Before Midnight Page #12
JESSE:
(a beat)
Last night I had this dream where I
was reading a book. It was a lost
classic, "The Rovers".
CELINE:
"The Rovers"?
JESSE:
Yeah, like roving around, you know,
wandering? It was all these young
people.
CELINE:
Okay. Is that a real book?
JESSE:
No, no, no.
79.
CELINE:
No?
JESSE:
But it was really great.
CELINE:
Okay.
JESSE:
It was fresh, funny, experimental,
it had all this energy...
CELINE:
I love that you read books in your
dreams.
JESSE:
I know, and they're always really
good.
CELINE:
I have major action hero dreams,
superhero, breaking through walls.
And at the end, I have an orgasm.
JESSE:
(Laughs)
Well, I'm gonna try to make your
dreams come true, babe.
They arrive at the waterfront. The sun is now setting over
the ocean.
EXT. CAFE - EVENING
They are now sitting at an outdoor table with a couple of
glasses of wine, staring at the last bit of the fireball,
quickly disappearing.
CELINE:
Still there. Still there. ... Still
there. Still there. ... Gone.
They sit in silence. Eventually, Jesse looks over at Celine
and notices she's moved. He just takes her hand. The sun
is now gone.
As they are checking into the hotel, Jesse is signing various
paperwork.
80.
HOTEL CLERK #1
I need your credit card.
JESSE:
Oh, I think the room is paid for.
HOTEL CLERK #1
Yes it is, but the credit card is
for
(Speaks Greek)
CELINE:
Incidentals.
JESSE:
Right, of course.
Another HOTEL CLERK (#2) emerges from office with his two
books.
SOFIA:
Mr. Wallace?
JESSE:
Yeah?
SOFIA:
I am such a fan of these two books.
My husband gave me your book on our
first date and then when your second
book came out, we read it out loud
together.
JESSE:
Oh, wow.
SOFIA:
Would you please sign them to us?
JESSE:
Yeah, of course, of course.
SOFIA:
Thank you.
JESSE:
I love the art work on these Greek
editions, it's really nice. Uh,
what do you need?
SOFIA:
Make it to Sofia and Pavlos.
JESSE:
Okay. How's the Greek translation?
81.
As Jesse signs the books, the Hotel Clerk starts paying
attention to Celine.
SOFIA:
Well, it's called "Afti ti Fora,
Ekini ti Fora"
JESSE:
"Ekini ti Fora."
SOFIA:
But I'm not sure it's a great one.
JESSE:
Well, that's because you never read
it in English, right?
SOFIA:
Exactly. ... That's great. Could
you sign them too?
CELINE:
Me?
SOFIA:
Yes. You're the real Madeline, right?
CELINE:
Madeline? Not really. People assume
it's me but it's - it's not me at
all. He's got a big imagination.
SOFIA:
Would you be so kind? It would mean
so much to my husband.
The book is passed to Celine.
CELINE:
I can't sign a book I didn't write.
It doesn't make
Jesse passes the books to Celine.
JESSE:
She'd be happy to.
SOFIA:
Okay. Thank you.
CELINE:
I'm happy to.
She begins to sign.
82.
JESSE:
Efharisto.
CELINE:
Okay. Thank you.
SOFIA:
Great. Thank you so much.
Celine and Jesse enter the room.
JESSE:
Check it out!
CELINE:
Wow, this is nice!
JESSE:
Yeah.
CELINE:
Clean... air conditioning... I love
it! Oh my god.
JESSE:
It's great.
CELINE:
Wow, oh wow, that bath tub.
Jesse goes over to the table to examine what's on it.
JESSE:
Hey, check this out. Stefanos and
Ariadni got us a bottle of wine and
a couple's massage.
CELINE:
They are so nice, we have to get
them a present before we leave.
JESSE:
I know, we should remember to get
something for the kids, too.
CELINE:
Yeah, I know. For sure. Wow. I
miss the girls.
Jesse seductively touches her.
JESSE:
Mmm, I don't.
83.
Then kisses her. She eventually looks out the window.
CELINE:
This is such a nice view. Look.
JESSE:
The only view that I am interested
in...
CELINE:
What?
JESSE:
... Is right... here. Here. Let's
see this.
He slowly undoes her top, revealing her still-perfect breasts.
They kiss passionately.
JESSE (CONT'D)
(Whispering)
What?
CELINE:
(touches his chin)
It's funny. I never noticed until
today but... all the red in your
beard is gone. It used to be one of
the things that made me fall for
you, it's crazy.
JESSE:
Well, it's not gone, it's just white.
You're not gonna tell me that your
love is dependent on pigment, are
you? No?
CELINE:
No, but you know, I see the red in
our girls' eyelashes. I look at
them and it makes me think of when
we met.
JESSE:
You know what I'm looking forward
to?
CELINE:
Yeah? What?
JESSE:
After uh...
CELINE:
After?
84.
JESSE:
Yeah.
(Laughing)
CELINE:
What?
JESSE:
Is waking up next to you alone.
CELINE:
You mean without Nina and Ella jumping
on our heads.
JESSE:
Exactly. I haven't heard you think
in years now.
CELINE:
Think?
JESSE:
I used to wake up to that sound of
your eyes opening and closing, and
that brain of yours going two million
miles an hour. I miss it, hearing
you think.
CELINE:
When you said you could hear me think,
I really thought you could. But it
was just my eyelids. How dumb and
romantic of me.
JESSE:
It's my favorite thing.
CELINE:
I miss thinking, too. No more
thinking in the morning, no more
morning sex.
JESSE:
Tomorrow...
CELINE:
I'm looking forward to it so much, I
don't think I will sleep.
JESSE:
I'm looking forward to right now.
CELINE:
Okay, then stop talking, so we can
f***.
85.
They kiss until Celine's cell phone rings.
CELINE (CONT'D)
(Laughs)
Oh, sh*t, who is it?
JESSE:
The kids.
Celine crawls out of bed and heads across the room toward
her bag.
CELINE:
I said they could call in case of
emergency only. Hope the girls are
okay. Okay. Oh, it's Henry. Okay.
Celine picks up.
CELINE (CONT'D)
Hi sweetie - are you okay? Are you
in London? Oh! Oh, already?
(listens)
Oh, no, we found it. Uh, we'll mail
it tomorrow morning.
(listens)
Yeah. Ohh, they miss you, too.
I'll kiss them for you. Okay, I'll
tell him. Good luck with your mom I
love you too. Bye.
Celine hangs up. Jesse gestures for the phone are again
ignored.
CELINE (CONT'D)
He's fine. He says he'll call you
from Chicago when he lands.
JESSE:
Why can't I talk to him? That's
twice you've done that. C'mon, you
could have just handed me the phone.
You know I want to talk to him.
CELINE:
Well, he didn't have time to talk he
said they were boarding.
JESSE:
And what'd he forget? What was that?
Jesse glares.
86.
CELINE:
His science project. But we'll mail
it tomorrow. It'll be fine.
JESSE:
You shouldn't have said that about
his mom.
CELINE:
What? What did I say?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Before Midnight" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/before_midnight_51>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In