The Swan Page #7
- APPROVED
- Year:
- 1956
- 104 min
- 440 Views
Each of them
is an immense world
of its own.
Each of them?
Each one.
Don't you think some of them
merely imagine it?
I'm sure it's difficult
for the rulers of this earth
to appreciate.
They speak of their
10 million population
or their army of 2 millions.
that each single one
of all those millions
is a sovereign world...
A world that is
not to be destroyed.
I am quite sure, my son,
that none of us
wants to destroy
any of your worlds.
Oh, I'm sure not.
Why don't you have a canape?
There are women who can do it...
With a single smile.
Don't you like
what I say, your highness?
Perhaps I do.
I'm afraid her highness doesn't.
I'm a little unaccustomed
to anything of the kind--
very unaccustomed--
and I do not
care for it.
I think
he talks delightfully.
They're meaningless
phrases, most of them,
but charming--
every star a sovereign world.
Not every one.
No?
No.
A planet, for
all the importance
of its title,
has no light of its own.
It shines only
with the reflected
glory of the sun,
the imperial sun.
I'm sure you're right,
professor.
I hardly know about such things.
No, your royal highness,
you don't know,
and you don't want to know.
This is wonderful...
A man who dares to
tell me there is something
I don't understand.
No, you don't.
Professor!
Albert, I must apologize--
for 20 years,
I've been waiting for
a turn of voice like that.
At last a man who
talks to me as an equal.
I'm enchanted
with the professor.
Whether you're
enchanted or not
doesn't interest me.
And such candor, delightful.
I'm having
an unforgettable evening.
Albert, perhaps
you'd like to go
to bed.
Ohh...
Beatrix, use
your smelling salts.
No use! Beatrix!
Mother, what is it?
Oh, go away, go away.
What's the matter,
cousin Beatrix?
Tu Te trouves mal?
Ma tete.
Tout d'un coup, ma tete.
Beatrix, dear.
I'll take you
to your room.
No, no.
I want Albert.
His French is better.
Albert.
I'm here, cousin Beatrix.
Ici est Le prince.
Merci.
Merci, Albert.
Non, Symphorosa.
Allez-vous-en!
Oh, Beatrix.
Ne me laissez pas,
Albert.
Ne me laissez.
No, my son.
Wait.
Karl, how can you stand there?
It may be genuine.
My dear aunt Symphorosa,
the genuine trouble
is still in this room.
I saw it coming
at the very start
of the evening.
Oh!
Please.
Well, my boy...
Have you had
enough of madness
for one night?
It's my fault.
I'm to blame for every--
All right, my dear.
Now, don't get excited.
Let's take this quietly.
That's why I stayed behind.
I couldn't stand
it any longer,
father.
I couldn't.
a hold on myself,
but I'm a man, and I'm in love.
How could I
stand there and
listen to him?
How could I let him--
are you angry with me, too?
No, father.
Then why do you shout at me?
I cannot only hear what you say.
I understand it.
Can you understand
such a simpleton,
how anyone could be fool enough
to believe in that invitation,
believe
that a miracle
could still happen?
When I found that it hadn't,
something in me...
I had to do what I did.
I needed it.
I need even more.
More?
Yes! More!
This is our
serious, studious
young professor.
Well, my dear.
How do you
like this?
Oh, uncle Karl.
I like it very much.
Why,
this is even worse
than I thought.
If only he'll forgive me.
I'll forgive you for him.
Oh, don't be ashamed, my dear.
These things happen.
We can't help them.
That's not why I'm crying.
Why, then?
I'm so sorry for him.
I had no idea
how much he was hurt,
much more than I thought.
When he looks at me, I...
I feel so...
How do you feel, Alexandra?
Tell me.
I asked him
if I had hurt him
so much,
and he said,
"no. It was just
a box on the ear."
The way he said that,
I suddenly saw him
as a little boy
down on
the plains where
he used to live
in those little
low-roof cottages
with wide acacia trees
and was so proud of him...
Even when she had
to box his ears,
and somehow
I felt the same way
about him, too.
What do you say
to that, uncle Karl?
I ought to box your ears.
Oh, darling.
You see, I understand women.
I don't...
But I don't care.
Poor mother.
I'd better get up to her.
You'd better do nothing
of the sort.
What your mother did
was very cruel.
Yes, she was cruel,
and I was cruel,
and out of it, I'm so happy.
Oh, uncle Karl.
How is it you
understand so well?
My dear, you don't
think I was born
in these robes.
Oh!
A fine position
your mother put me in.
When the horses shied,
she jumped clean
out of the carriage.
Now, I suppose, it's up
to me to take the reins.
It--
don't look at me so tragically.
How can I be severe with you?
I look at you--
Both of you--
and how can I say
anything to you
as you stand here?
Two children in such
a desperate predicament,
and yet so happy.
You'll never again
be as happy as you are now.
Perhaps it's started
to go already.
By the time we feel it,
it's gone.
I know because I once
had to face it myself.
And now you're
going to take leave
of each other,
quietly and
sensibly, like 2
intelligent people,
and forgive
each other and
say good night.
God be with you.
What's your first name?
Nicholas.
How old are you?
And your village,
what was it called?
Siglette.
Princess,
at last we're alone
for a few moments,
and you ask me for
facts and figures.
I want to know you.
I want to know
everything about
you all at once.
I--
I don't know where to start.
But this may be
the last time we can
ever see each other.
If you love me...
Tell me.
If it's love...
Then it's
very like once
when I was little
with the emperor.
I had seen so many
pictures of him
in his robes
with a golden crown on his head,
all splendor and magnificence.
And when he came to visit us
in an ordinary suit, I...
I didn't know him.
You're so sweet...
And so beautiful.
Don't come any closer, Nicholas.
I--I've never seen
a man in love,
and he happens
to be in love
with me.
Are you so afraid of me?
Oh, if I am,
then I want always
to be afraid.
I want to be so good to you.
Oh, I want a hundred things.
I want to tell you
everything that's
in my heart,
all my secrets.
I adore Napoleon, too.
Little Princess.
I want to hear you
call me by my name.
Alexandra.
Alexandra.
I want to be everything to you.
I want to look after you
and spoil you.
Eat something.
I'm not hungry, Alexandra.
I'm thirsty.
You want some wine?
I'm thirsty for your lips,
for your eyes,
for that moment
when we can't
even speak.
You mustn't talk like that or...
Or look at me like that.
Alexandra...
I want to. I...
I want to look into your eyes,
deep into your eyes,
and see the lashes close.
Please. You're...
You're frightening me.
that you could give
your love to me.
Can you blame me now
if I want to take it?
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"The Swan" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_swan_21423>.
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