Tintin et les oranges bleues Page #5

Synopsis: In this live-action adaptation of the comic, Professor Calculus has just written a book called "The Earth is Starving". He appears on television to appeal to the scientists of the world to work towards a solution to the hunger problem. Soon afterwards, he receives a package from a Spanish professor, Antenor Zalamea, which contains a blue orange that can be grown in desert soil. Calculus travels to Spain, but a criminal emir who wants the discovery for himself kidnaps both professors. Tintin and Captain Haddock come to the rescue with the help of some local children.
 
IMDB:
4.8
Year:
1964
105 min
223 Views


Don Lopez's steward.

That explains a great deal. . .

Fernando here, Fernando to the chief,

I'm listening.

Chief to Fernando, chief to Fernando,

there are new developments.

Chief to Fernando, chief to Fernando,

there are new developments.

Report immediately to Wharf 5.

The boss is waiting for you there.

Fernando to the chief,

Fernando to the chief,

message received, executed.

Ah, that rhythm, it sears the blood.

Quick, Captain!

What do you mean quick?

Blistering barnacles, what do you

mean quick, when I was starting to. . .

Blistering barnacles, what do you

mean quick, when I was starting to. . .

I'll explain later. Later. . .

I'll explain later. Later. . .

Hey, your manzanilla.

Shh, Captain, you see that man there,

it's Fernando.

Let's follow silently. . .

Let's follow silently. . .

Be careful, gentlemen,

the staircase is slippery.

What's he saying?

Yes, yes, yes.

Come in.

Come in.

Mission accomplished,

and tomorrow at dawn. . .

. . .we will take them

to the old church. . .

Ouch. . . Oooh, my head!

Captain!

Ouch. . . Captain!

Oh, dear. . .

Blistering barnacles,

and me with my fragile head!

The torturers, ouch!

The cannibals!

If I ever find them,

I'll bleed them - ouch! Oh, dear -

like little lambs, you hear?

like little lambs, you hear?

Where are we?

It's a wheat silo.

The only way to get out

would be with a rope ladder.

Ah, don't ever say that word

in front of a sailor, Tintin!

Ah, don't ever say that word

in front of a sailor, Tintin!

It brings bad luck!

I'm sorry, but. . .

I'm sorry, but. . .

Obviously, if we had a bit of rope on

hand, it would be a different matter,

but we may as well wish

for an elevator.

The freebooters who imprisoned us in

this hell knew what they were doing.

The freebooters who imprisoned us in

this hell knew what they were doing.

We are doomed to die of thirst.

Snowy!

Snowy!

Bravo, Snowy!

If you have any good ideas

to get us out of here,

If you have any good ideas

to get us out of here,

I promise you a mammoth's bone.

Bravo!

Thank you, Snowy!

That'll hold, go ahead.

After you, Captain.

No, my boy, go ahead.

I shall be the last, yes,

the last one to leave the building,

I shall be the last, yes,

the last one to leave the building,

an old sailor's habit.

Your turn, Captain!

I'm not a rigger, you know! Oh. . .

Just take your time, now.

Yes. . . Oooh.

Yes. . . Oooh.

Don't move around so much!

It's making you swing!

I can't stand this! I can't!

Calm down, Captain!

Calm down, Captain!

I can't do this any more,

I can't do it!

I'm too old for this kind of game,

you know. Too old!

I'm too old for this kind of game,

you know. Too old!

I'll try to imagine

that this is a greasy pole,

I'll try to imagine

that this is a greasy pole,

and that at the top

there is a barrel of whisky.

Just a bit more!

You're almost there, Captain!

Thundering typhoons!

How do you expect me

to get through that pinhole?!

How do you expect me

to get through that pinhole?!

You're almost there, Captain!

Pull in your stomach, that's it.

Just a bit more!

Just a bit more!

That's it!

Dear, oh dear, oh dear, oh dear.

Our best plan

is to get back to the hideout.

Yes. From there I'll organise

an expedition to the Hacienda.

Because as well as Fernando,

I now know another

of our enemies - Estensoro!

I now know another

of our enemies - Estensoro!

Estensoro?

Come on, we can't stay here!

Come on, quick!

Estensoro. . .

Estensoro. . .

Estensoro!

Huh? Estensoro?

Come on, quick, Captain, quick!

Wait a minute! Ohhh!

Did I hear you correctly?

Did you really say, ''Estensoro''?

Tintin! Tintin. . .

Watch out, Captain.

We have to be careful.

We're very conspicuous.

But what do you expect,

my dear Tintin?

That's the risk that comes

with having a strong personality.

Come on!

Come on!

Wait for me!

Quick, Captain,

let's take this carriage!

Lots rapido, OK?

If lots rapido, lots pesetas!

Faster!

Argh, my cap.

Hey, wait for me!

Look, my friend,

see what you've done.

Don't get upset!

I have to intervene, it'll end

in tears. I'm going in, I'm going in.

