A Face in the Crowd Page #8
- NOT RATED
- Year:
- 1957
- 126 min
- 3,143 Views
I’m in the business of putting the public in
the frame of mind to buy Vitajex.
JOEY:
Exactly.
HAYNESWORTH:
(to his wife, seated at a patio table) Excuse us, dear.
MRS. HAYNESWORTH:
Of course. (She goes up to the house)
HAYNESWORTH:
Poor Mace,
he's already had one heart attack...
and I’m afraid you're winding him up
to another one.
JOEY:
49
Well, General, that’s his hard luck.
(Lonesome settles onto a chaise, and Haynesworth calls out to Senator
Fuller who has arrived by sea plane and is coming up the dock.)
HAYNESWORTH:
Hello, Senator!
Did you have a fine flight?
FULLER:
Splendid! Splendid. I'll join you
when I get freshened up a bit.
HAYNESWORTH:
That’s my guest, Senator Fuller. That’s the sort of man I'd like
to see him in the White House.
MARCIA:
Don't they call him
“the Last of the Isolationists”?
HAYNESWORTH:
Oh, maybe, in some of those
left-wing New York papers.
Rhodes, I want you to get to know
people like that.
I'd like to take you under my wing
and educate you.
LONESOME:
Shucks, general,
I'm just a country boy.
(Joey moves close to both of them, grinning.)
HAYNESWORTH:
Young man, never forget
Will Rogers.
He was just a gum chewing
rope twirling cowboy...
but he got to where he was
telling off presidents and kings.
JOEY:
General, my thinking is the second
section of the same train.
HAYNESWORTH:
50
I've always gone in for
long range planning.
Right now, Lonesome
is merely popular, oh, very popular...
but Lonesome Rhodes could be
made into an influence.
A wielder of opinion,
an institution...
positively sacred to his country,
like the Washington Monument.
(He looks at Marcia)
I suspect your idealistic young lady
disagrees with me...
but my study of history
has convinced me...
that in every strong society
from the Egyptians on...
the mass had to be guided
with a strong hand...
by a responsible elite.
Let us not forget that in TV
we have the greatest instrument...
for mass persuasion
in the history of the world.
JOEY:
General, I don't mean
to flatter you, sir...
HAYNESWORTH:
What? Oh, yes. Well, let’s
have a go at it, shall we?
(Calls loudly to house)
Roger, Roger! (An assistant with a notepas rushes down the steps)
Are you jotting this down?
First, I'll see if I can sell Henry
on the idea of a "Life" cover.
Remind me to call him for lunch.
( MONTAGE OF THE BUILD-UP OF LONESOME’S FAME: Lonesome on the cover of
LIFE Magazine; LOOK Magazine; a truck with a poster advertising a
Journal American feature on “The Happiest Years of My Life – Lonesome’s
Own Story of His Mom and Pop”)
OLD LADY (holding an orchid, to Lonesome)
I proudly dedicate to you...
the latest hybrid iris
of our horticultural laboratory.
The "Unus floratorum"...
51
We girls call it
"The Lonesome Rhodes" iris.
LONESOME (at battleship launching)
I christen thee
the "USS Rhodes". (people cheer)
(dedication of mountain)
POLITICIAN:
And so, on behalf of our
great commonwealth...
I'm proud to dedicate
one of nature's wonders...
henceforth and forever
to be known as...
"Mount Rhodes".
ANNOUNCER (This is Your Life kind of show)
And now, Lonesome,
back in those difficult days...
you had a pal.
We flew him to New York tonight...
to help recall the struggle
and joys of times gone by.
Because, Lonesome Rhodes,
you lived it!
BEANIE:
(making the donkey sound)Hey, Lonesome!
LONESOME:
Beanie!
You old scoundrel,
where have you been?
Here, go out and get yourself
some good looking clothes. (counts out money in Beanie’s hand) You been
looking ugly about as long as I can stand it.
LONESOME (on a telethon)
White Plains, New York,
thank you, thank you!
(very hoarse)
Yeah, Hey, listen to this...
“The boys in our ward
at the Veterans' hospital...
just got together
and donated $9.75.”
52
You ask me how I can keep going
17 hours without sleep?
Man, this is better than sleep!
(to boy in wheelchair holding a big Vitajex sign; monitor nest to him
shows a close-up of Lonesome’s face)
Didn't I tell you, kid?
Didn't I tell you?
BOY IN WHEELCHAIR:
Do you still want me
to hold this sign?
(cut to New York City, the Sherry Towers Hotel)
HOTEL MANAGER:
As general manager of
the Sherry Towers...
it’s my honor to present you
with a gold key...
to the two top floors of
New York's finest hotel.
(Joey, standing next to Lonesome, grabs it at the same time Lonesome
does. They laugh, and Joey gestures to a huge photo of the hotel
tower.)
JOEY:
To the very top!
You can't get much higher.
(CUT TO:
Marcia’s bedroom, late at night. The phone rings.)MARCIA (answering phone)
Hello.
Larry?
What time is it?
LONESOME:
Marcia, you -- you've got to come over.
I never should’ve let Joey sell me the
idea of a penthouse over the offices.
Twenty-five rooms to be alone in.
I feel like a shipwrecked fella
on an island.
MARCIA:
Larry, I know that island;
it’s populated with friendly girls.
53
LONESOME:
Marcia, honey, do you believe me, when I say
it’s a matter of life and death?
(to drunken girl being led out of the apartment)
Call me soon, doll.
MARCIA:
Larry?
LONESOME:
If you don't come,
I'll dive off the balcony into the park,
and I'm ten blocks from the lake.
(LATER, Marcia arrives in Lonesome’s penthouse. He is out on the
balcony.)
Marcia, come out here.
(Marcia sees the evidence that he has had a female visitor)
I had a girl up here tonight.
I get restless.
I lied to you. When it’s over
I'm lonelier than I was before.
Marcia, will you come out here a minute?
(pointing to cityscape)
Look at all them TV aerials
sticking up like branches down there.
There's a whole forest of them
from here to San Diego.
All waiting to hear
what I have to say.
MARCIA:
Is that what you woke me up for
in the middle of the night?
LONESOME:
Marcia, What I'm trying to say is all them
millions of people believing it...
doing what I tell them to...
scares me.
Marcia, the General and all them big-shots
trying to educate me.
54
MARCIA:
Educate, or use you?
LONESOME:
That’s it, see, the General says
the country needs me.
I'm supposed to be an influence.
That’s mighty tall grass, Marcia.
We're getting in deep, Marcia.
A thousand times deeper than we ever dreamed
when we started out in Arkansas.
(He puts on his farmer hat)
I know I act on the set like I just ate the
western hemisphere for breakfast.
But, down here in the boiler room,
I know I need advice.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"A Face in the Crowd" Scripts.com. STANDS4 LLC, 2024. Web. 25 Dec. 2024. <https://www.scripts.com/script/a_face_in_the_crowd_1396>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In