A Hole in the Head Page #7

Synopsis: Tony Manetta runs an unsuccessful Miami hotel, on which he can't meet the payments. Another liability is his weakness for dames (Shirl, his sexy current flame, is even less responsible than Tony). But a solid asset is Ally, his sensible 12-year-old son. When Tony wants stolid brother Mario to bail him out again, Mario makes conditions: give up Ally, or at least get married to a "nice, quiet little woman" of his selection. Tony and Ally just play along to be diplomatic, but when the woman in question proves to look like Eleanor Parker...
Genre: Comedy, Drama
Director(s): Frank Capra
Production: MGM
  Won 1 Oscar. Another 3 nominations.
 
IMDB:
6.3
Rotten Tomatoes:
71%
APPROVED
Year:
1959
120 min
216 Views


are you making such a big production?

You said that if you liked her

and if I liked her...

I did say that. But you keep acting

like Monroe is going to come in the door.

Let me tell you something...

What's so great about Marilyn Monroe?

You're always talking about Marilyn

Monroe. What's so great about her?

Ask me the same question in five or six

years, I'll tell you what's great about her.

Oh, that. I know.

- You know what?

- Well, you know.

Listen, I think you know too much.

You're still a little kid, you know.

I'll tell you when to know.

- What is that jazz you got on your head?

- Don't you like it?

- It's terrible. Wash your hair.

- Pop, it's not that bad.

It's pretty bad. Go in and wash your hair.

Thanks, Pop. And be nice to the lady.

Lady!

I always say that...

Yoo-hoo, Mrs Rogers!

I was thinking you couldn't make it.

- (car horns)

- (Mario) Please!

Sophie. Sophie. Sophie...

Mario, look who's here.

- I hope she's got insurance.

- Yes, hello.

- She's here. Our paycheck.

- Well, glory be!

Hey, chief. She's here.

Some of them have television sets. He

doesn't allow any cooking in the rooms.

He's very strict about that.

It's very nice. So is he.

Tony?

Guess who's here.

- Oh, for goodness sake. Here, take this.

- What'll I do with it?

- Put it someplace.

- Tony? Ally?

You take a look at her

and let me know how you like her.

Well, come on. Go on.

Hi.

Come on in, honey, I want you

to meet Mrs Rogers. My nephew Ally.

That's his son.

- How do you do, Ally?

- How do you do?

- Well, what are we standing for?

- Yes, let's sit down.

Have a seat. Make yourself comfortable.

- Don't sit in that chair. You'll never get up.

- (laughs)

- Here's a nice chair.

- You like this chair?

- This will be fine, thank you.

- Good.

- Somebody interested in science here?

- Yes, that's my book.

- Well, you must be pretty smart.

- Aw...

Pop will be here in a minute.

He's dressing.

- All right.

- I'll take the crazy chair.

Don't be a hero.

You want to break your back?

She's got a terrible back as it is.

Now she wants another doctor bill.

Our son Robert says...

He's a doctor, did you know that?

- Oh, no.

- He finished last year.

Mario set him up

in a nice place on Park Avenue.

There's so much sickness in the family

he could make a living on that alone.

You know, myself, I got terrible feet.

They hurt me.

My high-class son, you know

what he tells me? It's psychofomatic.

My feet are in my head.

Our our other son, Julius,

he's in the store with us.

- He's married.

- Julius.

- Mario.

- He's in the store. He sits there.

A customer comes in, he runs in the toilet.

What are you looking?

Big secret, I got a stupid son.

The woman will know anyway,

she'll be in the family.

- Mrs Rogers, do you like living here?

- Yes. Yes, I do.

- Pop, it's her.

- Who?

Marilyn Monroe. Hurry up.

I'm gonna flatten you.

(bongos)

(bongos)

What have you got up there, cannibals?

- Where's Tony?

- He's coming.

- Can I get somebody a soda?

- Oh, good, Ally. Come here.

You know, I was just going to ask you.

I've got a bad taste in my mouth.

Must've been that pastrami this morning.

- I had pastrami and eggs.

- You don't need any soda.

Ever seen a woman in your life?

She's in love with plain water.

You got some water?

Oh, sure.

Can I get you something, Mrs Rogers?

