The Marrying Man Page #3

Synopsis: Rich playboy Charley Pearl meets Vicki Anderson, singer at a nightclub in Las Vegas. But she's a gangster's-moll, Bugsy Siegel's, and when he finds the two of them in bed, he forces them to marry each other. Charley was going to marry his girlfriend but when she finds out about him and Vicki, she leaves him. And Vicki doesn't seem to be his kind of woman at all...
Genre: Comedy, Music, Romance
Director(s): Jerry Rees
Production: Hollywood Pictures
  1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
10%
R
Year:
1991
115 min
326 Views


as a matter of fact.

- You're very good.

- The lady likes to drink alone.

Why don't you show her

a little professional courtesy, Charley?

I'm not trying to pick you up.

I'm getting married in six days.

I couldn't be happier for you.

Do we have any peanuts?

Yeah.

- Thanks.

- Yes, sir...

finally gonna tie the old knot.

Never thought it

would happen to me.

I'm up here on

a bachelor party.

Quiet party.

I left early. Me and the guys,

we really went wild.

I was going to drive back

to L.A., but I decided...

to stay and see your last show.

Is there an album of yours

that I could buy?

Because if there isn't, then

somebody better open their eyes...

because I think you have

one hell of a future.

- You in show business?

- No, toothpaste.

No wonder you smile so much.

My name's Pearl...

Charley Pearl.

Gus, got a talker down here.

I'm in the columns

now and then.

Really?

Selling toothpaste?

I race cars, speedboats...

play a little polo.

You like polo?

I would have thought a guy

getting married in six days...

would behave himself.

- Am I out of line?

- Your foot's on the edge, pal.

Excuse me.

This section just closed.

Move to the other end of the bar,

we'd be glad to pick up your tab.

- Have I offended someone?

- I don't own this hotel.

See, no one's complaining.

Look, I asked you nice once.

Second time gets ugly.

He's harmless, Gus.

He's getting married

in six days.

I just want to make sure

the guy shows up.

You got two minutes

to finish your drink.

Then you run out of'em.

Those guys must think

you're pretty important.

- My fan club.

- Listen...

I know some influential

people in your business.

Is there any way

they could sort of...

- get in contact with you?

- Nope.

Don't go yet.

Don't touch, Charley.

Those guys know how

to turn wives into widows.

I mean it when

I say you're good.

You should be making records,

playing big clubs.

You should be in the movies.

Charley, I'm gonna save your life.

Do you know who I am?

Yeah, Bugsy Siegel's

girlfriend.

If they hear you call him Bugsy,

they'll turn you...

into a roulette wheel.

I'm not brave

and I'm not stupid.

I've got 30 seconds

to finish my drink...

before they show me the door.

Is there any way I could

see you later on tonight?

Sure, if you don't mind

looking up from a grave.

Just tell me where to go.

Charley Pearl!

The toothpaste king!

Why do you want to die if

you're worth 40 million bucks?

and I don't want to die.

I just want to

see you later on.

Why?

Some things are worth

risking your life for.

You have five seconds

to make up your mind.

No. What is

wrong with me?

They'll kill us both

ifhe catches us.

Makes life interesting,

doesn't it?

Five Yucca Ridge Road.

Don't come if

the porch light is on.

I'll leave the side window open.

I must be crazy.!

I've had enough.

I loved the show.

Next time, I'll bring

the wife and kids.

I know the way out.

Jesus, the creeps

they let in this joint!

Now, Charley's brain

knew that what he was doin'...

was dumb and dangerous.

The problem was, his brain

was no longer drivin'the bus.

Charley was about to break

the two golden rules:

One, never fool around

with a gangster's girl.

And two, never fool around

with a gangster's girl.

Where are you?

Pulling down the shade

would be a smart move.

Right.

Hi.

Okay, so you're here.

What do you want?

I thought maybe we'd talk.

About what?

I mean... what do

you mean, about what?

I'm risking a bullet in my head

to come see you.

I got the impression that

you want to see me, too.

So, what do you want to do?

Well, a drink would be nice.

Soft music maybe.

About my career.

Oh.

Well, uh, I meant what I said.

I could introduce you

to some influential people.

More important

than Benny Siegel?

Well...

without those two gorillas,

Benny Siegel...

isn't anymore important than...

the doorman.

Doormen open doors, Charley.

Judging from your looks

and this bungalow...

I think he had something

else in mind, don't you?

