Veer-Zaara Page #7

Synopsis: Squadron Leader Veer Pratap Singh (Shah Rukh Khan) is a rescue pilot with the Indian Air Force. In the line of duty he comes across a stranded Zaara (Preity Zinta) - a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish. Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui (Rani Mukerji), a Pakistani human rights lawyer on her first case, finds herself face to face with an ageing Veer Pratap Singh. He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served. VEER-ZAARA is a saga of love, separation, courage and sacrifice. A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation and deepens with sacrifice. A love that is an inspiration - and will remain a legend forever.
Genre: Drama, Family, Musical
Director(s): Yash Chopra
Production: Yash Raj Films Pvt. Ltd.
  21 wins & 29 nominations.
 
IMDB:
7.9
Metacritic:
67
Rotten Tomatoes:
91%
NOT RATED
Year:
2004
192 min
$2,856,738
Website
4,256 Views


You idiot! Without asking or

telling us, you got married?

541

00:
54:24,083 -- 00:54:25,999

l'll thrash you.

- Married? Who told you that?

542

00:
54:26,083 -- 00:54:27,165

Then who's she? My wife?

- No, no.

543

00:
54:27,250 -- 00:54:29,915

Your wife is right here.

- l'll hit you.

544

00:
54:30,083 -- 00:54:32,415

Then who's she?

- You're too much, Maati.

545

00:
54:32,666 -- 00:54:33,999

ls there only one kind

of relationship between..

546

00:
54:34,083 -- 00:54:35,415

..a man and a woman?

547

00:
54:36,083 -- 00:54:37,165

Bless me.

548

00:
54:37,250 -- 00:54:39,999

She's our guest, Father. After

saving her in a rescue operation..

549

00:
54:40,083 -- 00:54:42,415

..l got her here to show her our

village and to make her meet you.

550

00:
54:42,500 -- 00:54:43,582

You're making

mountain out of a molehill.

551

00:
54:48,333 -- 00:54:52,999

Of course. l

understood the moment l saw her.

552

00:
54:53,083 -- 00:54:56,582

Such a beautiful girl with a

fool like you.. impossible.

553

00:
54:57,208 -- 00:55:01,082

What's your name, dear?

- Zaara, sir. Zaara Hayaat Khan.

554

00:
55:01,875 -- 00:55:04,915

What a lovely name.

Where are you from, dear?

555

00:
55:05,250 -- 00:55:06,540

From Pakistan.

556

00:
55:06,625 -- 00:55:07,999

Oh, wow, that's fantastiC.

557

00:
55:08,083 -- 00:55:11,165

Then you're our

extra-special guest. Look..

558

00:
55:11,250 -- 00:55:14,915

We've served the

people of our Country a lot.

559

00:
55:15,125 -- 00:55:16,207

But this is our first

chance to be hospitable..

560

00:
55:16,291 -- 00:55:17,832

..to our neighbouring country.

561

00:
55:17,916 -- 00:55:19,290

What would you like to eat?

Should l get some butter milk?

562

00:
55:19,375 -- 00:55:21,832

Some milk, some..

- Oh, enough.

563

00:
55:21,916 -- 00:55:22,999

Come with me.

564

00:
55:23,083 -- 00:55:24,999

lf you get Caught up in his chatter,

it'll be nightfall soon.

565

00:
55:25,083 -- 00:55:26,832

Move aside.

- Okay, never mind me.

566

00:
55:26,916 -- 00:55:28,082

Make way.

- Oh, yes

567

00:
55:31,250 -- 00:55:34,832

Veeru, where're you going?

Wait a minute.

568

00:
55:35,166 -- 00:55:37,165

All of you get going.

569

00:
55:37,583 -- 00:55:39,999

Yes, one minute..

- What?

570

00:
55:40,083 -- 00:55:44,082

Yes?

- Well, have you got my things?

571

00:
55:45,708 -- 00:55:48,999

Yes. Here's your bottle of rum.

