Amadeus Page #18
MOZART:
Don't be stupid.
CONSTANZE:
All they want to see is your work.
What's wrong with that?
MOZART:
Shut up! Just shut up! I don't need
them.
CONSTANZE:
This isn't pride. It's sheer
stupidity!
She glares at him, almost in tears.
CUT TO:
INT. SALIERI'S MUSIC ROOM - LATE AFTERNOON - 1780'S
Salieri is giving a lesson to a girl student, who is singing
the Italian art song, Caro Mio Ben.
There is a knock on the door.
SALIERI:
Yes.
A SERVANT enters.
SERVANT:
Excuse me, sir, there is a lady who
insists on talking to you.
SALIERI:
Who is she?
SERVANT:
She didn't say. But she says it's
urgent.
SALIERI:
(to the pupil)
Excuse me, my dear.
Salieri goes into the salon.
CUT TO:
INT. THE SALON - LATE AFTERNOON - 1780'S
Constanze stands, closely veiled, holding a portfolio stuffed
with manuscripts. The singing lesson ends, with two chords
on the instrument. Salieri enters the salon. Constanze drops
him a shy curtsey.
CONSTANZE:
Excellency!
SALIERI:
Madame. How can I help you?
Shyly, she unveils.
SALIERI:
Frau Mozart?
CONSTANZE:
That's right, Your Excellency. I've
come on behalf of my hus band. I'm -
I'm bringing some samples of his
work so he can be considered for the
royal appointment.
SALIERI:
How charming. But why did he not
come himself?
CONSTANZE:
He's terribly busy, sir.
SALIERI:
I understand.
He takes the portfolio and puts it on a table.
SALIERI:
I will look at them, of course, the
moment I can. It will be an honour.
Please give him my warmest.
CONSTANZE:
Would it be too much trouble, sir,
to ask you to look at them now?
While I wait.
SALIERI:
I'm afraid I'm not at leisure this
very moment. Just leave them with
me. I assure you they will be quite
safe.
CONSTANZE:
I - I really cannot do that, Your
Excellency. You see, he doesn't know
I'm here.
SALIERI:
Really?
CONSTANZE:
My husband is a proud man, sir. He
would be furious if he knew I'd come.
SALIERI:
Then he didn't send you?
CONSTANZE:
No, sir. This is my own idea.
SALIERI:
I see.
CONSTANZE:
Sir, we really need this job. We're
desperate. My husband spends far
more than he can ever earn. I don't
mean he's lazy - he's not at all -
he works all day long. It's just!
he's not practical. Money simply
slips through his fingers, it's really
ridiculous, Your Excellency. I know
you help musicians. You're famous
for it. Give him just this one post.
We'd be forever indebted!
A short pause.
SALIERI:
Let me offer you some refreshment.
Do you know what these are?
He indicates a dish piled high with glazed chestnuts.
SALIERI:
Cappezzoli di Venere. Nipples of
Venus. Roman chestnuts in brandied
sugar. Won't you try one? They're
quite surprising.
He offers her the dish. She takes one and puts it in her
mouth. He watches carefully.
CONSTANZE:
Oh! They're wonderful.
He takes one himself. We notice on his finger a heavy gold
signet-ring.
CONSTANZE:
Thank you very much, Your Excellency.
SALIERI:
Don't keep calling me that. It puts
me at such a distance. I was not
born a Court Composer, you know.
I'm from a small town, just like
your husband.
He smiles at her. She takes another chestnut.
SALIERI:
Are you sure you can't leave that
music, and come back again? I have
CONSTANZE:
That's very tempting, but it's
impossible, I'm afraid. Wolfi would
be frantic if he found those were
missing. You see, they're all
originals.
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"Amadeus" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/amadeus_352>.
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