A-Haunting We Will Go Page #4

Synopsis: Stan and Ollie get involved with con men, crooks, a genial magician, and two interchangeable coffins with disastrous but funny results.
Genre: Comedy
Director(s): Alfred L. Werker
Production: 20th Century Fox Film Corporation
 
IMDB:
6.4
Year:
1942
68 min
416 Views


- There you are.|- Thank you.

You're quite welcome.

- Can't I have a little privacy?|- I'm terribly sorry.

Oh!

- Well, it works all right, Tommy.|- It sure does.

- That's a perfect illusion, Mr. Dante.|- But where is Stanley?

Aah!

Wasn't that a cute trick, Ollie?

Tommy, they might get us|some laughs in the show.

- Yeah, we could sure use a few too.|- Engage them.

Boys, how would you like|to work for Mr. Dante?

- Well, I've had no experience.|- I've had enough for both of us.

- How about 25 a week?|- Well, that's agreeable, to start.

- Not with me, it isn't.|- What do you mean, not with you?

I want 40 a month or nothing.

- Take it or leave it.|- We leave it.

Okay, we'll take it.

- I want to fit you with some costumes.|- Mr. White...

...you may depend upon me for the|greatest performance of my career.

- Okay, boys, follow me.|- Come, Stanley.

Stanley.

Come on here.

- Good and tight now, boys.|- Yes, all right.

Okay, boys, take it away.

Now Playing TEMPLE THEATRE|DANTE

- Hold still, Uncle Harry.|- All right.

Excuse me. There's a couple|of gentlemen to see you.

All right, Tommy.

Well.

- How do you like us, Mr. Dante?|- Fine.

Look.

You look like a page|out of the Arabian Nights.

- Ollie looks like the whole book.|- I sure do...

Well, I guess everything's all set.

If you'll get me a goldfish bowl,|two white rabbits and a glass...

Wait a minute. You just|follow Mr. Dante's instructions.

Meantime, you can help us|set up some props.

- Anything you say.|- Within reason.

- Goodbye.|- Goodbye.

Goodbye.

Boys, pick up this table|and put it in the other entrance.

Yes, sir.

- It's real. T-bone.|- Oh, boy.

Oh, boys, please don't fool|with the props.

- The most amazing thing just happened.|- You'd never believe it.

Just stand over to the side,|out of the way.

- Eddie. Get that other bird.|- Yes, sir.

Clumsy.

Ooh. Ow!

- Just a minute.|- Yes, sir.

- Come in here. I wanna talk to you.|- Yes, sir.

At your service.

- Where's that coffin?|- Coffin?

- Yeah, and Doc Lake.|- Doc Lake?

I want that coffin, get me?

- He means the coffin.|- Oh, the coffin. Oh.

Can that chatter and start singing.

Shut up!|Where's that coffin?

We followed instructions|to the letter. Honest.

Sure, we gave it to Mr. Draper.

- There he is. Ask him.|- What are you doing here, Mr. Draper?

Yeah, Dixie, what are you doing here?

That's what I'll ask you|after I find out where the box is.

We gave it to you.|Don't you remember?

Why aren't you at the funeral?

The box you gave me didn't come|from Atlanta.

Oh, yes, it did. And we can prove it.|Show him the baggage receipt, Stan.

- I left it in my other clothes. I'll go get it.|- Oh, no, you won't.

Get away from that door.

- What are you doing here?|- Yeah, what's the idea?

Same as yours.

I followed Doc|in case he needed me.

Yeah? That's a good enough alibi|for me too.

That's the man that hired us.

So it is.|Charlie had a very comfortable trip.

You two wouldn't be pulling|a double cross, would you?

I'm protecting my cut.

I not so sure you're not pulling|a fast one with Doc.

Well, you're asking for it.

My finger's as itchy as yours,|Frankie.

You men ought to be ashamed of|yourselves. Quarreling over a dead man.

He'll show up somewhere.

Boys, I'm gonna let you in on a secret.

We're college men.|The man in that box wasn't really dead.

It's an initiation.

- Oh, a fraternity.|- Yeah, a secret fraternity.

