The Phantom Tollbooth Page #7

Synopsis: Milo is a boy who is bored with life. One day he comes home to find a toll booth in his room. Having nothing better to do, he gets in his toy car and drives through - only to emerge in a world full of adventure.
Production: Warner Home Video
 
IMDB:
7.0
Rotten Tomatoes:
100%
G
Year:
1970
90 min
1,544 Views


HUMILITY.

THIS SHOULD:

DO THE JOB NICELY.

I TOLD YOU,

I TOLD YOU--

THERE ARE SO MANY

THINGS TO TAKE AWAY

AND THINGS:

TO BRING BACK.

SO MANY HOLES TO DIG.

SO MANY DOODLES:

TO DOODLE.

SO MANY:

USELESS THINGS YET TO DO.

UH-OH.

RUN, EVERYBODY! RUN!

[BARKING]

TOCK, TOCK,

ARE YOU ALL RIGHT?

PLEASE SAY:

SOMETHING, TOCK.

PLEASE TICK OR SOMETHING.

HE'S NOT TICKING.

OH, HUMBUG.

HIS MAINSPRING'S

BROKEN.

HE'S STOPPED TICKING.

YOU'LL HAVE TO

WATCH HIM NOW.

I'VE GOT TO GE RHYME AND REASON.

HURRY, MILO, HURRY.

WELCOME, MILO,

TO THE CASTLE:

IN THE AIR.

BUT HOW DO YOU:

KNOW WHO I AM?

ARE YOU:

THE PRINCESSES?

YES, MY DEAR.

THIS IS MY SISTER,

THE PRINCESS:

OF SWEET RHYME,

AND I AM CALLED:

THE PRINCESS:

OF PURE REASON.

AND AS FOR KNOWING

WHO YOU ARE,

WHY, WE SEN FOR YOU.

SENT FOR ME?

YES.

YOU SEE, MILO,

WE HAD TO:

FIND A BOY:

WHO WAS SO BORED,

HE WOULD GO ANYWHERE

AND DO:

ALMOST ANYTHING:

TO GET AWAY:

FROM IT ALL.

ONLY SUCH A BOY:

COULD RESCUE US.

BUT HE ALSO HAD TO

HAVE COURAGE AND CURIOSITY

AND KINDNESS.

THAT'S WHY WE CHOSE YOU.

BUT YOU DON'T KNOW.

I'VE MADE

SO MANY MISTAKES.

I'VE MESSED UP

THE WHOLE SKY, AND I--

NEVER FEEL BADLY

ABOUT MAKING MISTAKES,

BECAUSE OFTEN:

YOU LEARN MORE:

BY BEING WRONG:

FOR RIGHT REASONS...

THAN BY BEING RIGH FOR THE WRONG REASONS.

WHAT ABOUT TOCK?

HE'S BROKEN...

OR DEAD OR RUN DOWN

OR WHATEVER:

WATCHDOGS DO.

WE'VE GOT TO

HELP HIM.

WE CAN HELP EVERYONE

NOW, MILO.

YOU MEAN NOW THAT KING AZAZ

AND THE MATHEMAGICIAN

HAVE AGREED TO DISAGREE?

YES, MILO.

NOW THAT YOU'VE

HELPED THEM UNDERSTAND

HOW FOOLISH THEY WERE

TO DISAGREE AT ALL.

BUT HOW:

CAN WE GET DOWN?

THE STAIRWAY IS GONE.

WE THINK YOU MEAN

WHETHERWE CAN GET DOWN,

DON'T YOU, MILO?

BECAUSE UNLESS:

I'M MISTAKEN,

HERE COMES YOUR OLD

FRIEND THE WHETHER MAN.

WELL, NOW.

WELL, NOW. WELL, NOW.

IF IT ISN'T THE LITTLE BOY

WHO GOT LOS TRYING TO FIND HIS WAY.

EXPECT EVERYTHING,

I ALWAYS SAY,

AND THE UNEXPECTED

NEVER HAPPENS.

BUT NEVER MIND THAT.

WHAT YOU REALLY NEED NOW

IS A "HOW," ISN'T IT?

AND PERHAPS A "HERE"

TO GO WITH IT?

WITH A "HERE'S HOW,"

YOU CAN DO ANYTHING.

OH, AND IT'S ALSO

AN EXCELLENT WAY

OF GETTING FROM:

ONE PLACE TO ANOTHER.

HERE'S HOW.

[TICKING]

[RINGING]

OH, TOCK...

HEH HEH...

YOU'RE ALL RIGHT.

EGAD, I'M GORGEOUS.

COME ALONG. COME ALONG.

COME ALONG.

WE DON'T WANT TO MISS

THE GREAT CELEBRATION.

[RINGING]

WHEW!

I REALLY THOUGH I'D BUSTED MY MAINSPRING.

ARE YOU ALL RIGHT, LAD?

OH, YES.

AND LOOK, TOCK,

RHYME AND REASON

ARE STRAIGHTENING OU THE MESS

I MADE OF THE SKY.

AH, 5:
23,

RIGHT ON TIME.

HENCEFORTH AND FORTHWITH

LET IT BE KNOWN:

BY ALL MEN:

THAT RHYME AND REASON

REIGN ONCE MORE:

TIME IS MADE:

THE MOST OF NOW:

EVEN SECONDS COUN TIME, WE SAY,

WE BOAST OF NOW:

AS OUR SAVINGS MOUN HENCEFORTH AND FORTHWITH

LET IT BE KNOWN BY ALL

EVERYONE'S INNOCEN UNTIL PROVEN GUILTY.

