Tintin et les oranges bleues Page #4

Synopsis: In this live-action adaptation of the comic, Professor Calculus has just written a book called "The Earth is Starving". He appears on television to appeal to the scientists of the world to work towards a solution to the hunger problem. Soon afterwards, he receives a package from a Spanish professor, Antenor Zalamea, which contains a blue orange that can be grown in desert soil. Calculus travels to Spain, but a criminal emir who wants the discovery for himself kidnaps both professors. Tintin and Captain Haddock come to the rescue with the help of some local children.
 
IMDB:
4.8
Year:
1964
105 min
223 Views


Aha, Tintin and Snowy!

Is this your marble?

Yes.

I am a great friend

of Professor Zalamea.

My name is Pablito.

Delighted, Pablito.

What did you say?

You're a friend of Professor Zalamea?

Yes, yes.

I know who captured Professor Zalamea

and your friend Professor Calculus.

You know who kidnapped

the two Professors?

You know who kidnapped

the two Professors?

Hello!

Aha, Captain Haddock!

Quick, Captain, I think we're

onto a good lead, don't you?

We must leave here!

Come on. Come on.

Be quiet, Snowy. Quiet, quiet!

Be quiet, Snowy.

Be quiet, ducks,

or I'll twist your necks.

You should see yourself,

you're both covered in dust!

Quick, quick!

Quick, quick!

Come in, come in.

Wait here a moment.

Really, your blasted Pablito.

Quiet, Captain.

Quiet, Captain.

It looks like

he's completely forgotten us!

Someone's coming.

Someone's coming?

Well, I'm taking

my own precautions, hm?

I don't know

if it's the dust or the emotion.

I'm telling you no!

I'm telling you yes!

I'm telling you yes!

Calm down, calm down.

What is your name?

What is your name?

My name is Francesito.

Ah, hello, Francesito.

And thanks to all of you.

Ah, hello, Francesito.

And thanks to all of you.

But this little

ship boy speaks French!

Give me a hug! Give me a hug!

Give me a hug! Give me a hug!

My mother is French.

Ah.

Ah.

Pablito knows things.

Professor Zalamea is his friend.

Every week he goes to the Hacienda

for deliveries with his father.

Professor Zalamea

is very fond of playing marbles.

Professor Zalamea

is very fond of playing marbles.

He always has a game with Pablito.

But last week, Professor Zalamea

gave Pablito a letter and a parcel.

He was supposed to take them

to the post office,

He was supposed to take them

to the post office,

and above all

not to say anything to anyone!

A letter! So there was a letter.

A letter! So there was a letter.

Yes, but that's the thing,

when Pablito

was going towards the post office

when Pablito

was going towards the post office

with the letter and parcel,

in a deserted street,

he was suddenly attacked by a man,

a man who beat him half to death

and took the letter and parcel.

But Pablito

didn't take it lying down.

But Pablito

didn't take it lying down.

He held on to him

and punched and kicked him.

He cried out

and people came out of their houses

He cried out

and people came out of their houses

and the man had to run away quickly.

But the parcel

had rolled into the gutter.

Pablito picked it up

and went quickly to the post office.

Pablito picked it up

and went quickly to the post office.

But the letter had disappeared.

Thanks to this letter, Zalamea's

enemies found out our address

and were able to take the blue orange

that was in the parcel.

and were able to take the blue orange

that was in the parcel.

Pablito, we absolutely must find

the man who attacked you.

Pablito, we absolutely must find

the man who attacked you.

Describe him as exactly as possible.

Black hair, black eyes,

black moustache.

And his height - er, big?

Little?

Little?

Ah, medium,

that doesn't solve anything, mm?

You don't remember

any more precise details?

You don't remember

any more precise details?

Something we could identify him with,

Pablito?

Something we could identify him with,

Pablito?

Ah.

Pablito says that when the man was

half strangling him with his arm,

he saw a dragon tattoo

next to his watch.

Yes, a blue dragon

biting its own tail.

Francesito, you and your friends

must absolutely find this man again.

Francesito, you and your friends

must absolutely find this man again.

Yes, but how?.

First of all, does Pablito's father

have a telephone?

Yes, he has a telephone

at the grocery store.

Here's what you're going to do.

You're going to

split into teams of two.

You're going to

split into teams of two.

You're going to walk around

the village

and ask the time from all the men

who fit the description Pablito gave.

That way you can look at their wrist.

If you ever find the man

with the tattooed dragon,

If you ever find the man

with the tattooed dragon,

one of you can follow him discreetly,

and the other

can quickly telephone Pablito,

and the other

can quickly telephone Pablito,

who will run here and let us know.

Me stay here?

Oh, no. I want to come with you.

Me stay here?

Oh, no. I want to come with you.

