Bringing Down the House Page #7

Synopsis: Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and won a billion dollar client.
Genre: Comedy
Director(s): Adam Shankman
Production: Touchstone Pictures
  4 wins & 13 nominations.
 
IMDB:
5.6
Metacritic:
39
Rotten Tomatoes:
34%
PG-13
Year:
2003
105 min
Website
3,091 Views


Just one second.

SARAH:
Come here, William.

Hey, come here.|Are you hungry?

Charlene...

If there was ever a time|I needed a favor, it's now.

You got it, baby.|Anything.

Oh, thank you!

Oh. Mrs. Arness?

Yes? Oh, yes.

My family and I are pleased|to invite you for dinner.

Yeah, oh.

Well, very well.|I wasn't expecting this.

Uh, but if you insist.

And then afterwards,|we can sign the contracts.

Of course.

Dinner is served.

I was raised|in the South, you know.

That smells just like|our Ivy's jambalaya.

She was so wonderful.

We paid her nothing,|of course, you know.

But, then, people had standards|of service in those days.

And, of course, Ivy did know

that you serve from the left|and collect from the right.

Don't...

stop at that story, because|I love hearing about your past.

That is fascinating.

Oh, yes.

Well, anyway,|as I was saying...

Yeah. Fast-actin'.

Fast-actin'.

Ooh, I'm gonna get you.

I'm gonna get you.

Uh-huh.|I'll serve your food right.

Was it the left?|Was it the right?

Father's work with the|Pasadena Republican Youth Group

has truly been invaluable.

I hope y'all brought|y'all appetites.

Oh, yes.

I brought mine.

Oh, my goodness.

This is much too much for me.

I'll never get through|all that.

I have a little less here.|I'll trade with you.

Thank you.

What, Charlene?

Nothing, sir.

Oh, this food|is so delicious.

Serves him right, anyway,

makin' me wear|this stinkin' outfit.

You're very lucky to have found|such talented help.

Well, our Ivy was with us|for so long,

we really thought of her|as one of the family.

And after every meal,

my mother would scrape|all the food we hadn't eaten

and put it on one big plate|and give it to Ivy.

Charlene...

what is that|particular taste?

It's familiar, yet...

Is it some kind of herb|like sage?

No, it's sort of more|like a milk of mint.

Milk of... whatever it is,|the taste is explosive.

Well, good, then.

Enjoy.

Oh, just one moment.

Uh, you know, uh,

there's a lovely,|sad Negro spiritual...

...that Ivy's brother used...

Are you all right?

Anyway, Ivy's brother|used to sing this

when he came in|from the tobacco fields.

Now, there's a second verse

if you'd like to join|in the chorus.

That's an unusual feeling.

- Dad?

Are you okay?

I hope your father's|all right.

Does this happen often?

Well, If you'll excuse us.

Georgey, let's go watch that|biography on Francis Drake.

We... I mean,

he seemed to be|so moved by that song.

Oh, he movin', all right.

- And tonight's top story...|- William?

The FBI needs your help

in finding fugitive at large|Charlene Morton.

Charlene is an African-American|female, 31 years of age...

What is it?

...and 5'6", 175 pounds,

with a tattoo|on her left breast.

Convicted of armed robbery,

Charlene is considered|cunning and highly dangerous.

Having escaped from the Women's|Correctional Facility

outside Los Angeles|a mere six days ago,

Morton is suspected|to be armed.

This bank surveillance tape|shows Charlene wielding a gun

and holding a customer hostage.

Charlene is considered dangerous|and may be armed.

If you have any information|concerning Charlene Morton,

please contact|your local FBI office.

That's it for tonight's edition|of "Criminals at Large."

Good night and be safe.

PETER:
Mrs. Arness,|I can explain everything.

Pete, before you lose it,|just let me explain.

There's nothing to say.

But I didn't do it, Pete.

You have to get out.

All right.|I'll get my stuff.

I don't understand.|You saw her and where is she?

I don't know where she is.

Don't drop the soap.

What the hell does that mean?

I just don't believe this.|I'm worried about her.

I hate the fact that|she's out there all alone.

You're worried about the poor,|innocent, frail creature

who can hardly take care|of herself on the street?

What about me?|Tobias is gonna fire me!

And another goody...

if Arness calls the cops,|I could go to jail!

Here's the local number|for the Bureau.

The FBI takes harboring|a fugitive very seriously.

You, gentlemen, will be|the first to hear from me.

Arness didn't call the cops,|she called the FBI.

- Now, you haven't seen me.|- I have seen you.

No, I mean,|you haven't seen me.

I'm looking right at you.|What are you...

If you do hear from her,

please tell her the cool points|are out the window and...

she's got me all twisted up|in the game.

Why you messin' with Lene?

I'm not messing with her,|I'm helping her.

Bullshit!

Uh! I'm telling you|the truth!

Listen up.|You do not reopen this case.

From now on,|I'm handlin' it for her.

I'm not gonna reopen the case.|The case is closed.

Stay out of her life.

If I got to come back here,|things are gonna get bloody.

Maybe I should|just finish this now.

We have to find Charlene.

I thought you hated Charlene.

I found out she's innocent.

I knew it. I knew it.

Where am I gonna find her?

Well, you can call her.

How can I call her|if I don't know where she is?

I gave her your phone,|in case you might...

You gave her my new|$600 titanium cellphone?

Good idea. Come on.

W-What happened to your head?

Metropolitan Museum of Art.|How may I help you?

I know who set you up.

What?! Who?

Get in.

So, what's up?

The guy points a gun to my head

and tells me|not to reopen the case.

I'm thinking,|"Why is he doing this?"

And then it dawns on me...|it's because he was involved.

God damn him.

I can't believe|Widow did this to me.

Where do you think he is?

I don't know.

Probably downtown|at this club he hang out at

called the Down Low.

Got to get a confession.

You can't go there.

Eh, man, I'm serious.

A white man at the Down Low

is either a cop, a corpse,|or a crackhead.

You can't even talk 'hood.

I'll figure out something.

Oh, and Howie told me|to tell you

that "The cool points|are out the window,

and you got him|all twisted up in the game."

Really?

That's the nicest thing|anybody's ever said to me.

I'm gonna drop you off here

because I got to get to the|office for a conference call.

So, I'll see you|in a little bit.

All right. Okay, cool.

Yeah, freak boy,|I need a ride.

Can you come now?

Damn.|A straight, cold pimp.

Looks like Gendler|beat us to her.

I can assure you, Mrs. Arness,

Peter Sanderson|is no longer affiliated

with Tobias, Kline, and Barnes.

Good.

You have great ankles.

What?!

Were you a dancer?

Yeah... well, yes.|I was.

I bet you had great presence.

Oh. How you two doin'?

I hope I'm not interruptin'|anything.

You're nasty.

W-What are you doing here?

Please, Mrs. Arness, I'm not|here to cause any trouble.

Well, that would be a first.

Julia? Julia?

Julia a little tied up|right now.

I just need you|to hear me out.

Peter is not responsible|for any of this. I am.

I mean,|the guy is a great lawyer.

And he's one of the most|decent men I've ever known.

- I doubt that's saying much.|- Shut up, fool.

If only you knew the lengths|he's willing to go to

to help a friend.

Listen... sister...

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Jason Filardi

Jason Filardi is an American screenwriter from Mystic, Connecticut. more…

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Submitted on August 05, 2018

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