INNOCENT. INNOCENT.

INNOCENT, INNOCENT,

INNOCENT, INNOCENT, INNOCENT.

RHYME AND REASON

REIGN ONCE MORE:

RHYME AND REASON

REIGN ONCE MORE:

HEREWITH AND THEREWITH

LET EVERYONE:

TAKE NOTE NOW:

THAT SENSE AND SANITY

PREVAIL:

WHEN WE LOOK,

WE SEE AGAIN:

BLISS AND HAPPY TEARS

MELODIES FLOAT FREE AGAIN,

DISCHORDS DISAPPEAR

HEREWITH AND THEREWITH,

LET IT BE KNOWN BY ALL

A-L-L.

ALL.

SENSE AND SANITY PREVAIL

SENSE AND SANITY PREVAIL

HENCEFORTH AND FORTHWITH

LET IT BE KNOWN:

BY EACH MAN:

THAT RHYME AND REASON

REIGN ONCE MORE:

NUMBERS ALL:

ADD UP AGAIN:

WORDS ARE:

FOR THE WISE:

UP, EVERYONE,

WITH CUP AGAIN:

REASON'S ON THE RISE

HENCEFORTH AND FORTHWITH

LET IT BE KNOWN BY ALL

RHYME AND REASON

REIGN ONCE MORE:

SENSE AND SANITY PREVAIL

RHYME AND REASON

REIGN ONCE MORE:

RHYME AND REASON

REIGN ONCE MORE:

[AH-OOH-GA]

[AH-OOH-GA]

WHERE ARE YOU,

MILO? MILO?

RALPH, ARE YOU

STILL THERE?

WHERE HAVE YOU BEEN

FOR THE LAST FIVE MINUTES?

WHERE HAVE I BEEN

THE LAST FIVE MINUTES?

FIVE MINUTES?

RALPH, ARE YOU CRAZY?

LISTEN, LISTEN.

CAN'T YOU UNDERSTAND?

I'VE JUST COME BACK

FROM THE MOST WONDERFUL

PLACE IN THE WORLD.

AND, RALPH, GUESS WHAT.

I MESSED UP A SUNRISE.

THAT'S SILLY.

HOW DO YOU:

MESS UP A SUNRISE?

SOMEBODY:

HAS TO CONDUCT IT.

HOW ELSE WOULD YOU

GET THE REDS:

AND THE ORANGES:

AND THE YELLOWS?

RALPH,

ARE YOU LISTENING?

RALPH, ARE YOU THERE?

I CAN'T TALK

TO YOU NOW.

SOMETHING FUNNY'S

IN MY BEDROOM.

SOMETHING FUNNY:

IN YOUR BEDROOM?

YEAH. IT'S A BIG BOX.

A BIG BOX?

OH, BOY.

TIME IS A GIFT,

PRECIOUS AND RARE

TAKE IT AND MAKE OF I ALL YOU CAN

EYES ARE A GIFT,

GIVEN TO YOU:

GIVEN TO GIVE YOU

THE WORLD TO SEE

LIFE IS A GIFT,

GIVEN TO YOU:

GIVEN TO GIVE YOU

THE TIME YOU NEED

NO HOPE:

IS TOO HIGH, MILO

NO HOPE IS TOO HIGH, MILO

NO DREAM TOO BIG TO DREAM

YOU CAN CLIMB A CLOUD

TO A SUNSHINE BEAM

POLISH UP YOUR SILVER SPOON

SAY THE WORD:

AND CALL THE TUNE

ALL THE WORLD'S

YOUR DREAM BALLOON

COME AND CATCH THE MOON

MILO, OPEN YOUR EYES

LOOK AROUND YOU AND SEE

SEE HOW WONDERFUL

LIFE CAN BE:

MILO:

MILO:

Rate this script:5.0 / 1 vote

Chuck Jones

Charles Martin "Chuck" Jones (September 21, 1912 – February 22, 2002) was an American animator, filmmaker, cartoonist, author, and screenwriter, best known for his work with Warner Bros. Cartoons on the Looney Tunes and Merrie Melodies shorts. He wrote, produced, and/or directed many classic animated cartoon shorts starring Bugs Bunny, Daffy Duck, Wile E. Coyote and the Road Runner, Pepé Le Pew, Porky Pig, Michigan J. Frog, the Three Bears, and a slew of other Warner characters. After his career at Warner Bros. ended in 1962, Jones started Sib Tower 12 Productions, and began producing cartoons for Metro-Goldwyn-Mayer, including a new series of Tom and Jerry shorts and the television adaptation of Dr. Seuss' How the Grinch Stole Christmas!. He later started his own studio, Chuck Jones Enterprises, which created several one-shot specials, and periodically worked on Looney Tunes related works. Jones was nominated for an Oscar eight times and won three times, receiving awards for the cartoons For Scent-imental Reasons, So Much for So Little, and The Dot and the Line. He received an Honorary Academy Award in 1996 for his work in the animation industry. Film historian Leonard Maltin has praised Jones' work at Warner Bros., MGM and Chuck Jones Enterprises. He also said that the "feud" that there may have been between Jones and colleague Bob Clampett was mainly because they were so different from each other. In Jerry Beck's The 50 Greatest Cartoons, ten of the entries were directed by Jones, with four out of the five top cartoons being Jones shorts. more…

All Chuck Jones scripts | Chuck Jones Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Phantom Tollbooth" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/the_phantom_tollbooth_21062>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of "scene headings" in a screenplay?
    A To provide dialogue for characters
    B To indicate the location and time of a scene
    C To outline the plot
    D To describe the character's actions