The Heartbreak Kid Page #5

Synopsis: Three days into his Miami honeymoon, New York Jewish Lenny meets tall, blonde Kelly. This confirms him in his opinion that he has made a serious mistake and he decides he wants Kelly instead. Her rich father is less than keen and lets everyone - including Lenny - know that he hates everything about him and the way he is going on.
Genre: Comedy, Drama, Romance
Director(s): Elaine May
Production: Twentieth Century Fox Home Entertainment
  Nominated for 2 Oscars. Another 3 wins & 6 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
91%
PG
Year:
1972
106 min
2,356 Views


enjoy your dinner.

I am!

I really am!

What is it, Lenny?

What did you want to tell me?

Hmm?

Pardon me, sir. I'm afraid we're

a little late with the pecan pie.

Chef tells me we ran out

about ten minutes ago.

- Would you like to order something else?

- Wait a minute.

What, are you joking? No pecan pie?

- Sorry, sir.

- No pecan pie!

Lenny, what are you doing?

The main reason we came here

was for the pecan pie.

That's all right.

No, it's not. They should've said

that to us at the door.

They should've warned us that there was

a danger of running out of pecan pie.

Well, there is one small piece left

in the kitchen.

Would you want that one piece?

We also have some

excellent blueberry pie.

I mean, we drove

all the way from New York.

Listen. Take it. Take the pecan pie.

We can share it.

I don't wanna share it!

I promised my wife the pecan pie.

I want you to--

bring the pecan pie for my wife.

I promised--

just bring me some coffee.

No blueberry pie?

What do I want any blueberry pie for?

- Yes, sir.

- It's not a reject, is it?

- It's a perfectly good piece of pie, right?

- Yes, sir.

That really bugs me.

I've been talking about that pie

as far back as Virginia.

If I'd have given him ten bucks,

you'd have had pecan pie

flying outta your ears by now.

- They got it back there.

- It's all right.

Honey, I'm getting the pie,

and I'm very happy.

Lenny?

Tonight's been the best night

of our whole trip.

Hasn't it?

Aren't you happy tonight?

See, that's part of what

I wanted to talk about.

Um--

geez, it's warm in here.

You pay these kind of prices,

the air-conditioning is faulty in here.

- It's just--

- I think it's probably your sunburn.

Go on, Lenny.

What were you gonna say?

No, I was just gonna say that, uh--

um... that, uh--

when I was sitting out on the hot

courtroom steps this afternoon,

uh, I was thinking

that in three weeks...

You're gonna be 22 years old.

- The 12th.

- Right.

And the really fantastic thing

about being 22 years old...

is that you have

your whole life in front of you.

I know.

We both have.

I-- I mean, the people you could meet,

the places you could go,

the things that you could do.

- It's just--

- Lenny, I never thought that I'd get to Florida.

That's right. I mean, what some women

would not give to be 22 years old.

- It's just a--

- That's right. I know it.

To go when you want,

to do-- to live.

To live!

Do you know what I mean?

To live. Is that what you mean, Lenny?

We only pass through once, right?

I mean, we can't squander it,

no matter what happens.

We're just passing this way but one time.

We can't squander it.

Once is a lot.

Once is a whole lifetime.

That's why we have to use...

And learn from anything that happens.

We have to...

learn from the good, from the bad,

from the happiness, from the tragic.

We have to learn.

We have to use it all. To use it all.

You're so deep, Lenny.

I never knew that you were so deep.

Do you sense at all

what I'm trying to say?

Do you, uh--

oh, Christ, it's so hot in here.

Is it hot in here, or is it hot in here?

What? I--

I don't underst--

What are you trying to tell me?

Let me--

I'm trying to say...

We have to prepare ourselves.

We have to prepare ourselves

for anything, you know?

I mean, everything could be terrific.

The world could be singing.

And then suddenly--

suddenly, for no reason at all,

it's over.

It's over, Lila.

Oh, my God.

Oh, my God, Lenny.

I think I know what

you're trying to tell me.

I didn't want it to happen.

I didn't plan it.

You're good. You're good.

You deserve better than me.

You deserve much better than me.

I didn't want it to happen.

- I didn't plan anything like this.

- Oh, Lenny.

Oh, Lenny! Oh, my God, Lenny!

Oh, Lenny, you're dying.

Oh, Lenny, oh, God,

why didn't you never tell me?

Oh, Lenny!

I'm not dying!

Who said anything about dying?

I want out of the marriage!

I want out

of the goddamn marriage.

- I'm gonna throw up.

