Veer-Zaara Page #8

Synopsis: Squadron Leader Veer Pratap Singh (Shah Rukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta) - a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an ageing Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation and deepens with sacrifice. A love that is an inspiration - and will remain a legend forever.
Genre: Drama, Family, Musical
Director(s): Yash Chopra
Production: Yash Raj Films Pvt. Ltd.
  21 wins & 29 nominations.
 
IMDB:
7.9
Metacritic:
67
Rotten Tomatoes:
91%
NOT RATED
Year:
2004
192 min
$2,856,738
Website
4,256 Views


people centuries to achieve.

627

00:
59:23,666 -- 00:59:25,999

But while you made the men

capable of faCing the world..

628

00:
59:26,083 -- 00:59:29,082

..you disabled the women.

629

00:
59:30,416 -- 00:59:32,999

That's why a Veer has

beCome an Air Force Pilot..

630

00:
59:33,083 -- 00:59:36,165

..and the girls of the village

remain illiterate and unpolished.

631

00:
59:38,083 -- 00:59:40,165

Girls today have reached the moon.

632

00:
59:40,916 -- 00:59:43,165

They walk

shoulder-to-shoulder with men.

633

00:
59:44,000 -- 00:59:48,665

With education, perhaps, a girl from

this village could've outdone Veer.

634

00:
59:49,500 -- 00:59:50,582

Don't you think so, Father?

635

00:
59:51,833 -- 00:59:55,915

Oh, Chaudhary Sumer Singh.

Where are you loitering?

636

00:
59:56,000 -- 00:59:59,082

Oh! Whenever l'm doing

something really important..

637

00:
59:59,166 -- 01:00:01,915

..she comes and troubles me.

Yes, madam. Now what?

638

01:
00:02,333 -- 01:00:05,499

lt's time to light the Lodi.

Come and get ready.

639

01:
00:06,625 -- 01:00:07,749

All right, l'm coming.

640

01:
00:08,666 -- 01:00:10,499

Come, dear. Let's light the Lodi.

641

01:
00:17,083 -- 01:00:18,999

"Beautiful one like a ringlet one!"

642

01:
00:19,083 -- 01:00:21,582

"Who will save you poor one?"

643

01:
00:21,666 -- 01:00:23,749

"Dullah Bhatti is here for you."

644

01:
00:23,833 -- 01:00:25,999

"The Dullah married off

his daughter."

645

01:
00:26,083 -- 01:00:28,207

"He gave a measure of sugar!"

646

01:
00:28,291 -- 01:00:30,665

"The girl's shawl is torn."

647

01:
00:30,750 -- 01:00:32,790

"Who will stitch her shawl?"

648

01:
00:32,875 -- 01:00:34,999

"The landlords ravished her."

649

01:
00:35,083 -- 01:00:36,999

"Beautiful one like a ringlet one!"

650

01:
00:37,083 -- 01:00:39,332

"Who will save you poor one?"

651

01:
00:39,416 -- 01:00:41,499

"Dullah Bhatti is here for you."

652

01:
00:41,583 -- 01:00:43,707

"Beautiful one like a ringlet one!"

653

01:
00:43,791 -- 01:00:45,832

"Who will save you poor one?"

654

01:
00:45,916 -- 01:00:47,999

"Dullah Bhatti is here for you."

655

01:
00:48,083 -- 01:00:50,165

"Beautiful one like a ringlet one!"

656

01:
00:50,250 -- 01:00:52,499

"Who will save you poor one?"

657

01:
00:52,583 -- 01:00:56,665

"Dullah Bhatti is here for you.

Who will save you poor one?"

658

01:
00:56,750 -- 01:00:57,999

"Dullah Bhatti is here for you.

659

01:
00:58,083 -- 01:01:01,082

Who will save you poor one?

Beautiful one like a ringlet one!"

660

01:
01:02,458 -- 01:01:03,832

Listen everybody.

