A Prairie Home Companion Page #4
There won't be anything left
People yellin' at you
I mean, it's a tragedy.
I wasn't gonna tell you this...
but between you and me
and the fly on the wall...
there's a woman on the premises who
I think, maybe, is gonna save our bacon.
Hmm?
She's got that look about her.
Who is she?
I'm not sure. I'm still working
on figuring that one out.
Just close your eyes
for a second.
She from NorComm?
Time will tell.
I'll just let personal charm
and dashing good looks do their work.
She walked in,
couldn't take her eyes off me.
Drawn to me like a moth to the flame.
Every time there's
a triumph in the world...
a million souls have to be trampled on.
And right there... you can see it
right in the damn carpet.
What does that have
to do with anything?
Mama. She l... she went...
She went up to the...
It was a lot for Mama to put up with.
We had to shovel her into
the Good Shepherd Home.
That's it.
That was the sad day.
Connie quit the act.
God, we'd already lost Wanda.
Wanda was like magic.
The four of us,
when we were together...
- she was singin'.
- She was...
And next to you, I'm tellin' you...
you've followed in her footsteps.
You are the same...
the same talent.
No. I don't know about that.
So, now, it's just the two of us.
Yep. Just the two of us.
You know what?
It was your dad got us on the radio.
God, that was
a good-lookin' family!
I can understand you
goin' for that guy.
Yeah, he sang like an angel.
He sang...
# Callin' for you and for me #
# See on the portal #
# Watching for you and for me #
# Come home #
# Come home #
# Ye who are weary, come home #
Hmm-mmm.
Singing is the only thing
that puts me right.
Hmm-mmm.
# Well, Charlie, you're a good ol' boy #
# Charlie, you're all right #
# Charlie, open up the store #
# We're comin' down tonight #
# Out where you can see the stars #
# And the living's slow #
# We'll eat potluck and pool guitars #
# Down on Old Plank Road #
# Ohh #
# Down on Old Plank Road #
# We'll eat potluck and pool guitars #
# Down on Old Plank Road #
# Come home #
# Come home #
# Ye who are weary, come home #
Hold it. Are we on?
Uh, not yet.
You've got a few minutes.
What are we doin'?
You're on in the Powdermilk segment
doing Gold Watch and Chain with him.
We haven't done that for years.
# I'll pawn you my gold watch
and chain, love #
# I'll pawn you my gold wedding ring... #
Excuse me.
I gotta get a head start
on gettin' pie-eyed tonight.
# Only say that you'll love me again #
Fine. Whatever you'd like.
a spot for Lola on the show later.
I hope so.
If there's time.
Well, this isn't really gonna be
your last show, is it?
Every show's your last show.
That's my philosophy.
Thank you, Plato.
Kierkegaard.
Button up, would ya?
I am. That's as far as it goes.
# Well, sister and her oldest girl #
# They sing so good together #
# Jason, he can make me laugh #
# And he just keeps gettin' better #
# Claire has got a sweet new one #
# About her, Timmy-o #
# And John is everybody's man #
# Down on Old Plank Road #
# Ohh #
# Down on Old Plank Road #
Hey, uh... can you tell potato face here
that his butt is too big for his pants...
and people can see his crack...
and it ain't nothin' any normal person
would ever care to look at?
Where?
In the back.
Well, I don't see nothin'.
- Hey, Molly.
- Don't talk to me.
Am I decent back there?
Don't ask me.
I'm not your mother.
You might be decent
if you lost 25 pounds of ugly fat.
And I might suggest
cuttin' off your head.
She showed me her tattoo once.
Hell she did.
On her shoulder.
You're lyin' through your teeth.
Left shoulder.
Right here.
- That ain't the shoulder.
- Whatever you want to call it.
I'd call it the clavicle.
OK, well, why don't you
ask her about it?
Maybe she'll let you have a look.
Well, what did it say?
It said, 'Freedom.'
Fr... Now I know you're lyin'.
Come on. We gotta put out the CDs.
Come on, niece.
Hey. Molly.
Molly, here.
Take these out front.
Did you hear about the Soderbergs
sellin' the radio station?
Are you OK?
Yes, of course.
Hmm?
Kind of a bizarre feeling, isn't it?
- What?
- The silence.
What?
Well...
you're gonna say somethin' about it.
You're gonna talk
to the people, aren't you?
Say, 'Thanks for listening,'
or something.
Yeah, you know.
I don't think so.
Why not?
Say, 'Thank you.'
What?
I'm just not into making big speeches.
What do you do when you
leave somebody's house?
You don't just turn around...
I don't make a big speech.
A big weepy speech.
Oh, that's it!
You're afraid that you're gonna cry!
I wouldn't.
Yeah, that's right.
That's true. You wouldn't.
And you know, that's why, I think,
that our romance was so short.
Because I knew that when we broke up,
you would not cry...
so, I got way over it.
Does that make sense to you?
No, not at all.
Bebopareebop Frozen Rhubarb Pie
and Frozen Rhubarb Pie Filling.
Wouldn't this be a good time
# Yes, one little thing can revive a guy #
# And that is a piece of rhubarb pie #
# Serve it up, nice and hot #
as bad as you thought #
# Mammy's little baby
loves rhubarb, rhubarb #
# Bebopareebop Rhubarb Pie #
# Mama's little baby
loves rhubarb, rhubarb #
# Bebopareebop Rhubarb Pie #
# Bebopareebop Rhubarb Pie #
Yes, Bebopareebop Rhubarb Pie.
And now, for Bebopareebop...
please welcome one of radio's
great singing families...
the Johnson Girls,
Rhonda and Yolanda.
- Hi, everybody.
- Hi.
Thank you very much.
I just want to say right away
how happy I am...
that my daughter Lola
is here tonight.
- Come on, Lola.
- Oh! Thank you, sweetheart.
They want to see you.
It means a lot to me that you came.
Yeah, I named my little girl Lola
after our own mother.
Yeah, Lola was our mom.
Lola. And tonight,
we're gonna sing...
an old song that our mother loved.
Oh, it's one of her favorites.
Yep. She was our inspiration.
Some of you know this story...
but she's the main reason
that we started makin' music originally...
because you know she...
it was the only way we knew
to make her happy.
She'd be down on the kitchen floor
scrubbin' on her knees.
But if you stood in the doorway
and you sang a song that she liked...
why, she would just look up and smile.
Ha ha!
Worn out as she was...
it was a smile as wide
as the Mississippi. Heh heh.
Down at the mouth.
Not so slow, you sons of b*tches.
I'll break your necks.
- Yeah.
- I mean it.
And you could see her gold tooth.
# Way down upon
that old Mississippi River #
# Not so far away #
# That's where my folks
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"A Prairie Home Companion" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/a_prairie_home_companion_16148>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In