![Find The Late Shift on Amazon](https://images-na.ssl-images-amazon.com/images/M/MV5BMTkzOTI4OTY4OF5BMl5BanBnXkFtZTcwOTQ5NDgyMQ@@._V1_SX300.jpg)
The Late Shift Page #3
- R
- Year:
- 1996
- 95 min
- 479 Views
ALL RIGHT.
( P.R. executive )
WE HAVE TO CONTROL THE RUMORS.
"WE HAVE TO
CONTROL THE RUMORS?"
YOU HAVE TO:
CONTROL THE RUMORS.
WORD THE RELEASE?
MAYBE WE SHOULD:
NO WORDS LIKE,
WILL REIGN FOR:
NO.
OK.
HELEN'S WORK, RIGHT?
IT PROBABLY CAME
BY LEAKIN' A STORY.
LOOK SO F***ING EAGER
YOU'LL DO ANYTHING
YOU KNOW, I'M JUST...
WHAT ARE YOU:
I MEAN, THAT'S THE PROBLEM.
I DON'T THINK
THERE YOU GO WITH THA "LIKE" SH*T AGAIN.
WHAT THE HELL:
I MEAN, HE'S NOT PICKIN'
HIS SUCCESSOR, N.B.C. IS.
YOU DON'T THINK
NO, I DON'T.
WOULD YOU LEAVE:
THE CAMPAIGNING TO ME?
TO SWEAR TO JOHNNY THIS DIDN'T COME FROM US.
( Johnny )
Hello.
JOHNNY, HEY, IT'S JAY.
Jay?
IN THE POST.
YOU KNOW, MAKE IT CLEAR TO YOU
Actually, you've been the G.E.
employee of the week,
haven't you there, Paul?
Aw, gee, Dave, I guess
I... I missed out on that one.
Uh, well, it's, uh,
it's quite an honor, Paul.
You know, kids,
why don't we find out
who... who the G.E.
employee of the week is,
uh, this week.
Right here, on our show,
we can reveal the name
of the G.E.
employee of the week.
( drum beating )
Anton, can we have a...
Here we go.
Uh, let's see who it is
this week, huh, Paul.
Warren Littlefield
and John Agoglia.
for cost consciousness
far beyond...
WELL,
AND WE'RE HELPLESS.
FORGET ABOUT IT.
THESE RATINGS CHARTS
YOU SENT ME.
( Warren )
SO... SO YOU KNOW HOW WELL JAY IS DOING.
YEAH.
PRIME-TIME REVENUES
I'M THINKING
WE'VE GO RIDING ON LATE NIGHT.
IS A PROBLEM THERE.
HELEN KUSHNICK,
THE WOMAN'S FORCING THE ISSUE.
SO FAR WE'VE BEEN
WITH VERBAL ASSURANCES:
THE TONIGHT SHOW.
PLUS, WE'VE COMMITTED
SERIOUS MONEY:
$2, $3 MILLION...
WE'VE STILL GO CARSON AND LETTERMAN.
BELIEVE THAT LENO
IS THE HOTTEST TALEN IN TELEVISION.
ESPECIALLY SINCE JOHNNY
IT MAY GET TO THE POIN WHERE WE CAN' WAIT ANY LONGER.
OF JOHNNY CARSON?
ARSENIO'S GO THE YOUNGER VIEWERS.
( sighing )
GIVE HIM A CONTRAC THAT GUARANTEES HIM THE SHOW
WHENEVER JOHNNY LEAVES,
YEAH, BUT WHERE DOES THA LEAVE US WITH LETTERMAN?
HE CAN'T GO ANYWHERE.
WE'VE GOT HIM
FOR 2 MORE YEARS.
LETTERMAN'S NEVER ONCE
ASKED US:
IF JOHNNY QUITS.
WE'LL MAKE SURE
HE STAYS THERE.
BETWEEN US, HELEN, AND JAY.
LETTERMAN DOESN' HAVE TO KNOW,
THAT IS ESSENTIAL.
THAT N.B.C. IS PUSHING
VERY CAREFULLY.
IF THAT MEANS A DEAL FOR LENO,
LET'S DO IT.
THE FIRST WEEK NIGH AFTER CARSON'S LAST SHOW.
HELEN IS:
THE EXECUTIVE PRODUCER.
N.B.C. PRODUCTIONS
OWNS THE SHOW.
NOW, OF COURSE,
LEAVES THIS ROOM.
NO. NO.
OH.
HELEN GETS THIS:
FAT CHECK.
THIS IS THE IMPOSSIBLE DREAM
COMING TRUE:
FOR 2 PEOPLE, HUH?
OH, YEAH, I... I THINK, HELEN,
THEY'VE GOT US
WELL, YOU SEE,
I WOULD'VE SAID I THE OTHER WAY AROUND.
( laughing )
( people chattering )
FOR THE STARS:
WELL, YOU'VE...
YOU'VE SEEN THE, UH,
THE NEW PROGRAMS
AND I... I HOPE OUR AFFILIATES
AND OUR FRIENDS:
IN ADVERTISING COMMUNITY
AGREE,
INTO PRIME TIME.
AND NOW THE... THE LAST SURPRISE
OF THE DAY.
LADIES AND GENTLEMEN,
THE KING OF:
LATE NIGHT TELEVISION
SOON TO BEGIN:
HERE'S JOHNNY.
THANK YOU.
THAT... THAT'S VERY NICE OF YOU.
GEE... GEE,
WHAT A FAST-PACED AFTERNOON.
( all laughing )
( all laughing )
YOU KNOW, I ALWAYS
GET A LITTLE AWESTRUCK
JASCHA HEIFETZ,
VLADIMIR HOROWITZ,
AND TODAY,
WARREN LITTLEFIELD.
( all laughing )
OUT OF DARWIN'S THEORY, DOESN'T IT?
( all laughing )
YOU KNOW, JAY LENO
WHO'S NOW
"HOW'RE YOU FEELING?
YOUR THYROID OK?"
YOU KNOW, I LIKE JAY,
ABOUT MY HEALTH.
IN FACT,
THROUGH CENTRAL PARK
ABOUT MIDNIGHT TONIGHT.
ANYWAY, I KNOW IT'S BEEN
A LONG AFTERNOON.
THAT I'M DOING
THE TONIGHT SHOW.
WHAT DID HE JUST SAY ABOU THIS BEING THE LAST YEAR?
I DON'T... I DON'T KNOW.
MAY 22, 1992.
( all exclaiming )
I JUST WANNA...
( all applauding )
WHY... WHY DIDN'T YOU...
THIS IS REAL.
IT'S REAL.
GREAT TIE, BOB, TERRIFIC.
( audience chattering )
DID YOU KNOW:
ABOUT THIS, JOHN?
MR. LITTLEFIELD,
THANK YOU, UM, JOHNNY,
AND THE BATHROOMS
( reporters chattering )
WARREN,
( John )
WE HAVE NO RELEASE PREPARED, NOTHING.
BETTY, WHY DON'T YOU...
LIKE BACON STRIPS.
ASSES HANGING OUT.
I DIDN'T KNOW ANYTHING.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Late Shift" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/the_late_shift_12308>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In