661

01:
01:04,000 -- 01:01:06,665

Come here. Come on.

662

01:
01:07,000 -- 01:01:09,082

Coming, Father.

663

01:
01:09,500 -- 01:01:11,249

Let's go there.. Coming.

664

01:
01:12,166 -- 01:01:14,915

Everyone, listen to

what l have to say.

665

01:
01:16,500 -- 01:01:20,665

The Cricket pitch that was going to

be made here.. will not happen now.

666

01:
01:20,750 -- 01:01:21,832

Why?

- Why, Father?

667

01:
01:21,916 -- 01:01:26,749

Relax, l'm telling you. Because now

we're building a girls high school.

668

01:
01:28,750 -- 01:01:29,832

The girls are glad.

669

01:
01:31,083 -- 01:01:34,999

l promise you that once

this school is built..

670

01:
01:35,083 -- 01:01:38,915

..the girls won't have to leave

the village for higher studies.

671

01:
01:40,250 -- 01:01:43,999

And one more thing, the

first brick for the school..

672

01:
01:44,083 -- 01:01:49,165

..isn't going to be laid by Maati or

me, but will be laid by the girl..

673

01:
01:49,250 -- 01:01:53,499

..because of whom this school is

being built. Ms. Zaara Hayaat Khan.

674

01:
02:00,666 -- 01:02:07,665

Come, dear.

675

01:
02:09,375 -- 01:02:12,499

Father, how can l..

- Why not?

676

01:
02:13,208 -- 01:02:17,082

Being so young, you've

taught me such a big lesson..

677

01:
02:17,583 -- 01:02:19,082

Then why can't you do

this little thing for me?

678

01:
02:19,750 -- 01:02:20,832

Come, dear, come.

679

01:
02:42,000 -- 01:02:43,082

Oh, Kamli.

680

01:
02:43,500 -- 01:02:47,499

l, Ginda Singh. l really like you.

681

01:
03:12,375 -- 01:03:14,999

Oh. l, Darshan Singh Aulakh..

682

01:
03:15,083 -- 01:03:16,832

Will die for you.

683

01:
03:26,916 -- 01:03:31,082

Maati, is this the custom of Lodi?

- No, this is Veer's father's custom.

684

01:
03:32,291 -- 01:03:38,082

What do you mean?

- ln our time, romance was taboo.

685

01:
03:38,666 -- 01:03:41,665

On top of that, l was from

Madras and he, from Punjab,

686

01:
03:42,583 -- 01:03:46,249

So, one night, during Lodi, he asked

for my hand in front of everybody.

687

01:
03:46,875 -- 01:03:50,249

My parents didn't know what

to say. And we got married.

688

01:
03:51,083 -- 01:03:52,999

After that, ever since we've come

here and started celebrating Lodi..

689

01:
03:53,083 -- 01:03:58,165

..he's started this custom that

if a boy is in love with a girl..

690

01:
03:58,250 -- 01:03:59,832

..he confesses his

love in front of everyone.

691

01:
04:00,250 -- 01:04:01,999

lf the girl wants to refuse..

692

01:
04:02,083 -- 01:04:04,582

..she quietly throws a

fistful of sesame into the fire.

693

01:
04:04,916 -- 01:04:06,999

lf she wants to accept, she

calls out the boy's name..

694

01:
04:07,083 -- 01:04:09,332

..and breaks sugar cane.

695

01:
04:09,833 -- 01:04:11,665

Then after that we get them married.

696

01:
04:12,041 -- 01:04:14,999

Wow, this is such a

lovely custom. That means..

697

01:
04:15,083 -- 01:04:19,082

..when the bride and the groom agree,

what's the need of a priest.

698

01:
04:19,541 -- 01:04:21,415

Hey, Saraswati Kaur.

699

01:
04:25,291 -- 01:04:29,999

My lady from Madras. l,

Chaudhary Sumer Singh..

700

01:
04:30,083 -- 01:04:32,999

..ask for your hand in marriage

for the next seven lifetimes.

