The Look of Love Page #5

Synopsis: After the untimely death of his daughter, Paul Raymond reflects on his life. Rising from a mind-reading act, Raymond grew to have a fabulously successful career as an erotica magnate that would make him the richest man in Britain. However, for all his material success, Paul's appetites mess up his personal life, such as alienating his wife with his philandering. Furthermore, even as he challenged his society's sexual mores, Paul's relationship with his daughter proves troublingly problematic as she came of age. While trying to be the best father he could, Paul gradually comes to realize that his proclivities have impoverished him in ways that mere money cannot address.
Production: IFC Films
  1 win & 1 nomination.
 
IMDB:
6.0
Metacritic:
57
Rotten Tomatoes:
53%
NOT RATED
Year:
2013
101 min
$217,933
Website
61 Views


# We'd like you to know

just before you go

# Thank you for seeing our show

- Good morning, Dennis.

- Morning, sir.

- How are you?

- Very well, thank you.

Good, good.

How bad is it?

Bookings just aren't coming in.

If it carries on like this

we're gonna take a real beating.

I don't understand. It's baffling.

I mean, there's something

for everyone in that show.

Is it the black and white baby or...

Oh, that's my favourite.

I love the black and white baby.

It's bloody hilarious.

I mean, we've got dolphins

pulling knickers off girls

for goodness sakes.

I mean, what's not to like?

Excuse me, Mr Raymond, I've got

a gentleman on the phone for you.

He says he's your son.

Well, just take his number.

I get a lot of crank calls.

Well, we've got to make sure

that Fiona's next show is a knockout.

- Yeah.

- We have to...

make as big a splash as possible.

Bigger than those damn dolphins.

My name is Paul Raymond.

This is Fiona Richmond.

Fiona Richmond is starring

in the West End farce Let's Get Laid,

starting this Thursday night.

If you enjoy, as I do,

looking at nude ladies,

please do come along.

You shan't be disappointed.

That's disgusting.

No, it's not disgusting.

It's perfectly natural.

If it's good enough for Lady Godiva,

it's good enough for Fiona Richmond.

That's enough now.

Enough fun. Get off.

- Sorry, everyone.

- Come on, you've had your laughs.

Come on. All right, get rid

of the horse, it's blocking the road.

- Hi. Hello.

- Lady Godiva.

- How are you?

- Oh, it went brilliantly.

Paul. Fiona.

Let's get laid.

I'd rather see a beautiful lady

with her top off

than a middle-aged man

with his pants down.

I mean, who wants to see Brian Rix

with his trousers down all the time?

Me!

Well, well, well. Deborah Raymond.

I didn't know you were here.

- Hello. You look gorgeous.

- Oh, hello.

Oh, you were wonderful this evening.

- Don't, I'm hardly in it.

- No...

This is all down to you.

Mwah! Hello, Mr Raymond.

Pa's really happy and

it's a smash hit, isn't it?

Mmm-hmm.

You're a very lucky man, Paul,

getting to share your bed with

such a beautiful and talented woman.

- Are you flirting with my girlfriend?

- Ah, I might be.

Should I be jealous?

Well, that's up to you.

How are the Follies going?

Oh, Tony, I don't want

to talk about it.

Well, my apartment's right at the top,

so there's very little light pollution.

You can actually see the

stars from the bed.

I'd love to see it.

Are you all right, Debs? Are you okay?

Tired.

And I also have a sun...

sunbed above the bed

so you can get a tan

at the same time.

I have something

that'll cheer you up.

- Have to do it quick, right.

- Yeah.

This way... Trumpet. Toot-toot!

This way, right?

Ha! There you go.

Wow, it's amazing!

Ah! Home at last.

- I love you.

- I love you, too.

I'm so glad you guys

love each other.

And, er... and I like you a lot.

Wouldn't it be awful if we didn't?

- And I like you a lot.

- Good.

- Here's Debbie.

- Hello.

Hello, darling.

Do you want us to, um, head on

when she... when she comes in?

- Uh, yes. Yes, if you wouldn't mind.

- Could be a little bit awkward.

- Hello.

- Hi.

- How are you?

- Hello.

- Come, have a seat.

- Oh, thank you, Carl.

- There we are.

- Hi.

Thank you.

- Would you like a drop?

- Yes, please.

