly

what child A always did.

But when I think about,

it pissed me off that he was...

That he was right

on the money, right?

Exactly, Baxter.

He was right on the money.

And yesterday

I didn't do that.

Mm-mm, child A

stood up to them.

And that's thanks

to child B, right?

Yeah.

We're helping each other.

We're breaking old patterns.

Like a couple

of Dr. Phils.

[laughs]

We're getting better.

Come on,

I haven't had a drink.

You haven't had a pill.

Well, oops.

- Baxter.

- My ear hurt.

Anyway, but something's

working.

- You know?

- Mm-hmm.

And when Mom and Dad realize

that we're not kids anymore,

which they have to do,

we could have

a healthy family.

Healthy life.

Do healthy things together.

Take a trip.

Grand Canyon.

In a Winnebago.

[doorbell rings]

Sounds terrible.

Well, I'm just spitballing.

Come on, don't bring me down.

Good morning, ma'am.

Would you mind coming

down to the station?

There's a situation

we'd like to talk to you about.

Now, the car that is

registered to your parents

was found at a rest stop

on route 22

just before the Massachusetts

border.

They were not with the car,

but there were, I'm afraid,

signs of a struggle,

and quite a bit of blood.

We checked

the security cameras

and interviewed employees

at the surrounding locations.

But we've been unable to come up

with anything conclusive

at this point.

All signs indicate

that your parents

are currently missing,

and we have to suspect

foul play.

I'm sorry, sheriff.

This is... our parents

aren't missing.

They're artists.

It's all a performance.

We know all about

their art things.

But the fact is,

they're missing from a car

that they were driving,

and it's covered in blood.

- [sighs]

This is so stupid.

Ma'am, there have been four

rest stop abductions

in the last nine months,

all along route 22,

and all ending in homicides.

Hang on.

Really?

That's not what this is.

Well, let's hope not.

- Let's hope not.

But the crime scene photos

do show some startling

similarities to the other cases.

Would it be possible

for me to have a look at that?

Did you say four

in the last nine months?

And this would be

the fifth or the fourth?

- [scoffs]

- Jesus Christ.

Let me see that.

- It's fake. Fake blood.

This is what they...

- Can I see it?

- This is what they use

in a lot of their

performances.

The lab will let us know

if that is the case.

[clears throat]

You think

they're dead, right?

We don't know that,

but...

it is a possible

scenario, yes.

Our parents are probably

hiding somewhere now,

laughing themselves silly.

And as soon as you say

they're dead,

they're going to pop up

resurrected.

It takes seven years

to pronounce someone dead

without a body in this state.

Are they going to wait

seven years?

[dramatic music]

Here's another one.

"College student latest victim

in a string

of rest stop murders."

- Mm-hmm. They knew

about the murders.

They built the entire piece

around them.

And do you know

why they did it?

Because we wouldn't

do the Chicken Queen thing.

We're being punished.

[liquid pouring]

"Local man found

in IHOP Dumpster."

Oh, place of healing

my ass.

Staging their own death.

Annie, don't do that.

- Oh, God.

You're right, you're right.

What am I doing?

I'm slipping back.

[exhales]

And you want

to know something?

This is all Caleb.

All Caleb.

That's why Mom was crying

when she left.

She didn't want to go.

Why else would she leave

those paintings

for us to find?

- Well, she didn't.

He hid them.

- From him.

She wasn't hiding them from us.

They were in my closet.

She wants us to know

that she's her own artist.

Right?

She doesn't want

to do his art anymore.

Same as us. She is...

she is being forced into it,

just as we are.

We're all being forced

into this crap.

[sighs]

And what if he isn't

doing that?

What if this is real?

I mean, just consider it.

Baxter, come on.

- It could be real, Annie.

Come on.

That's what he wants.

This is what he wants.

He wants us to think

that they're dead.

It's pretty low,

even by his standards,

but that's what he wants.

He wants child A,

child B crying, doing this.

- Mm-hmm.

I hope you're right.

My...

son of a b*tch.

What?

That son of a b*tch!

If this is an art piece,

then they're recording us.

And they've got cameras

somewhere.

And they're trying

to tape us.

[dramatic music]

Caleb?

Camille?

I know it!

Come on! Dad?

I know they're hiding

somewhere.

Just waiting.

We are... we are going

Rate this script:0.0 / 0 votes

David Lindsay-Abaire

David Lindsay-Abaire (born November 30, 1969) is an American playwright, lyricist and screenwriter. He received the Pulitzer Prize for Drama in 2007 for his play Rabbit Hole, which also earned several Tony Award nominations. more…

All David Lindsay-Abaire scripts | David Lindsay-Abaire Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Family Fang" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/the_family_fang_20191>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "CUT TO:" indicate in a screenplay?
    A The end of a scene
    B The beginning of the screenplay
    C A camera movement
    D A transition to a new scene