Tintin et les oranges bleues Page #3

Synopsis: In this live-action adaptation of the comic, Professor Calculus has just written a book called "The Earth is Starving". He appears on television to appeal to the scientists of the world to work towards a solution to the hunger problem. Soon afterwards, he receives a package from a Spanish professor, Antenor Zalamea, which contains a blue orange that can be grown in desert soil. Calculus travels to Spain, but a criminal emir who wants the discovery for himself kidnaps both professors. Tintin and Captain Haddock come to the rescue with the help of some local children.
 
IMDB:
4.8
Year:
1964
105 min
223 Views


for me.

Well, then. . .

Eh, are you coming Professor?

Yes, yes, yes!

Of course. It's marvellous.

And that evening,

at the Hacienda Bello Horizonte. . .

It seems that Professor Calculus

has disappeared.

It seems that Professor Calculus

has disappeared.

He doesn't drink coffee?

As soon as we got up from the table,

he ran off to Professor Zalamea's

laboratory.

He seems enthralled

by your cousin's work.

He seems enthralled

by your cousin's work.

- A cigar?

- No, thank you.

The blue oranges. . .

Oh, what marvels!

Phosphorescent gammatrophism,

isn't it?

I am worried -

and sorry for your sake -

that my cousin hasn't yet returned.

Yes.

Listen! . . . But that's Snowy!

Snowy, Snowy!

Snowy has been chloroformed!

What, oh no, oh no -

a kidnapping in my own house! But. . .

Maybe they also kidnapped

Professor Zalamea. . .

Maybe they also kidnapped

Professor Zalamea. . .

Oh, I am overwhelmed with horror. . .

But yes, that must be it, there's no

other explanation for his lateness.

Quickly, we must warn all of my men.

Estensoro, call everybody.

We are organising a search.

We must tell the police.

We must tell the police.

If these spider monkeys

touch even one of the hairs that

are usually under this little hat. . .

I'll disembowel them!

I'll disembowel them!

I'll skin them alive!

And I'll hang them

from the highest cross-mast!

And I'll hang them

from the highest cross-mast!

Snowy! Snowy!

Meanwhile,

in an old abandoned church. . .

Will you stop this car?!

Where are you going?

Where are we? Hey!

Where are you going?

Where are we? Hey!

What does that mean!

Will you stop?! Stop, I say!

You ill bred men! Completely.

Will you let me go?!

I am Professor Calculus!

Will you let me go?!

I am Professor Calculus!

Let me go, let me go!

I am Professor Calculus.

Let me go, let me go!

I am Professor Calculus.

I'm telling you to let me go,

you bandits! Nasty bandits!

Now you're hurting me. Let me go now.

Quiet, quiet, old goat.

Quiet, quiet, old goat.

Get your paws off me!

Sir, here is the new prisoner.

Professor, we were obliged

to kidnap you.

You were too curious.

No harm will come to you

on the condition that you help

Professor Zalamea with his work.

His research must be concluded

as soon as possible.

His research must be concluded

as soon as possible.

As soon as it is finished,

As soon as it is finished,

we will set you free

and compensate you generously.

Be careful, though.

Be careful, though.

If you do not wish to cooperate,

we can also be extremely nasty.

No no. . . but I'm telling you. . .

I am Professor Calculus!

I am Professor Cuthbert Calculus!

Ah, don't push me, don't push me,

do you understand?!

Go, down there, go.

Go, down there, go.

Professor Zalamea,

you have a visitor.

Oh! Professor Calculus, I believe.

I am Professor Zalamea.

I am Professor Zalamea.

You are. . .you are Professor Zalamea?

You are. . .you are Professor Zalamea?

Yes.

Oh! I am Professor Calculus!

Oh, it's a great pleasure for me,

sir. . .

Oh, it's a great pleasure for me,

sir. . .

Oh, it's a great honour for me,

Professor. . .

What is it?

What is it?

Let me introduce the Big Boss.

The Big Boss?

The Big Boss. . .

The Big Boss. . .

He's the representative

of a powerful group

that wants exclusive rights

to my discoveries.

Between us, my dear,

I'm leading them a merry dance,

and to buy time. . .

I'm doing a bit of tinkering. . .

But that has nothing to do

with the blue oranges.

Oh, the blue oranges!

Oh, the blue oranges!

I sent you the first one,

and they stole it from you.

The five others have grown

since I was kidnapped.

Because this new species of orange,

treated with my special process,

Because this new species of orange,

treated with my special process,

reaches full maturity in five days.

- Five days!

- Five days!

- But that's marvellous!

- Yes.

- But that's marvellous!

- Yes.

Sabotage.

The important thing

is to submit the seeds to the

appropriate neutron bombardment.

is to submit the seeds to the

appropriate neutron bombardment.

And it's very simple.

I'll explain it to you. . .

But it's just as I thought,

Professor.

The neutron bombardment leads

then to a mutation of the species. . .

