The Miracle Woman Page #5
- PASSED
- Year:
- 1931
- 90 min
- 145 Views
living here all by yourself?
But I don't live here all
by myself. I've got a pal.
Oh, my goodness.
I hope we didn't keep him up.
Ill get him.
I want you to meet him.
No. Oh, no.
Please, some other time.
if I didn't introduce him to you.
Come on, chump,
get up out of there.
Come on, I want you
to meet a lady.
AL:
Leave me alone. I met a lady.JOHN:
Come on, chump.
AL:
All right, all right.But she better be good.
Al, I want you to meet Sister Fallon.
Oh, how are you, Sister?
Where you been all my life?
Cut that out, Al.
Oh, go lay an egg.
Lay an omelette, will you?
You know, Sister,
every time I express myself,
this big dummy
tries to step on me.
Mind if I join the party?
Come right in.
Lucky break for you, chump.
You know who I am?
I'm the skeleton in the closet.
He keeps me locked up until he gets
into a jam and then he hauls me out.
No utsgay. No utsgay.
Here, Al. One more crack like that,
and Ill put you back in the trunk.
Yeah, you
and what piano mover?
Ill bet the chump's been
telling you the story of his life.
Ill bet he's been showing
off. He always does.
He even thinks
he's a ventriloquist.
[BLOWS RASPBERRY]
There you go again,
getting personal.
Sure, I'm getting personal.
It's time somebody was
You know, Sister.
From whom?
From the sapodil here.
That's all he talks about.
Sister this, Sister that
and Sister the other.
I wish you'd do me a favour.
Now, look here, Al...
Shut up. I'm not talking to you.
You let that little boy alone.
Ill be glad to do you
a favour. You know me, Al.
See, you, will you keep
your mush out of this?
It isn't for me personally.
It's for the boyfriend.
You know what's wrong with the
slob? He's looking for a job.
Slob. Job.
Hey! I'm a poet.
What rhymes
with "Sister"? I got it.
"Mister."
There once was
All dressed up and no place to go
One night in the rain
She ran into a swain
And was she annoyed?
No, no.
[LAUGHING]
You know why he was
a stage-door Johnny tonight?
He wants to go to work for you.
For me?
Not for money. He gets along fine
on what the government pays him.
He wants to go to work
for you for nothing.
Ain't that right?
That's right.
Yes, but why should you?
Go on, tell her.
All right, if you don't, I will.
It's because you saved his life.
Me?
Yeah, you.
The funny part is you didn't
know you were doing it.
He was gonna jump
right out that window,
but you happened to be on the air
at that moment. And you stopped him
with a few well-chosen words
about quitters.
Is this true?
Certainly, it's true.
I told him the same thing many a
time, but he wouldn't listen to me.
As far as I'm concerned,
he could've jumped.
Only I didn't wanna be left
alone with Mrs. Higgins.
Two is a company, three
is a crowd, I always say.
You mean to say that
something I said over the radio
actually stopped you from
jumping out of the window?
Yeah. I started to go Hamlet,
but you kidded me out of it.
Say, couldn't I do something
for you? Go to work for you?
[CHUCKLES]
Card tricks or something?
Well...
You write music. Do you
suppose you could write hymns?
All right, you're hired.
I thank you,
and Al thanks you
and Ill be around to the tabernacle
first thing in the morning.
Oh, l... I don't think you'd
better come to the tabernacle.
Too many people coming
in and out all the time.
I think you'd work
much better here at home.
Whatever you say.
And then it would sort of
give me an excuse
to come and see
you once in a while.
Say, if you'll do that,
Well, it's been a lovely visit.
And you taught me how to laugh
almost after I'd forgotten how.
Now, you keep out of the rain and
don't you go Hamlet anymore, will you?
All right.
Good night.
Good night.
I'm...
I'm glad I saved your life.
[CHEERING]
Step up, folks.
Don't miss the big show.
Drown your sins in good old gin,
and don't miss the great,
one-and-only Miracle Lady.
[CHEERING]
Oh, dear ones!
The spiel that I have cooked up for
you this evening is on the subject of
"Will you have ginger ale,
or will you have white rum?"
Come on in, Sister.
WOMAN:
- No sin in the world like mixing drinks!
Yea, brethren and "sistren"...
Oh, hello, Sister. Hallelujah!
[CHEERING]
Stand back, please.
I phoned your house a dozen times.
Where the devil have you been?
Do I have to bring
home report cards?
Where did you collect
all that garbage?
Now, wait till they warm up.
You told me you wanted
a lot of laughs, didn't you?
Say, chief, I hear you're
looking for some shills.
They're not paying salaries
on our lot, and I'm available.
Yeah?
Yes.
Get this for a miracle.
You see, I comes up to Sister like this.
She lays on the healing mitts.
I sees the light and...
Wham!
Hallelujah!
I play the saxophone too.
Drop in and see me tomorrow.
Okay, boss.
He's not bad, is he?
What's the matter?
I thought you
wanted to relax.
Don't you like my party?
No.
Now, Ill throw them all out.
And we'll have a nice, quiet
little party all by ourselves.
No, thanks. I wanna go home.
Hello, Sister. I'm glad
you decided to show up.
I was just telling Hornsby...
Lay off!
No, I want her to hear this. She
can't pull this Pollyanna stuff on me.
I'm sick of doing the hard work and
seeing you two get all the gravy.
Twenty percent to me, and I have to
kick back half of that to my chiselers.
And you split
I told you that goes
to the tabernacle.
Oh, yeah? Well, who's gonna
live in it? Santa Claus?
I rate a three-way split.
And I'm gonna get it too.
Not from me.
If I don't get it from you,
I know where I can get it.
Where?
Well?
Do I get mine,
or must I take up journalism?
You'll get yours.
Okay, baby. Live and
let live. That's me.
Wait a minute. Ill take you home.
No, thanks.
I don't want any company.
Let me alone.
Follow her and see
she goes right home.
Now from the whole tabernacle.
Did you receive God's message?
CROWD:
Amen!
FLORENCE:
Glory hallelujah!
CROWD:
Glory hallelujah!
[BAND PLAYING HYMN]
Here's your paper, sir.
Lew?
LEW:
Yes, sir.Why, home.
Always?
Well, sometimes she likes
to go for a drive.
Alone?
Sure.
You like your job, don't you?
Certainly.
You wanna keep it?
Yes.
Well, if you do, remember,
the people I like stick around.
The people I don't like, don't.
Okay, sir.
And that big,
black derby of yours.
You feel pretty good
lately, don't you?
Yeah. I guess the climate
agrees with me.
It doesn't show
in the box office.
Now that business is off, you
walk around singing all the time.
Maybe it's because
I'm a bad businesswoman.
Maybe.
You rang down early tonight,
didn't you?
I'm all in.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Miracle Woman" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/the_miracle_woman_20862>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In