The House of Yes Page #3

Synopsis: 'Jackie-O' is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend. She's even more shocked to learn that this friend is his fiancée. It soon becomes clear that 'Jackie-O's obsession is nothing compared to her obsession with her brother, as it also becomes clear she isn't the only member of the family with problems...
Genre: Comedy, Drama
Director(s): Mark Waters
Production: Miramax
  1 win & 5 nominations.
 
IMDB:
6.7
Metacritic:
54
Rotten Tomatoes:
62%
R
Year:
1997
85 min
Website
2,358 Views


Oh, well, we are. I mean,

except when we're actually having it.

- Sex?

- No.

You know, "the visitor."

- That's what I call it.

- Are you saving yourself for marriage?

- How do you mean?

- Blood on the sheets, all that.

Well, we live together,

Marty and me.

Must be hard, saving yourself

for marriage when you live together.

- I'm not saving myself.

- No?

- You think I should've?

- If I were getting married, I'd wanna check out the goods.

- Me too.

- How were they?

- The goods?

- Marty?

Oh, I can't describe.

- What's the wildest place you've ever made love?

- With Marty?

- Yes.

- I can't talk like that about your brother!

Pretend he's not my brother.

I do.

Well, this one time...

- What?

- I can't.

- Why not?

- It's embarrassing.

- If you don't tell me, I'll just get it out of Marty.

- Oh, he would never.

- Never what?

- Talk like that.

- Marty and I tell each other everything.

- Everything?

We're twins.

Did he tell you

about his other girlfriends?

- Did he tell you about his other girlfriends?

- There was one, he said.

- Did he tell you about her?

- No. What was she like?

- Who?

- The girl.

She wasn't a girl.

She was a woman.

She was older than Marty.

No, they were almost exactly

the same age. Talk about glamorous.

She was glamorous.

I thought so.

Is she still here, in Washington?

- Very much so. I wonder...

- What?

- No, it's none of my business.

- What?

Well, if he plans to get together

with her while he's home.

- Why didn't he marry her?

- He couldn't.

- Why not?

- It was a family thing.

- Families objected?

- Something like that.

- He never told me.

- Men and their secrets.

- Not all men have secrets.

- We all have our secrets.

Jeez.

The fire's gone out already.

The rain must be comin' in.

Where's Jackie-O?

In her room.

- What she doing there?

- I don't know. Brushing her hair.

How's she doin'?

- I-I don't know. She's in her room.

- I mean, generally.

Good. I mean,

good for Jackie.

What does she do all day?

I-I don't know. I mean,

what does anybody do all day?

What do you do all day?

What do I do all day?

What do you do all day?

I don't know.

- She reads books.

- What kind of books?

- Assassination books.

- What else?

That's about it.

- How many assassination books can there be?

- A lot.

Lincoln, McKinley,

Kennedy, King, Kennedy...

- All right.

- And she watches soap operas.

She likes it especially when they have a

character, and that actress leaves the show...

and a new actress steps in

and becomes the character.

Nobody on the show notices

any difference, they just...

Jackie watches soap operas?

I guess you heard

about the seltzer water thing.

That was the last big,

you know...

- It was flat.

- Yeah.

So what'd she do?

Well, she started screamin' about

bubbles, how there were no bubbles.

So she started boiling

the seltzer water.

When the water started bubbling, she poured the

boiling water back into the seltzer bottle...

which was plastic and started

to melt and kind of melted...

into her hand

where she was holding it.

She had to go to the emergency room

with third-degree burns.

And on the way home, whenever

Mom and I asked her a question...

she'd tell us to,

"Stop giving me the third degree."

- - And she'd laugh,

kind of like, hysterically.

So, she's not what

you'd call "recovered."

Do you think I should stay?

Yes.

Yes, I do.

Uh, you're not supposed

to have that.

- What?

- The wine.

- Isn't there enough?

- There's enough, but...

- She's not supposed to have that.

- Why not?

- Because of her medication.

- Not this medication, Anthony.

The one before, I couldn't drink.

They've switched me.

I used to be green.

Now, I'm brown.

I wanted pills to match my eyes.

Color me beautiful.

Mama wants us to leave. She's afraid

I'm gonna push you over the edge.

Oh, I've been over the edge.

Now I'm back.

- Lesly doesn't know about the hospital.

- Oh?

She knows about the hospital,

but not what kind of hospital.

- Does she know about your hospital?

- Sort of.

Let me guess.

You had your appendix out?

- You did?

- No.

- Hey, Marty, you wanna show me your scar?

- No.

I'm sorry about that, by the way.

I didn't mean to maim you.

- I only meant to kill you.

- Well, these things happen.

I've noticed Anthony wears a lot of

layers around me, don't you, Anthony?

Look at him. He's got a T-shirt,

a dress shirt, a vest and a jacket.

- I'm wearing a jacket 'cause it's Thanksgiving.

- You weren't wearing it before.

- I put it on after Marty got here.

- I appreciate it. It looks nice.

I got it at the Treasure Trove.

I think it belonged to a Kennedy.

- Why, is there a bullet hole?

- Marty, you're home.

The lady said Mrs. Kennedy

donated a bunch of stuff.

She was pretty sure this was

in the Kennedy batch.

See, Marty, you turned

the household upside down.

Anthony went out

and bought a jacket.

And I went to a lot of trouble

to get sane, so you can't just leave.

Lesly, on the other hand,

is free to go at any time.

