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All That Jazz Page #7
- R
- Year:
- 1979
- 123 min
- 1,339 Views
the bad things l'm gonna do to you.
...as stated in the declarations,
sustained directly as the result of injury,
sickness, death of, or permanent disability...
Excuse me, Mr Clark.
Larry, give me our figures.
Well, on an estimated
production budget of $941,000,
with a contingency of 59,000
to round it out to the million,
so far we're in for
at least two-thirds of the fees.
Design, 8,000, costumes, 8,000,
electrics, 4,000.
We're in for the full director-choreographer,
Construction of scenery, where more than
half has been done, tha's 125,000... plus.
Stage manager's about 8,000.
Press agent 1500, musicians about... two.
Assistants, secretaries, etc, 3,000.
Rehearsal halls and auditions... 9500.
Script and administrative, 1500.
Managers, l'd say... ten.
Advertising and printing, about 20,000.
Orchestrations, so far, around 10,000.
Legal, 10,000, auditing, 2,000,
payroll taxes... maybe seven.
Well, seven. Author's advances, 10,000,
equity bonds, 50,000.
Rehearsal salaries, and we've made some
advances to a few of the cast, about 43,000.
We're in for about...
$480,500.
Yes. Tha's the figure l had here.
And change.
Let me try to understand.
Of that figure, how much do we recoup?
Yeah, l'm confused too. Do we
get all of that, or part of it, or what?
Simply, here are the options.
One, if Mr Gideon recovers
and you resume production within the
Two, if Mr Gideon should die and you resume
production with another director
within the 180 days, we are still not liable.
Three, however, if Mr Gideon
should expire before February 1,
and you abandon production,
we are liable for the full million dollars.
This means, gentlemen,
$519,500.
You could be the first show on Broadway
to make a profit without really opening.
Well...
i's all very clear to me.
All this bullshit about death with dignity.
You know what death with dignity is,
man? You don't drool.
Change-of-pace time. Request.
Here we go. Vic O'Dante. Hey!
Death is in, death is in, my dear
Death is the thing
Oh, tha's very theatrical, Joe.
Please don't try to talk.
- Huh?
- l can't understand him. l think he said "OK".
- Hospital hallucination, take one.
There's a lady in Chicago, man,
wrote a book. Dr K'bler-Ross, with a dash.
This chick, man, without
has broken the process
of death into five stages.
Anger, denial, bargaining,
depression and acceptance.
Playback.
After you've gone
And left me cryin'
After you've gone
There's no denyin'
You'll feel blue
You'll feel sad
You'll miss the bestest pal ya
Ever had
There'll come a time
Don't forget it
There'll come a time
When you'll regret it
Some
Day
When you grow lonely
Your heart will break like mine
and you'll want me only
After you've gone
After you've gone
After you've gone
After you've gone...
Away
Away
Cut!
Wanna print it?
Jesus, Joe, you're way behind schedule.
Next setup.
Katie, take two.
Listen, huh?
Playback.
You'd better change your way o' livin'
- And if that ain't enough
- She's right, Joe, you'd better listen
you strut your stuff
when you're old and grey
You better change your way today
Can you hear me, Joe? l'm talkin' to ya.
- Ya gotta lay off the booze, Joe.
- Axe the amphetamines.
You gotta stop screwin' around, Daddy.
Ya better stop
Ya better change
Ya better stop
Ya better change
Ya better stop, ya better change,
ya better stop, ya better change
Ya better stop and change your ways today
l said stop, change, stop!
Please.
Cut!
- Print it.
- Old Friends, take three.
Playback.
Who's sorry now?
Who's sorry now?
Whose heart is aching?
- Just look at you, Daddy.
- For breaking each vow
- Who's sad and blue?
Who's crying too?
Just like we cried over you?
- And we cried a lot.
- Oh, a lot.
- Me too.
- Boo-hoo
Right to the end
- l's getting close, Joe.
- Just like a friend
- Where were ya, Joe? Where were ya?
- We tried to warn you
Somehow
You didn't listen, Daddy. You didn't listen.
You had your way
Now you must pay
We're glad that you're sorry now
Cut!
You blew it. You forgot your line.
At the end you're supposed to say, uh...
Wha's he supposed to say?
He's supposed to say
"l don't want to die. l want to live."
Well, if you can't say it, you can't say it.
We'll just have to cut it, tha's all.
Cut it. Take me up. Next setup.
Some of these days
You're gonna miss me, Daddy
Some of these days
You're gonna feel so lonely
You'll miss her huggin'
You'll miss her kissin'
You'll miss me, Daddy
lf you go away
l'll feel so lonely
Just for you only
For you know, Daddy
You had your way
- A lot.
- And if you leave her
You know, you know, you're gonna, gonna,
gonna, gonna, gonna grieve her
You're gonna miss your sweet,
little, lovin', baby daughter Michelle
- Some of these days
- Don't die, Daddy! Don't die, please!
Some of these days
You can't leave this poor
little kid without a father!
- Some of these days
- She needs ya, Joe! She needs ya!
Some of these days
Oh! Oh, no.
You don't have any lines here.
Real dead body. Real dead body.
End sticks.
Please don't try to talk. lf you wanna
tell me anything, just write it on this pad.
No, no. Come on, not now.
Please leave. Please.
- Are you sure?
- Yes, l'm sure. Just go.
Am l alive?
All right, Joe.
Yes, you are alive.
Now, this is gonna hurt a little...
Hm. That came out nice.
Miss Paris, would you like
to see something nice?
Oh, that is beautiful!
That is an absolutely beautiful scar, Dr Garry.
- Thank you.
- How soon will he be able to work?
Well, he's out of intensive care,
back in a private room.
The doctor says i's just a matter of rest.
Two months, at the outside.
Oh, you know Joey. This morning
Said he had a lot of new ideas.
And not all that sex stuff, either.
Now, tha's terrific.
You must feel really good about that, Jonesy.
Relieved. We're all relieved.
- Check, please.
- l did some thinking about your script
and l made a few notes.
Oh, my.
Use them, don't use them...
You know, whatever you want.
l hate to bother you,
but are you... Lucas Sergeant?
- Yes.
- Would you mind?
No, no. Not at all.
l'm an actress and, next to Joe Gideon,
you're my favourite director.
l'm so sorry your show was a flop.
- Best of luck with your career.
- Thank you so much.
Lucas, you put in an awful lot
of work on this. l'm moved.
For somebody to do something like this
just... just out of friendship... lt touches me.
Listen, what are friends for?
We're all rooting for each other.
l'm just pleased that Joe is well again.
- Hey, let me get this.
- No, Lucas, this is on me.
l said l'll get this.
- l can't believe it.
- Joe, wha's the matter?
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"All That Jazz" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/all_that_jazz_2525>.
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