- Steady, Captain, calm down!

- We'll sort this all out in no time.

- Steady, Captain, calm down!

- We'll sort this all out in no time.

Calm down! Calm down! Just let them

work it out for themselves!

Now, calm down.

Listen, gentlemen, come on now.

Listen to me -

now, my friends, you're not going

to fight over two oranges, are you?!

Really, gentlemen,

over two orange oranges! Hey!

Really, gentlemen,

over two orange oranges! Hey!

They can't say that to me!

Why, let go of me,

species of ectoplasm!

Why, let go of me,

species of ectoplasm!

Talk to this anacoluthon!

Talk to this anacoluthon!

Go on, you carpet-sellers!

Oh, the police!

Captain, Captain, the police!

Captain!

. . . unplug your ears. . .

Sort it out yourself!

- Come on, Captain, quick!

- Goodbye!

So much for going unnoticed, Captain.

My compliments, nice work!

So now we have not only those

brigands on our backs,

So now we have not only those

brigands on our backs,

but the police as well.

Oh, look Captain,

your old friend Bianca Castafiore!

Oh, that settles it.

This is a day of catastrophes!

It might be our only chance.

Come on, quick!

It might be our only chance.

Come on, quick!

Come in!

I've never been able to stand

this vocal disaster area

I've never been able to stand

this vocal disaster area

and her passion for mangling my name.

Oh, Tintin, what a surprise!

And that great rogue Captain Tudock!

And that great rogue Captain Tudock!

HAD-DOCK!

''Marguerite. . . Marguerite. . .''

Really. . .

Thank you very much, Madame.

You have done us a great service.

Thank you very much, Madame.

You have done us a great service.

It was the least I could do,

my dear Tintin -

it's so kind of you to have come

all this way to hear me sing!

Oh no! Not that! Never!

Now, now, now, don't say a word,

you big bleater.

I can sense these things,

my dear Captain Craddock.

I can sense these things,

my dear Captain Craddock.

No, HAD-DOCK!

Come in.

Madame, our Master

the Emir Sadek el Benzine

has asked us to convey to you

his most worshipful regards

and respectful tributes.

Ah, Tintin, what a surprise!

Ah, Tintin, what a surprise!

But you know what a beautiful town. . .

I met him in San Raymond in nineteen. . .

erm nineteen. . . erm. . . last year!

I met him in San Raymond in nineteen. . .

erm nineteen. . . erm. . . last year!

His Highness humbly requests

your presence

at a supper he will be giving

in your honour after the performance.

at a supper he will be giving

in your honour after the performance.

He arrived this afternoon,

on his yacht,

and will only be making

a short stopover.

and will only be making

a short stopover.

What a big-hearted man!

I would be delighted

to see the Emir again.

And you will tell the Emir that I

have received many roses in my life,

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Hergé

Georges Prosper Remi (French: [ʁəmi]; 22 May 1907 – 3 March 1983), known by the pen name Hergé ([ɛʁʒe]), was a Belgian cartoonist. He is best known for creating The Adventures of Tintin, the series of comic albums which are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, Quick & Flupke (1930–40) and The Adventures of Jo, Zette and Jocko (1936–57). His works were executed in his distinct ligne claire drawing style. Born to a lower middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929 on the advice of its editor Norbert Wallez. Revolving around the actions of boy reporter Tintin and his dog Snowy, the series' early installments – Tintin in the Land of the Soviets, Tintin in the Congo, and Tintin in America – were designed as conservative propaganda for children. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Influenced by his friend Zhang Chongren, from 1934 Hergé placed far greater emphasis on conducting background research for his stories, resulting in increased realism from The Blue Lotus onward. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration. After the Allied liberation of Belgium in 1944, Le Soir was shut down and its staff – including Hergé – accused of having been collaborators. An official investigation was launched, and while no charges were brought against Hergé, in subsequent years he repeatedly faced accusations of having been a traitor and collaborator. With Raymond Leblanc he established Tintin magazine in 1946, through which he serialised new Adventures of Tintin stories. As the magazine's artistic director, he also oversaw the publication of other successful comics series, such as Edgar P. Jacobs' Blake and Mortimer. In 1950 he established Studios Hergé as a team to aid him in his ongoing projects; prominent staff members Jacques Martin and Bob de Moor greatly contributed to subsequent volumes of The Adventures of Tintin. Amid personal turmoil following the collapse of his first marriage, he produced Tintin in Tibet, his personal favourite of his works. In later years he became less prolific, and unsuccessfully attempted to establish himself as an abstract artist. Hergé's works have been widely acclaimed for their clarity of draughtsmanship and meticulous, well-researched plots. They have been the source of a wide range of adaptations, in theatre, radio, television, cinema, and computer gaming. He remains a strong influence on the comic book medium, particularly in Europe. Widely celebrated in Belgium, a Hergé Museum was established in Louvain-la-Neuve in 2009. more…

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