- Listen to me. We're not right for each other.

We're not right for each other.

It didn't work out.

I tried to tell you as far back as Virginia,

but you couldn't see it.

You were too busy yelling

"pee-pee" every two minutes.

- Lenny, let me get to the bathroom, please.

- No, no.

- I have to throw up now.

- Listen, listen. Listen to me. Please listen to me.

- Oh, God.

- Isn't it better it happens now...

Than in ten years from now when we got

three or four kids running around?

Please pay attention! I don't want

to have to say this a second time.

- Lenny, I'm gonna do it on the table.

- Here. Drink some water.

Please. I think people

are starting to look at us.

- Oh, God, Lenny, please. Help me, Lenny.

- Okay. Okay. Here.

I don't want to do it on the table.

Just drink the water.

Okay, take it easy. Just take it easy.

Take it easy. Okay?

Give me a quarter for the ladies' room, please.

Would you please help me--

I'm gonna give you more than a quarter.

I'm gonna make a tremendous settlement.

Give me a quarter for

the ladies' room, please.

I'm gonna make a terrific settlement,

a generous settlement.

I'm gonna give you everything.

I'm gonna give you the car.

I'm gonna give you all the luggage.

I'm gonna give you

all the wedding presents.

For a marriage that's not a week old,

that's pretty good.

Some people don't get that

after 40 years.

I kept the car in tip-top shape.

That's terrific.

What is that sound?

What are these sounds? Come on.

Honey.

Oh, oh.

Honey. Lila, come on.

It's not the end of the world!

It's just a crummy annulment.

Come on!

- Come on.

- Pecan pie.

- No, no. Okay. Thank you.

- Is it all right?

- Would you like some whipped cream?

- No! It's okay.

- Shall I leave the whip--

- Leave it! Fine, fine.

Listen, honey.

It's good. It's good.

Okay. Okay. Okay.

Take it easy.

Take it easy.

Okay. Okay.

Okay. Listen now.

I would like, if possible--

if possible, if we could

settle this tonight, you know,

because, you know, check-out time

is 11:
00 tomorrow morning.

Unless you want to stay on

for a couple of days and then--

I'll work that into the settlement.

I mean, it's--

you know what? I feel that we're over

the worst of it now.

I-- I-- I actually--

I feel closer to you right now...

Than I think we've ever

felt before, you know?

Sometimes...

when two people experience

a common tragedy,

it creates a bond between people

that can last a life--

You know what I would like? I would like

that we should have dinner sometime.

You know?

And I think that then...

we could look back on all of this...

and we could see all the good

that's come out of this.

That's the way--

That's-- that's the way

I would like this to end.

Wouldn't you? Don't you think

that's a good way, to, uh, to look--

Better?

It's better?

You feel a little bit better?

You feel a little--

you okay?

- You okay?

- Yeah.

Hi.

Gonna eat the pie?

You want a little piece of pie?

Rate this script:1.0 / 1 vote

Neil Simon

Marvin Neil Simon (born July 4, 1927) credited as Neil Simon, is an American playwright, screenwriter and author. He wrote more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer.Simon grew up in New York City during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood. He often took refuge in movie theaters where he enjoyed watching the early comedians like Charlie Chaplin. After a few years in the Army Air Force Reserve, and after graduating from high school, he began writing comedy scripts for radio and some popular early television shows. Among them were Sid Caesar's Your Show of Shows from 1950 (where he worked alongside other young writers including Carl Reiner, Mel Brooks and Selma Diamond), and The Phil Silvers Show, which ran from 1955 to 1959. He began writing his own plays beginning with Come Blow Your Horn (1961), which took him three years to complete and ran for 678 performances on Broadway. It was followed by two more successful plays, Barefoot in the Park (1963) and The Odd Couple (1965), for which he won a Tony Award. It made him a national celebrity and "the hottest new playwright on Broadway." During the 1960s to 1980s, he wrote both original screenplays and stage plays, with some films actually based on his plays. His style ranged from romantic comedy to farce to more serious dramatic comedy. Overall, he has garnered 17 Tony nominations and won three. During one season, he had four successful plays running on Broadway at the same time, and in 1983 became the only living playwright to have a New York theatre, the Neil Simon Theatre, named in his honor. more…

All Neil Simon scripts | Neil Simon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Heartbreak Kid" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_heartbreak_kid_9754>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Heartbreak Kid

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "blocking" in screenwriting?
    A The planning of actors' movements on stage or set
    B The prevention of story progress
    C The end of a scene
    D The construction of sets