The neutron bombardment leads

then to a mutation of the species. . .

Yes.

. . .and the orange becomes blue,

and what's more, phosphorescent,

. . .and the orange becomes blue,

and what's more, phosphorescent,

with a prodigious growth rate!

Yes.

Yes.

An annoying detail, however,

which I didn't mention, Professor,

is that the blue orange in its

current state is not yet edible -

it has a bitter taste

and is horribly salty. . .

Here, would you like to. . .?

Oh, thank you. . .

Oh, thank you. . .

Ah, yes, clearly, very bitter. . .

Professor Zalamea,

you are engaged in sabotage!

You are interfering with the

audibility of your conversations -

it's unacceptable!

it's unacceptable!

If, in 48 hours time, I do not have

proof that your work is progressing,

I will make you cry like babies!

Oh, I have an idea. . .

Oh, I have an idea. . .

Confiscated!

Confiscated!

Don't worry, Professor.

To regain our freedom,

we still have this.

To regain our freedom,

we still have this.

No, no. I have no comments

for the press. No, no.

Do you have any clues?

Any leads you can give us?

Say something, sir! Anything!

Oh, no. . . No. . . That's enough!

We're done!

Oh, no. . . No. . . That's enough!

We're done!

Captain, not a word

about the blue orange. . .

Captain, not a word

about the blue orange. . .

Come now, my dear Tintin,

who do you take me for?!

- I know how to hold my tongue. . .

- Yes.

There's manners for you!

There's manners for you!

I'm going to cut your ears

into points!

As long as my investigation

continues, gentlemen,

As long as my investigation

continues, gentlemen,

I have to ask you

not to leave the hacienda.

But we are guests here, and we

were only supposed to stay for a day.

I beg you, this house is yours.

Stay as long as you please.

I beg you, this house is yours.

Stay as long as you please.

Thank you very much, Don Lopez.

Yes, yes, it won't be long anyway.

With me and Tintin here,

the mystery of the blue oranges

will soon be cleared up. . . Ooooh!

the mystery of the blue oranges

will soon be cleared up. . . Ooooh!

The mystery of the blue oranges?

The captain means the oranges that

grow beneath the blue Valencian sky.

- Yes. . .

- The captain is a poet.

A poet?

A poet?

Yes, a poet. . .

The blue sky, the blue oranges,

the Andalusian sun. . .

the Andalusian sun. . .

Huh? What? Species of vermicelli!

Ectoplasm!

Ectoplasm!

Gherkin!

Water-lily!

Confounded cataplasm!

Confounded cataplasm!

Right now, I must leave.

I will return tomorrow.

You can leave now.

You can leave now.

Put the crate here, and go and play.

Put the crate here, and go.

No.

Put the crate here, and go.

Go and play, now.

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Hergé

Georges Prosper Remi (French: [ʁəmi]; 22 May 1907 – 3 March 1983), known by the pen name Hergé ([ɛʁʒe]), was a Belgian cartoonist. He is best known for creating The Adventures of Tintin, the series of comic albums which are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, Quick & Flupke (1930–40) and The Adventures of Jo, Zette and Jocko (1936–57). His works were executed in his distinct ligne claire drawing style. Born to a lower middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929 on the advice of its editor Norbert Wallez. Revolving around the actions of boy reporter Tintin and his dog Snowy, the series' early installments – Tintin in the Land of the Soviets, Tintin in the Congo, and Tintin in America – were designed as conservative propaganda for children. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Influenced by his friend Zhang Chongren, from 1934 Hergé placed far greater emphasis on conducting background research for his stories, resulting in increased realism from The Blue Lotus onward. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration. After the Allied liberation of Belgium in 1944, Le Soir was shut down and its staff – including Hergé – accused of having been collaborators. An official investigation was launched, and while no charges were brought against Hergé, in subsequent years he repeatedly faced accusations of having been a traitor and collaborator. With Raymond Leblanc he established Tintin magazine in 1946, through which he serialised new Adventures of Tintin stories. As the magazine's artistic director, he also oversaw the publication of other successful comics series, such as Edgar P. Jacobs' Blake and Mortimer. In 1950 he established Studios Hergé as a team to aid him in his ongoing projects; prominent staff members Jacques Martin and Bob de Moor greatly contributed to subsequent volumes of The Adventures of Tintin. Amid personal turmoil following the collapse of his first marriage, he produced Tintin in Tibet, his personal favourite of his works. In later years he became less prolific, and unsuccessfully attempted to establish himself as an abstract artist. Hergé's works have been widely acclaimed for their clarity of draughtsmanship and meticulous, well-researched plots. They have been the source of a wide range of adaptations, in theatre, radio, television, cinema, and computer gaming. He remains a strong influence on the comic book medium, particularly in Europe. Widely celebrated in Belgium, a Hergé Museum was established in Louvain-la-Neuve in 2009. more…

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