- How are you?

- How's the voice?

It's okay. It was a bit hoarse

when I woke up this morning, yeah.

It doesn't sound hoarse.

And, more importantly,

you don't look like a horse.

Yeah, you certainly don't.

Not at this moment in time.

Pineapple juice is what you want

for the throat.

Tony, we ought to, uh...

- Yes, yes, yes, yes.

- See you at the bar.

Just a second.

- See you in a little bit.

- See you in a bit.

Apparently, as well,

if you have chocolate

it's good for your voice.

It soothes it.

Um, I was thinking, uh,

we should think, er...

of perhaps finding another vehicle

for your talents.

I really like the Follies, though.

I know. I just think, you know,

we should find something else.

I don't think we should.

I really enjoy it

- and I really enjoy it every night.

- I'm thinking of cancelling the show.

The public were not ready.

They didn't understand it,

they didn't get it. More fool them.

I mean, is it my...

is it my fault?

No, it's not.

Of course it's not your fault, no.

It was haemorrhaging cash, you know.

I've got to balance the books,

you know, that's...

Well, what am I gonna do now, Pa?

I want to be able to act

and I want to be able to sing.

And I was doing that

and now everyone's going to...

Don't cry.

But they're going to know that

I was in the show that you put me in

and I wasn't good enough

and now nobody's going to hire me

in anything else ever again.

Don't cry.

I'm sorry, Pa, but I'm upset

about what you've just told me!

But don't cry!

The show's losing money!

I can't haemorrhage cash

just because you want to sing.

Don't cry, there's nothing to cry about.

- I can't help crying, I'm sorry.

- There's nothing to cry about!

I'm sorry.

Dry your tears. Come on.

Come on, dry your tears.

Anything else for Miss Raymond?

Can I have some champagne?

Would you like another

bottle of champagne?

Yes. Yes, please, Carl.

Your mascara's running.

I'm just gonna go, um...

I'm just gonna go to the loo.

Tony, do you have,

um, a pick-me-up?

- Are you all right, sweetheart?

- I'm okay. Yeah.

Yeah, thank you. Thanks.

- Didn't take that so well.

- No, she didn't.

I think you should watch that.

- Oh, she's fine. She's a big girl.

- She's a kid.

- Hi.

- Good evening, Tony.

Evening.

Deb?

Um, I'll have a vodka tonic,

thank you.

And a scotch, please.

- It's quite phallic, isn't it?

- Yes.

If my penis was shaped like a saxophone

I'd seek urgent medical attention.

There's Pa over there

with those girls.

They look about 12 years old.

I tell you, I did love the show, but...

You know what he's like.

Yeah, I do know what he's like.

That's what pisses me off.

Well, I've got some hard feeling.

Well, I will have later...

Look, come on, let's do a line.

Is she angry with Daddy?

Okay.

Keep these two lovely dishes

on the boil.

'Cause I'm working up

quite a large appetite.

Excuse me.

Oh, do you mind?

Oh, hi. Er, right.

This isn't what it looks like,

obviously.

No, we... we were literally

just having a snog in the ladies.

No. No, no, no. Whoa! No, no, no.

We were just...

Where did you get this?

If you're just buying it

off some random guy in the street,

you're crazy. It's junk.

If you're gonna do this kind of thing,

get the good stuff.

Yeah, well, that's mine, Paul,

so it is the good stuff, so...

Oh, right. Well, good.

But thank you for your advice.

I will remember that forever.

- Tony, uh, take her home.

- Pa.

- Come on, Debs. Come on.

- Are you being serious?

No, this is the first time

I've been happy all day long.

- Come on, Debbie. Look, this is...

- Dad...

I'll put you in a cab.

Rate this script:0.0 / 0 votes

Matt Greenhalgh

Matthew Greenhalgh is an English screenwriter from Manchester. He is best known for writing the screenplay to the film Back to Black and Film Stars Don't Die in Liverpool, which earned him a BAFTA Award nomination for Best Adapted Screenplay. more…

All Matt Greenhalgh scripts | Matt Greenhalgh Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Look of Love" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_look_of_love_20738>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Look of Love

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "montage"?
    A A series of short scenes that show the passage of time
    B The opening scene of a screenplay
    C A single long scene with no cuts
    D A musical sequence in a film