701

01:
04:41,625 -- 01:04:42,707

l've done it.

702

01:
04:44,000 -- 01:04:45,082

Come on, girl.

703

01:
04:46,750 -- 01:04:47,832

l'll set him right.

704

01:
04:49,333 -- 01:04:52,999

Let that be. Come on. Come on.

705

01:
05:03,750 -- 01:05:06,165

What.. my proposal.. Rejected?

706

01:
05:06,333 -- 01:05:12,082

Maati, what're you doing?

Father doesn't stand a chance?

707

01:
05:12,541 -- 01:05:15,999

Tell him if he wants to

spend seven lifetimes with me..

708

01:
05:16,083 -- 01:05:19,082

..he has to fulfil

certain promises. ls he ready?

709

01:
05:19,166 -- 01:05:21,499

Promises? What promises, Maati?

710

01:
05:23,500 -- 01:05:25,165

Sorry, Father. that's it. Now,

drop the sugar cane.

711

01:
05:26,500 -- 01:05:29,165

Okay, l'll drop it.

712

01:
05:30,916 -- 01:05:40,332

713

01:
05:40,500 -- 01:05:45,082

"l would sacrifice my life for you

if only l could know what you want."

714

01:
05:45,250 -- 01:05:49,249

"l would agree to everything,

my beautiful one."

715

01:
05:49,333 -- 01:05:54,749

"l would sacrifice my life for you

if only l could know what you want."

716

01:
05:54,916 -- 01:05:58,749

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Aditya Chopra

Aditya Chopra (born 21 May 1971) is an Indian filmmaker. His work as a director includes Dilwale Dulhania Le Jayenge (1995), Mohabbatein (2000), Rab Ne Bana Di Jodi (2008) and Befikre (2016).He is also the current Chairman of India's multi-national film, media and entertainment conglomerate Yash Raj Films (YRF). Chopra has written and produced a number of critically acclaimed and commercially successful films under the banner such as Veer-Zaara (2004), Fanaa (2006), Band Baaja Baaraat (2010), Jab Tak Hai Jaan (2012), the Dhoom series (2004, 2006 & 2013), Sultan (2016) and the Tiger series (2012 & 2017). He has broken away from typecast through production of off-beat films such as Kabul Express (2006), Chak De! India (2007), Rocket Singh (2009), Dum Laga Ke Haisha (2015) and Hichki! (2018), that do not necessarily fit into the realm of "Masala films". Chopra is also the first to move towards a true film studio model through independent projects helmed by producers, writers and directors under his banner. Major production and post-production work of the company is now carried out of YRF Studios (co-founded by his ex-wife Payal Khanna), where Chopra serves as Chief Executive. As of March 2018, he has produced eight films that have accumulated worldwide gross earnings of more than ₹200 crore, which is the most for an Indian film producer. In December 2009, Chopra rejected an extremely aggressive acquisition bid by Walt Disney, valued upwards of ₹2500 crore, to remain and continue purely as an independent entity exclusively funded by domestic enterprises. Apart from emerging as an equitable brand, his company has earned the status of a movie movie mogul, through distribution networks spread across the globe. With a majority of his work being part of the highest grossing films of all time, the company is estimated to be net worth ₹6350 crore (FY17/18) by multiple NSE and BSE analysts, thereby making it the biggest and most successful film production company in the history of Cinema. The Government of India honoured him with the National Film Award for his contribution to the arts, on three separate years (1995, 2005 and 2007) through the Directorate of Film Festivals. In June 2018, he was awarded membership into The Academy by the Producers Guild of America. Widely regarded as one of the most influential and powerful executives in Indian entertainment, Chopra has however rejected the publicity and fame that came with being Yash Chopra's son and the Chief Executive of Yash Raj Films. He has remained extremely media-shy and a passive individual, battling constant reports of an alleged dysthymic disorder throughout his three-decade career, resulting in very few public photos of him being in existence. more…

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