No, Pablito must stay

at the grocery store.

Firstly because we need him

as a liaising officer.

And then because if the man meets him

in the street,

And then because if the man meets him

in the street,

he would certainly run away.

My word!

You'd think you were

at a Marlinspike council meeting!

Gentlemen! Gentlemen!

Gentlemen! Gentlemen!

Madame. . .

What's up?

To telephone, you need five pesetas,

and we don't have any pesetas.

We don't have anything.

We don't have anything.

Blistering barnacles!

What big thinkers

these little heads are!

Come here. . .

- Thank you.

- Thank you.

- Thank you.

- Thank you.

Thank you very much.

There. . . And there. . .

Goodbye, Maria. Good morning, Teresa.

Goodbye, Maria. Good morning, Teresa.

Please come in.

Please come in.

You have help, I see.

Yes, I have a little boy.

He's a very good boy.

He takes orders over the telephone.

A kilo of capsicum.

What would you like?

What nice potatoes!

Here's some tourists coming.

Here's some tourists coming.

I can sense that we're onto a lead. . .

What's all this noise?

Mr Thomson. . . Mr Thompson?

No, he's Thompson

and I'm Thomson. Interpol.

We are here to investigate the

disappearance of Professor Calculus.

I would say, even,

that we're here to investigate

the disappearance

of Professus Calculor. . .

Of Prossefor Caclusul. . .

of Professor Calculus.

Of Prossefor Caclusul. . .

of Professor Calculus.

I should inform you, gentlemen,

that Tintin, Captain Haddock

and Snowy have also disappeared.

Don't worry. With us,

things will not get out of hand.

Don't worry. With us,

things will not get out of hand.

Look!

Yes, yes, yes.

What's happening?

They found him. Come on!

Quick, Captain,

it's our turn to play.

Quick, Captain,

it's our turn to play.

Wait for me!

Come quickly, Captain, quickly!

Come quickly, Captain, quickly!

Look, he's going.

Run, run. . .

Look, he's taking the bus.

Where is this man?

He took the bus!

He took the bus!

Listen. See this key?

You are going to put it

near the shoe-shiner

and pretend that he lost it

and you need his address.

That way you'll find out.

That way you'll find out.

The gentleman who just left

dropped his key.

Where does he live?

I can give it back to him.

That's kind of you.

His name is Fernando

and he lives at the Red Donkey hotel.

His name is Fernando

and he lives at the Red Donkey hotel.

Ah, yes.

Manzanilla!

El Senor Fernando. . .

Fernando?

Yes.

Yes.

He's not here.

Room seven.

Estensoro. . . Estensoro. . . Estensoro. . .

Don Lopez's steward.

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Hergé

Georges Prosper Remi (French: [ʁəmi]; 22 May 1907 – 3 March 1983), known by the pen name Hergé ([ɛʁʒe]), was a Belgian cartoonist. He is best known for creating The Adventures of Tintin, the series of comic albums which are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, Quick & Flupke (1930–40) and The Adventures of Jo, Zette and Jocko (1936–57). His works were executed in his distinct ligne claire drawing style. Born to a lower middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929 on the advice of its editor Norbert Wallez. Revolving around the actions of boy reporter Tintin and his dog Snowy, the series' early installments – Tintin in the Land of the Soviets, Tintin in the Congo, and Tintin in America – were designed as conservative propaganda for children. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Influenced by his friend Zhang Chongren, from 1934 Hergé placed far greater emphasis on conducting background research for his stories, resulting in increased realism from The Blue Lotus onward. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration. After the Allied liberation of Belgium in 1944, Le Soir was shut down and its staff – including Hergé – accused of having been collaborators. An official investigation was launched, and while no charges were brought against Hergé, in subsequent years he repeatedly faced accusations of having been a traitor and collaborator. With Raymond Leblanc he established Tintin magazine in 1946, through which he serialised new Adventures of Tintin stories. As the magazine's artistic director, he also oversaw the publication of other successful comics series, such as Edgar P. Jacobs' Blake and Mortimer. In 1950 he established Studios Hergé as a team to aid him in his ongoing projects; prominent staff members Jacques Martin and Bob de Moor greatly contributed to subsequent volumes of The Adventures of Tintin. Amid personal turmoil following the collapse of his first marriage, he produced Tintin in Tibet, his personal favourite of his works. In later years he became less prolific, and unsuccessfully attempted to establish himself as an abstract artist. Hergé's works have been widely acclaimed for their clarity of draughtsmanship and meticulous, well-researched plots. They have been the source of a wide range of adaptations, in theatre, radio, television, cinema, and computer gaming. He remains a strong influence on the comic book medium, particularly in Europe. Widely celebrated in Belgium, a Hergé Museum was established in Louvain-la-Neuve in 2009. more…

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