572

00:
55:49,083 -- 00:55:50,707

Don't drink it all alone. - No way.

573

00:
55:50,791 -- 00:55:53,582

lf Maati catches you this time

around, l'm not going to lie to her.

574

00:
55:54,583 -- 00:55:58,665

Just once more.. one last time..

- Okay, last time.

575

00:
55:58,750 -- 00:56:00,499

Now, go. Go.

576

00:
56:03,833 -- 00:56:05,457

Cheers to the neighbouring country.

577

00:
56:16,166 -- 00:56:19,249

Come, l'll do that.

- No, l'll manage.

578

00:
56:19,708 -- 00:56:21,749

The way you're

making it, it's evident.

579

00:
56:21,833 -- 00:56:23,415

Someone else ties your hair at home.

580

00:
56:24,083 -- 00:56:29,332

Come, l'll make it for you.

Just feel at home. Come.

581

00:
56:31,416 -- 00:56:33,415

This is veer's room, right? - Yes

582

00:
56:34,916 -- 00:56:39,665

Whenever he'd get a medal or

a photo, l'd hang it up here.

583

00:
56:40,750 -- 00:56:43,999

And when he's not at home,

then his father and l..

584

00:
56:44,083 -- 00:56:49,165

..warm our eyes looking at them.

- There's a lot of love..

585

00:
56:49,250 -- 00:56:51,332

..between the three of you.

- Because there's no one else..

586

00:
56:51,416 -- 00:56:53,249

..to share our love with.

587

00:
56:54,458 -- 00:56:57,415

His mother and father passed

away when he was really small.

588

00:
56:58,000 -- 00:56:59,165

Since then we're the

only ones for him.

589

00:
57:00,750 -- 00:57:03,082

We're actually his aunt

and uncle.

590

00:
57:03,833 -- 00:57:06,832

But he calls us his

father and mother.

591

00:
57:08,333 -- 00:57:10,165

We don't have any

children of our own.

592

00:
57:11,583 -- 00:57:18,415

So, it's just the three of us.

Look, your plait is ready.

593

00:
57:21,083 -- 00:57:25,332

Hey. l look just like all of you.

- This is nothing.

594

00:
57:25,708 -- 00:57:29,332

You'll look like a true Punjabi

girl tonight. lt's Lodi tonight.

595

00:
57:29,500 -- 00:57:32,082

And here, we Celebrate

it with a lot of pomp.

596

00:
57:32,458 -- 00:57:35,832

l'll take out the dress l

wore for my first Lodi for you.

597

00:
57:36,208 -- 00:57:39,749

No, Maati, l'll wear my own clothes.

- You call me mother..

598

00:
57:39,833 -- 00:57:41,165

..and at the same time

argue with me?

599

00:
57:42,083 -- 00:57:44,415

Look, you'?e come to

our house just for a day.

600

00:
57:44,583 -- 00:57:47,082

For this one day at

least become one of us.

601

00:
57:55,000 -- 00:58:06,499

"Oh traveller, you've two

yellow and two red flowers."

602

00:
58:06,916 -- 00:58:08,582

Are you comfortable?

- Yes.

603

00:
58:08,666 -- 00:58:10,665

Like l was telling you.

When l was young..

604

00:
58:11,416 -- 00:58:13,832

..l would take Maati on a cycle

like this right till Amritsar.

605

00:
58:14,666 -- 00:58:18,582

Now, she's so become so fat

that she doesn't fit on a cycle.

606

00:
58:18,750 -- 00:58:21,499

No, Father, she's not fat at all.

- Oh, you don't know. l know.

607

00:
58:23,458 -- 00:58:24,999

Veer was telling me that Maati and..

608

00:
58:25,083 -- 00:58:27,582

..you have built this

village on your own. - Yes.

609

00:
58:27,666 -- 00:58:31,415

That's right. At first,

there were just fields here.

610

00:
58:32,250 -- 00:58:35,082

Then after writing many letters,

we arranged for electricity.

