The King of Marvin Gardens Page #4

Synopsis: 'It's Monopoly out there'. Jason Staebler, The King of Marvin Gardens, has gone directly to jail, lives on the Boardwalk and fronts for the local mob in Atlantic City. He is also a dreamer who asks his brother, David, a radio personality from Philadelphia to help him build a paradise on a Pacific Island - asking him to believe in yet another of his dreams, yet another of his get-rich-quick schemes. But luck is against them both and the game ends badly - real life reduced to radio drama.
Genre: Drama
Director(s): Bob Rafelson
Production: Sony Pictures Entertainment
 
IMDB:
6.6
Rotten Tomatoes:
71%
R
Year:
1972
103 min
315 Views


[Door Opens]

If you hadn't come,

the police would've been there...

dragging me out

of the bathtub in a minute.

I mean, I don't want to go into a place

with my bubble bath...

and say,

"All right. I have special privileges here"...

and have the cops called on me,

that's all.

All right. I'm not finished yet.

My feet are still cold.

- This water isn't hot enough.

- It's still steaming.

It's not steaming, Jason. It's cold!

- Sally, the water is still hot.

- Well, maybe it feels hot to you...

because you weren't out there

freezing your ass off, but I was!

Catching double pneumonia

as you were dragging me out of a bathtub.

- Sally, it's all right.

- It's not all right.

Could you bring

the hot water over there and pour it?

- [Sally] Oh, not him!

- Oh, Sally -

It's all right. Go ahead.

[Sally] Jason, I'm just asking you

to put yourself...

in my shoes for once,

if you would, please.

How on earth do you think

that made me feel? Just think about it.

Poor Mommy.

Poor baby.

Hold it. Thank you, David.

I mean, you told me that you owned

the goddamn St. James Hotel.

You're so full of sh*t.

What I told you was that we still

had to examine the papers.

You're full of sh*t!

[Blowing]

Thank you.

You take a bath in there sometime,

will you, Jason?

Just go take one bath in there.

The water is rusty, icky, mucky!

I mean, you'd come out dirtier

than when you went in, for God's sakes!

Just - I'm telling you, it won't even stay hot

for three minutes, on top of everything else.

Just go in there

and take one bath and you'll see.

- Go on. Shrivel your testicles.

- I'll talk to the manager.

Oh, that'll do a lot of good. Terrific.

I mean, it's just for a few more days, darling.

Couple of weeks at the most.

Agura's flying in here Friday from Tokyo,

and we got a deal there.

It's 96% finalized.

- Not like the St. James, darlin'.

- What is it?

- Apple juice.

- Sally, listen to me now, for one time!

- I am listening to you!

- Well, I tried to explain to you...

that the St. James deal

was still in the exploratory stage.

- Well, you didn't make that clear.

- I didn't mean to yell.

But after that it doesn't matter anyway

'cause the four of us are Waikiki Beach.

Brown as berries.

Goddamn 50th state.

We're goddamn Hawaii, babe.

Pineapples.

[Chuckling]

That's funny.

All I need to feel is that you're with me,

you know, David?

Like we've got

something solid between us.

I'm still here, aren't I?

Things are pretty weird

around here, you know?

[Horse Whinnying]

It's not like home, huh?

You were really fabulous

with Sally yesterday.

You know, the girls,

they'll be yours as much as mine.

Yeah? When's all this go into effect?

We'll know when it's time, won't we?

Love takes time, you understand.

You've read all that literature.

No one reads anymore.

I have been deprived my literary right...

and I crave an audience.

The form of the tragic autobiography

is dead...

or will be soon,

along with most of its authors.

Good-bye, written word.

So I have chosen this form -

radio -

to author my life.

Not because my life

is particularly worthy...

but because it is hopefully...

comically unworthy.

Besides...

tragedy isn't Top 40.

- Which is just as well.

- Oh, God. I'm sorry.

- I, uh - [Clears Throat] I, um -

I didn't know anybody was in here.

It's all right. I'm not doing anything.

- What time is it?

- I don't even have to go.

I can come back anytime.

I - I couldn't sleep, and I was afraid if I

talked in there I would wake you all up.

No, no. It's fine.

You should have all the time you need.

- I know you're an artist.

- [Door Closes]

- [Jessica On Recorder]

I can come back anytime.

- [David] I - I couldn't sleep...

and I was afraid if I talked in there

I would wake you all up.

No, no. It's fine. You should

have all the time you need.

- I know you're an artist.

- [Door Closes]

Who say now $150?

Let it go at 150. 150 now bid.

Now it's 225. 225? Yes!