Well, you can trust us.

We used to belong to a lodge,|didn't we?

Well, then you understand.

The coffin I sent got mixed up with|the magician's. It's here somewhere.

You gotta find it|before Charlie suffocates.

That's right. He could be "asphysics..."|"Aspixi..."

He could stop breathing.

Just in case you guys|ain't so dumb as you act...

...you better dig up that box|or you're a couple of dead Turks.

We'll find it, all right.|Just wait here. Oh!

Sim Sala Bim.

Good afternoon, ladies and gentlemen,|boys and girls.

In presenting these illusions,|it is our purpose...

...to entertain you and mystify you,|if that is possible.

And now, I have pleasure in presenting|Margo, the Magic Maid.

That's funny,|she never missed a performance before.

Here I am, Mr. Dante.

Oh, there you are.

Close your eyes and think of sleep.

Rigid.

There she rests. She could remain|there for hours, should I so desire.

But watch.

Margo, hear me.

Are you ready?

Then go!

Oh, Charlie.

Oh, Cha...

Oh, Charlie.

Charlie.

Char...

- What are you doing up there?|- Come up here, quick.

- What's the matter?|- I can't see through the window.

Why, it's a painted window, you dope.

Whew!

Now look what you've done.|Come on.

I think we're being played for suckers|by those two yaps.

- Nobody could be as dumb.|- Give them a couple more minutes.

You can bet me they're cutting in|with Doc Lake and Darby.

Maybe you've got something there.

Wait a minute, Joe.|Where you going?

Tailing those two mugs.

- And where are you going?|- I'm tailing you.

And I don't trust either one of you.

- We better spread out.|- Okay, but no fast ones.

- Hello, lieutenant.|- Hi, pop.

- Is there a Tom White with this troupe?|- He's Dante's stage manager.

- Find him in the wings.|- Thanks.

- Anything wrong?|- No.

- Excuse me.|- Yes, sir.

Oh, Charlie.

How are you, Mr. White?

- You got nerve, coming back to Dayton.|- I couldn't help it.

- Didn't you and I have a deal?|- But I've got this job. We're booked here.

- You were to stay away from Dayton.|- I had to bring the show in.

I'm sorry, kid, but I'll have|to take you down to headquarters.

You've gotta give me a break,|Mr. Foster. I'm making good in this job.

There's something more important:|I'm getting married.

She's a fine girl.|She doesn't know I been in a jam.

We'll only be here a week. If you let me|stay, I promise I'll never come back.

Word of honor.

I'm not much of a gambler, but I'm|gonna take a flier on you, just this once.

Thanks. You won't regret it.

Okay, but I'll be around, just in case.

- I wonder what he did.|- I don't know.

I'll bet you Margo's the girl|he's going to marry.

- Honest?|- Mm-hm.

Well, what's wrong with that?|She's a wonderful girl.

- I know it.|- Well, what are you crying about?

- I was falling in love with her myself.|- Oh!

Do you see who's planted|at the stage door?

- Foster.|- Somebody's tipped him off on Darby.

- Those two stupes, I bet.|- I'll take care of them.

- First we gotta get Darby out of here.|- All right.

- Be careful that flatfoot don't see us.|- Come on.

- Charlie.|- Charlie.

Ladies and gentlemen, boys and girls.

For your pleasure, my assistants and I|will present the famous Hindu rope trick.

The rope of this basket is controlled|by the mysterious music of India...

...which I shall ask Sahib Oliver|to play on the magic musette.

- Now?|- Now.

There it is, and there it will remain|as long as the magic music continues.

To test the rope, I shall ask|Sahib Stan to climb it.

If you please, Your Excellency.

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Lou Breslow

Louis Breslow (born Lewis Breslow; July 18, 1900 – November 10, 1987) was an American screenwriter and film director. He wrote for 70 films between 1928 and 1955. He also directed seven films between 1932 and 1951 and wrote scripts for both Laurel and Hardy in their first two films at 20th Century Fox, and Abbott and Costello. Lou Breslow married film actress and comedian Marion Byron in 1932, and remained married until her death in 1985. more…

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Submitted on August 05, 2018

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