611

00:
58:35,666 -- 00:58:37,915

Do you see that hospital?

- Yes.

612

00:
58:38,208 -- 00:58:40,999

That was a Cow shed earlier.

How are you, Doctor?

613

00:
58:41,083 -- 00:58:42,165

Doing fine, sir.

- Very well, friend.

614

00:
58:42,583 -- 00:58:44,082

And look, the children's school.

615

00:
58:45,666 -- 00:58:47,499

Maati and l were the

first teachers here.

616

00:
58:48,166 -- 00:58:49,582

No one knew how to read or write.

617

00:
58:50,500 -- 00:58:52,999

Now, the kids study

here till eighth grade.

618

00:
58:53,416 -- 00:58:58,165

After that, the boys are sent off

to Kartarpur, for further studies.

619

00:
58:58,875 -- 00:59:00,999

And what about the girls?

- lt's not possible for us..

620

00:
59:01,083 -- 00:59:05,165

..to send the girls so far.

And anyway, they ha?e to learn to..

621

00:
59:05,250 -- 00:59:07,832

..look after the household. So, what

use is higher education for them?

622

00:
59:08,833 -- 00:59:10,332

That's not fair, Father.

623

00:
59:14,000 -- 00:59:15,999

Not fair? What do you mean by that?

624

00:
59:16,083 -- 00:59:18,082

l hope you don't mind this, Father.

625

00:
59:18,166 -- 00:59:20,249

What you and Maati have

done for this village..

626

00:
59:20,333 -- 00:59:22,499

..would've have taken

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Aditya Chopra

Aditya Chopra (born 21 May 1971) is an Indian filmmaker. His work as a director includes Dilwale Dulhania Le Jayenge (1995), Mohabbatein (2000), Rab Ne Bana Di Jodi (2008) and Befikre (2016).He is also the current Chairman of India's multi-national film, media and entertainment conglomerate Yash Raj Films (YRF). Chopra has written and produced a number of critically acclaimed and commercially successful films under the banner such as Veer-Zaara (2004), Fanaa (2006), Band Baaja Baaraat (2010), Jab Tak Hai Jaan (2012), the Dhoom series (2004, 2006 & 2013), Sultan (2016) and the Tiger series (2012 & 2017). He has broken away from typecast through production of off-beat films such as Kabul Express (2006), Chak De! India (2007), Rocket Singh (2009), Dum Laga Ke Haisha (2015) and Hichki! (2018), that do not necessarily fit into the realm of "Masala films". Chopra is also the first to move towards a true film studio model through independent projects helmed by producers, writers and directors under his banner. Major production and post-production work of the company is now carried out of YRF Studios (co-founded by his ex-wife Payal Khanna), where Chopra serves as Chief Executive. As of March 2018, he has produced eight films that have accumulated worldwide gross earnings of more than ₹200 crore, which is the most for an Indian film producer. In December 2009, Chopra rejected an extremely aggressive acquisition bid by Walt Disney, valued upwards of ₹2500 crore, to remain and continue purely as an independent entity exclusively funded by domestic enterprises. Apart from emerging as an equitable brand, his company has earned the status of a movie movie mogul, through distribution networks spread across the globe. With a majority of his work being part of the highest grossing films of all time, the company is estimated to be net worth ₹6350 crore (FY17/18) by multiple NSE and BSE analysts, thereby making it the biggest and most successful film production company in the history of Cinema. The Government of India honoured him with the National Film Award for his contribution to the arts, on three separate years (1995, 2005 and 2007) through the Directorate of Film Festivals. In June 2018, he was awarded membership into The Academy by the Producers Guild of America. Widely regarded as one of the most influential and powerful executives in Indian entertainment, Chopra has however rejected the publicity and fame that came with being Yash Chopra's son and the Chief Executive of Yash Raj Films. He has remained extremely media-shy and a passive individual, battling constant reports of an alleged dysthymic disorder throughout his three-decade career, resulting in very few public photos of him being in existence. more…

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