Going to give it to you. 75 the bid.

Bottom 275. Sold 250.

Thank you, Henry. That was neat.

Next.

Ladies and gentlemen,

I'm your auctioneer for the evening...

and by my accent you can

undoubtedly know that I am Scottish.

And as you well know, Scottish people

do not give things away free.

I love all the hustle around here.

It's out in the open.

Down here, everybody's hustling all the time.

That makes me laugh.

Maybe you can explain to me why the tzimmis

couldn't wait till the season rolls around.

Nobody hires an auctioneer

in the depths of winter.

We all take five. What do you say?

Pause that refreshes, boys, huh?

[Man]

Talk to you guys in a minute.

Now, you, my brother, sit down right there

for a second and watch this.

- [Grunting]

- [Woman] Purse snatcher!

- [Women Screeching]

- [Woman] That man took her purse!

- Mister, look, you give Magda back her purse

this minute, or I'm gonna call the police.

- You want your purse back?

- Oh, no, no. She's got it back.

- [Woman Groaning]

Come right in, ladies.

Of course you won't give me your purse.

has taught us to cling desperately

to our little possessions.

Trust no one.

The woods are full of thieves.

What woods?

What are you selling?

- The man is sincere, Bambi.

- Oh, Magda.

Thank you. Now, I really appreciate that.

And I know that none of you expects me to

give you something for nothing...

but I am prepared to give you

something for next to nothing.

You see what we have here today?

- What do you select?

- The radio.

- Magda!

- The clock radio. I knew it.

Sophisticated taste from Magda,

the woman who's goin' for a 28.50 item here.

For you, Magda, 75 cents.

Three quarters in my hand,

and you're walkin' out with a clock radio.

You'd give me that radio for 75 cents?

[Bambi]

What else does she have to buy?

I got a clock radio here

goin' for six bits.

It's goin' once. It's goin' twice.

I-I'd like to hear it play a minute.

It's only fair.

I'm sorry. Forgive me.

- [Magda] Oh!

- [Jason] Okay, Davey. Take over.

- [All Chattering]

- Forget the radio. Here.

Now, why don't you take

this little mixing machine. It's a freebie.

- The other man just confused me.

- Hey, how about the toaster?

- Toaster? Sure. Here.

- Yeah.

- How 'bout the watch?

- How about you take the toaster?

What did you want?

- [All Chattering]

Here's the Bulova for Dad.

There you are.

We don't want your money, ladies.

There you go. Quite a surprise package for you.

- [All Chattering, Shouting]

- No, no, ladies! For God's sakes!

- [Lebowitz] Let's clear the entrance.

- They don't want your money.

Auction is over.

Run along now. That's it for today.

[Chattering Continues]

- Ah, geez.

- You're some kind of holy terror, you know that?

- I'm surprised they ever

let you out of that loony bin.

- Well, not exactly a loony bin.

More like a retreat, rest home.

Now wait a minute. Both of you.

Look, before you call it a good day's work,

what am I supposed to do with seven auctioneers?

Rate this script:0.0 / 0 votes

Jacob Brackman

Jacob Brackman (born 1943) is an American journalist, writer, and musical lyricist. After graduating from Harvard University in 1965, he went to work for Newsweek as a journalist. He remained there for six months and was then hired by The New Yorker. He subsequently worked as a film critic at Esquire magazine from 1969 until 1972. He met Carly Simon in 1968 when they were both working as counselors at a summer camp in the Berkshires. The two became close friends. Most of Simon's albums include one or two songs co-written with Brackman; typically, Simon writes the music and Brackman writes the lyrics. Among the dozens of songs they have written together are the top ten hits, "That's the Way I've Always Heard It Should Be" (1971) and "Haven't Got Time for the Pain" (1974), both of which were sung by Simon. The lyrics to the Broadway musical King of Hearts were also written by Brackman, and so, too, were the screenplays for The King of Marvin Gardens (1972) and Times Square (1980). He has also collaborated musically with James Taylor, Steve Winwood, Dr. John, Fred Astaire, Michel Polnareff and Dionne Warwick. He was the executive producer for the acclaimed Terrence Malick film, Days of Heaven (1978). He married the late Mindy Jostyn, and co-authored the lyrics on her CDs. Jacob Brackman has been an influence to many other artists, including Welsh rock group the Manic Street Preachers. See article on the film Times Square for more. more…

All Jacob Brackman scripts | Jacob Brackman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The King of Marvin Gardens" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/the_king_of_marvin_gardens_11839>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The opening scene
    B The introduction of characters
    C The final scene
    D The highest point of tension in the story