All right, then.

You can bring me some water, too.

OK.

Here, wait a minute.

It's all right. Go ahead, Ally.

- Mario. Sophie.

- Hello, Tony.

- I'm sorry I'm late. Is this Mrs Roberts?

- It's Mrs Rogers.

- I'm sorry I'm late. How do you do?

- That's all right. How do you do?

- Tony, I...

- Not now, Mario. Not now.

- Did you meet him yet? My son, Alvin.

- Alvin?!

Oh, come on. He hates that name, Alvin.

What do you got there? Water?

Why didn't you open a bottle of wine?

- They wanted water.

- Is that what you wanted, water?

OK, that's a good idea.

Go get me a water. It's a good idea.

Water's good for you, you know?

Cleans out the blood.

Mrs Rogers. Sophie.

There you go, Mario.

Thank you.

- Huh?

- What's the matter?

Well, I don't know...

- Did you go to the beach today?

- Oh, sure, right away.

In 20 years he hasn't been in the water.

Not once.

For me it's no fun. You sit there, get hot.

You go in the water, you get cold.

You call this pleasure?

You used to be so crazy

about the Turkish baths.

That's different. You go to the bath,

you take your clothes off, meet people.

- Hi.

- Hi.

Hi.

Hi.

He's the oldest member of the family.

Whatever he says goes. Right, Mario?

There we are. Ah, this is fine water.

For $1 million, who did Tommy Burns

win the heavyweight championship from?

Pop, not now.

Come on, this is no time to be bashful.

I tell you, Mrs Rogers, this boy is amazing.

If he was on a quiz show,

he'd win before the first commercial.

Come on, who did Burns beat

for the championship?

- Pop.

- It was Marvin Hart, 20 rounds, wasn't it?

Correct, for one mill...

You know boxing?

Tony, you gonna keep

talking about fights?

It's late.

Let's get down to business, all right?

- What are you talking about?

- Now, sit down here.

I've got some good news for you.

I called the whole family this morning.

We had a talk.

- Good. Tell me about it later.

- Everybody's gonna chip in a few dollars.

I got this very nice little property

in Marion. Very nice little town.

I wouldn't lie to you.

This store is a 100 percent location.

The people in it, a chain store, built a

place across the street. My store is empty.

Tell him, Sophie. Is that a beautiful store?

- For heaven's sakes!

- 30-foot front. Three windows.

Well, anyway, we all decided.

Now, you'll open up

a nice little five-and-ten there.

Only one junky little place in the town.

For years, I've been talking about it

myself, opening up a five-and-ten there.

Now, you'll both work in the store,

you'll watch the pennies

and you'll make a very nice living.

You'll love this town very much.

You'll find a nice little house there.

You'll never have to worry.

Now, on our side, we're

all gonna chip in and give you $5,000.

And I understand

your husband left you a few dollars?

Well...

If you will excuse me, please.

What's the matter? What's the matter?

What'd I do? What'd I say? I don't know.

- Are you crazy? Out of your mind?

- Dummy, what's the matter with you?

(sighs)

Hi.

Hi.

He hasn't got the sense he was born with.

You're old enough to have more...

Me, you call a bum? Me, he calls a bum!

Uncle Mario's a good man, really he is.

He's so good he hurts.

- Like when he pinches my arm.

- You talk about Julius!

Mrs Rogers. Mario, get up out of there.

Go on out and apologise to Mrs Rogers.

I'll handle it myself. Never mind.

Believe me, they all look at me

like I did something terrible.

I'm a plain man.

Maybe I said it wrong. Sorry.

- I'm sorry too...

- If I hurt your feelings, I apologise.

Would you like to get a cup of coffee?

Rate this script:0.0 / 0 votes

Arnold Schulman

Arnold Schulman (born August 11, 1925) is an American playwright, screenwriter, producer, a songwriter and novelist. He was a stage actor long associated with the American Theatre Wing and the Actors Studio. more…

All Arnold Schulman scripts | Arnold Schulman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A Hole in the Head" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/a_hole_in_the_head_10049>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    A Hole in the Head

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "MacGuffin" in screenwriting?
    A A character's inner monologue
    B An object or goal that drives the plot
    C A subplot
    D A type of camera shot