I've never been to a hurricane before.

Have you?

- Yes.

- When?

Before you were born. We went to Virginia

Beach. Our motel was on the water.

Mom and Dad were drinking rum and Pepsi

out of Styrofoam cups and giggling.

All the good stuff happened

before I got born.

- This wine's not very cold.

- Mama forgot to put it back in the icebox.

- I wish I had a piece of ice.

- I'll get you one.

- Oh, don't you go, Anthony. Marty, fetch me a piece of ice.

- I'll get it for you.

Marty's been in the car all day. I'm sure he'd

leap at an opportunity to stretch his legs.

He doesn't know

where we keep the ice.

- Everyone knows where you keep the ice, Anthony!

- I'll get the ice.

Are you gonna be good

when Lesly comes down?

- Marty, I'm the hostess.

- Yeah.

Make sure it's cold.

- She's pretty, isn't she?

- Who?

- Who do you think?

- I guess.

She doesn't seem like Marty's type. Do

you think she seems like Marty's type?

- I don't know.

- Now, you and she would make a cute couple.

Wow, I'd bet you're

just the same age.

They're getting married, Jackie.

She's got a ring.

- Tiffany's?

- I don't know.

I think she has

the sneak for you.

- Stop. I do.

- She's engaged.

So? She only just met you tonight.

Who knows?

These things happen

all the time.

- J-Jackie, I'm not gonna...

- What?

I don't know.

It's okay, Anthony.

I understand.

Understand what?

Just because Marty's attracted

to girls doesn't mean you have to be.

- I'm attracted to girls.

- Really? Are you sure?

- Yes!

- Hmm.

Anthony, look.

Isn't that the prettiest ice cube

you've ever seen?

- It used to be bigger.

- I wonder what happened.

Whatever it was, it happened

just between the kitchen and here.

Look, Marty, your hands are all wet.

Now, there's a clue.

It probably melted on the way.

Oh, my!

Good evening.

- Good evening.

- Is that an evening dress?

- I don't know.

- It certainly looks like an evening dress.

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Wendy MacLeod

Wendy A. MacLeod (born August 6, 1959) is an American playwright. MacLeod received a BA from Kenyon College in Gambier, Ohio, where she now teaches and is a playwright-in-residence. She received a MFA from the Yale School of Drama.Her works include the plays Sin and Schoolgirl Figure, both of which premiered at Chicago's Goodman Theatre and were directed by David Petrarca. Schoolgirl Figure was then optioned for film by HBO and Anvil Entertainment. The House of Yes, which premiered in San Francisco at the Magic Theatre and was the theatre's second-longest running show, became an award-winning film by the same name, starring Parker Posey, and earned a Special Jury Award at the Sundance Film Festival. Other works include The Water Children, Things Being What They Are, Juvenilia, Apocalyptic Butterflies. Apocalyptic Butterflies was filmed by the BBC as Nativity Blues 1988, starring Alfred Molina. Her play Juvenilia, a comic drama about college students "attempting to find love", premiered off-Broadway at Playwrights Horizons, as did her play The Water Children, both directed by longtime collaborator Petrarca, which has also been seen at Los Angeles’ Matrix Theater where it was cited as "the most challenging political play of 1998" by the L.A. Weekly and earned six L.A. Drama Critics Circle nominations. Things Being What They Are premiered at the Seattle Repertory Theatre and was then seen at Steppenwolf in Chicago in 2003 where its sold-out run was extended twice. The House of Yes has been performed at Soho Repertory Theatre, at the Maxim Gorki Theater in Berlin and at The Gate Theater in London, where it was published in Plays International. MacLeod's play, Find and Sign, premiered at Pioneer Theatre Company in Salt Lake City, Utah in 2012. Set in the New York City music industry (with a slight nod to Othello), Find and Sign is about a bumpy romance between an on-the-rise young record executive and an idealistic public school teacher.Her critically acclaimed comedy Women in Jeopardy! premiered at Geva Theater in 2015, directed by Sean Daniels, and her newest play Slow Food was invited to the 2015 National Playwrights Conference. The play will be premiering at Merrimack Repertory Theater in January 2019. She has been a guest professor at Northwestern University’s film and theater departments. MacLeod's essay "Name Brand Nostalgia" was recently featured in The New York Times and her essay/talk "The Daily Struggle" was given as part of the Kenyon Review's Writers-on-Writing series in October 2016. Her prose and humor pieces have appeared in Poetry magazine, The New York Times, Salon, The Rumpus, McSweeney's Internet Tendency, The Washington Post, and All Things Considered. MacLeod worked as the Executive Story Editor for ''Popular'' (TV Series) for the WB and wrote the pilot "Ivory Tower", commissioned by CBS, produced by Brillstein-Grey (The Sopranos) and Diane Keaton, with actress Jeanne Tripplehorn (Big Love). She currently serves as the Artistic Director of the Kenyon Playwrights Conference. The Kenyon Playwrights Conference supports the early-stage development of new work through its commissioning program and offers an intensive playwriting workshop for playwrights at all stages in their careers, led by artistic leaders of partner companies which have included The Atlantic Theater, Playwrights Horizons, Steppenwolf Theater, Roundabout Theatre, Hampstead Theater, The Old Vic, The Royal Court Theater, La Jolla Playhouse, and ACT Theatre in Seattle. She is married to Read Baldwin and has two sons: Foss and Avery Baldwin. more…

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Submitted on August 05, 2018

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