And I suppose you don't.

He gave you this job.

But I don't think...

he's really going to

push your career.

Whereas I am prepared

to pick up this phone...

and get you an appointment

with Decca Records.

Why would you do that for me?

Why did you

leave the window open?

I don't know.

I don't know.

Besides, Benny's gettin'

ready to dump me.

That's what he went

to pick up in Chicago.

Look, I gotta tell you this.

I couldn't take my eyes

off you in that club.

When I was sitting

next to you...

I had to fight to keep

my hands off you.

You know, sometimes

something strange...

something special happens

between a man and woman.

She may not be right for him,

or he for her, but...

it happens anyway.

And there's not a damn thing

either one can do about it.

Are you laughing at me?

Yeah.

But don't go away.

On the other hand, Adele...

the woman I'm suppose

to be married to...

she is the absolute

right woman for me.

Lucky Adele.

Except I don't wanna...

devour every inch

of her flesh...

the way I want to do right now.

- Know what I'm talking about?

- Shut up, Charley.

Oh, you smell so good.

It's Benny.

I've got to answer it.

Forget about him.

You gotta let me up.

He'll kill us both

if I don't answer.

Hello.

Hello?

Benny, hi!

No, I was just working

out on the floor.

I just...

I know you'll be home

in a few days, and I...

just wanted to

get in shape for you.

Me, too, babe.

Oh, with my heart.

Okay, sure.

Bye.

- He has somebody new, all right.

- Forget about him.

She was workin' out

on the floor.

What did this guy look like?

Pretty, flashy smile.

A country club shithead.

This is very

disappointin' to me.

You know what I mean?

Ooo. You're an animal.

You leave some pretty good

teeth marks, yourself.

That girl you're marrying?

What's her name?

Um...

Adele!

Tell her she's going to have a short,

but happy, life.

I once swung at a golf ball

and thought I missed it...

until I look up and I see

it climbing in the sky...

two hundred yards away,

still climbing.

And then it drops...

on the green

two inches from the pin.

That is the only time

I've ever felt...

anything perfect

in my whole life...

until right now.

That's the first time

I ever felt like a golf ball.

I've gotta see you again.

We've gotta work it out.

That's not my problem, Charley.

Ah!

You'll have to take

that up with Bugsy.

That's the first time

you've ever called me Bugsy.

- Oh, my God.

- Um...

- Well...

- This is bad. This is so bad.

I couldn't see much,

but it didn't sound good.

- Benny, listen to me.

- Call me Bugsy.

Benny'd be an insult to me now.

Mr. Siegel,

this is all my fault.

She turned me down at the bar.

I followed her car out here

and broke into this room.

I forced her, I swear to God.

You know, I believe

this to be true...

'cause Vicki would never

do such a thing, not to me.

And so you won, huh?

Gee...

you must've ripped

Rate this script:0.0 / 0 votes

Neil Simon

Marvin Neil Simon (born July 4, 1927) credited as Neil Simon, is an American playwright, screenwriter and author. He wrote more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer.Simon grew up in New York City during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood. He often took refuge in movie theaters where he enjoyed watching the early comedians like Charlie Chaplin. After a few years in the Army Air Force Reserve, and after graduating from high school, he began writing comedy scripts for radio and some popular early television shows. Among them were Sid Caesar's Your Show of Shows from 1950 (where he worked alongside other young writers including Carl Reiner, Mel Brooks and Selma Diamond), and The Phil Silvers Show, which ran from 1955 to 1959. He began writing his own plays beginning with Come Blow Your Horn (1961), which took him three years to complete and ran for 678 performances on Broadway. It was followed by two more successful plays, Barefoot in the Park (1963) and The Odd Couple (1965), for which he won a Tony Award. It made him a national celebrity and "the hottest new playwright on Broadway." During the 1960s to 1980s, he wrote both original screenplays and stage plays, with some films actually based on his plays. His style ranged from romantic comedy to farce to more serious dramatic comedy. Overall, he has garnered 17 Tony nominations and won three. During one season, he had four successful plays running on Broadway at the same time, and in 1983 became the only living playwright to have a New York theatre, the Neil Simon Theatre, named in his honor. more…

All Neil Simon scripts | Neil Simon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Marrying Man" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_marrying_man_13412>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Marrying Man

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of a "tagline"?
    A A catchy phrase used for marketing
    B A character’s catchphrase
    C The final line of dialogue
    D The opening line of a screenplay