Clerks II Page #7

Synopsis: A calamity at Dante and Randall's shops sends them looking for new horizons - but they ultimately settle at Mooby's, a fictional fast-food restaurant. Free from his dead-end job (and lodged in a new one), Dante begins to break free of his rut, planning to move away with his clingy fiancé. Dante is ready to leave the horrors of minimum-wage New Jersey behind, but Randal - always the more hostile of the two - starts to become overwhelmed by his own rancor.
Genre: Comedy
Director(s): Kevin Smith
Production: MGM
  3 wins & 3 nominations.
 
IMDB:
7.4
Metacritic:
65
Rotten Tomatoes:
63%
R
Year:
2006
97 min
$23,951,963
Website
2,864 Views


He didn't really just say|what I think he said.

- What? Porch monkeys?|- Randal!

What the f***|is wrong with you?!

I want my money back right now.

Of course.|Um, you know what?

Here, take this on us.

Oh, no, no, no.

I'm not eating something that

was cooked by some|cracker-ass hate-monger.

I will.

Baby, you can't taste racism.

What racism? Porch monkeys?!

- You little mother...|- Calm down, champ.

It ain't worth it.

You're lucky my husband doesn't

jump across this counter|and knock your teeth in.

- Why?|- Yeah, baby, why?

I mean, ain't like|he called us porch monkeys.

Hey, hey!

Baby, stop hitting on me!

See, the judge told you|about that.

You got to stop|putting your hands on people.

Here, take this.|This is your money.

Please, take the food on us.

- We're sorry.|- Oh, uh-uh.

I'm gonna write|to the paper about this,

and all y'all getting|fired up in here.

Jesus!

I'm gonna take the food.

Thank you very much.

Damn!

F***in' porch monkey...

Thanks. Come again.

Don't leave me, baby!

Are you out of|your f***ing mind?!

What?! What's the big deal?

Since when is it a crime|to say "porch monkey"?

Oh, I don't know...|since forever!

- Why?|- Because "porch monkey"

is a racial slur|against black people.

No, it's not. "N*gger" is.

Randal!

Did Randal just call|Mr. Dante a n*gger?

Shut up, Elias!

I didn't just call|Dante a n*gger.

I just said that "n*gger"|is a racial slur.

So is "porch monkey"!

Oh, it is not.

Coon, spook, spade,|moolie, jiggaboo, nignug...

"those" are racial slurs.

"Porch monkey" is not.

I am going to pretend|like this conversation

didn't happen.

Elias, go pick up|that f***ing mess,

and you are this close|to getting sh*t-canned!

(scoffs)

F***in' shoot me now.

(grunts angrily)

What are you doing?!

Are you trying to get fired?

Since when did "porch monkey"|suddenly become a racial slur?

When ignorant racists started|saying it 100 years ago.

Oh, bullshit.

My grandmother used to call me|a porch monkey all the time

when I was a kid,|because I'd sit on the porch

and stare at my neighbors.

DANTE:
|Despite the fact

that your grandmother|might have used it

as a term|of endearment for you,

it's still a racial slur.

It'd be like your grandmother|calling you a little kike.

Oh, it is not.

Plus, my grandmother had

nothing but the utmost respect|for the Jewish community.

When I was a kid,|she told me to always treat

the Jewish kids well, or they'd|put the sheeny curse on me.

What the f***, man?!

What?!

"Sheeny" is a racial slur, too!

Oh, it is not.

Yes, it is!

Well, she never called|any Jews sheeny.

She just used to say|"sheeny curse" a lot.

(chuckling):
|It was cute.

It wasn't cute! It was racist!

I disagree, man.

She was just an old-timer.

That's the way people talked|back then.

Didn't mean they were racists.

But my grandmother did refer|to a broken beer bottle once

as a n*gger knife.

You know, come to think of it,

my grandmother was|kind of a racist.

You think?!

Well, l-I still don't think

"porch monkey" should be|considered a racial term.

I mean, I've always used it|to describe lazy people,

not lazy black people.

I think if we really tried,

we could reclaim "porch monkey"|and save it.

DANTE:
|It can't be saved, Randal.

The sole purpose|for its creation,

the only reason it exists|in the first place,

is to disparage an entire race.

And even if it could be saved,

you can't save it,|because you're not black!

Well, listen to you.

Telling me I can't do something|because of the color of my skin?

You're the racist.

(grunts)

I'm taking it back. You watch.

(door moos electronically)

(chuckling):
|Hey.

What can I get for you,|you little porch monkey?

It's cool.|I'm taking it back.

(sighs)

(sighs)

(sighs)

# #

# #

Hey.

Hey.

So, are you scared|about getting married at all?

Um...

were we in the middle|of a conversation

I don't remember leaving?

I was just thinking about it,|and I was thinking

that maybe you were waiting|for some friend

to try and stop you

from going through|with the wedding

by asking if you're even ready|to go and get married.

So I'm asking.

Are you scared|about getting married?

Well, kind of.

I mean, I'm not scared|of getting married, you know...

l-I always wanted|to get married one day...

but I am scared|of the wedding.

Why?

I don't know how to dance.

You're kidding.

I wish I was.

You're about to tie|your life to someone,

someone who doesn't|even really get you

as well as your friends do,

and what you're sweating|is dancing at your reception?

Well, l-I figure|she'll eventually get me.

I mean, you're married|to someone long enough,

they got to get you|eventually, right?

Are you kidding?

My parents have been married|for 35 years,

and they still don't get|each other.

Emma's pretty,|smart, happy, a good person...

and for some strange reason,|she loves me.

I mean, what am|I supposed to do,

pass up on that because I have

a few stupid doubts|and some jitters?

Besides, dancing|at the reception's

the more imperative concern|at this point,

because I only get,

well, presumably, one chance|to dance at my wedding.

(sighs)

So, what, you can't slow dance?

No. Anybody can slow dance,

but this is one of the only|times I've ever gonna meet

most of Emma's extended family,

and I'd like to be able|to show some flair

on the dance floor, you know?

Like, make an impression|so that maybe they'll see

whatever it is|that Emma sees in me

instead of all feeling like|I'm some burger-peddling loser

who couldn't even bust a move.

What?

(laughs):
|You're serious?

Come on.

Hey, 12-step!

Jay!

Lord?

Up here, jackass.

What the f*** are you doing|up there?!

Yo, if you're gonna jump,

let me get a crack|at that p*ssy first.

Let me find out.

You still got your boom box?

Play something,|and turn it way up.

Something danceable.

Up here?

Are you serious?

You're gonna teach me|to dance up here?

What? You want I should do it|in front of all the customers?

What customers?

Shut up.|Come over here.

Okay, get ready for the music.

You feel it... here.

Here it comes.

# Grandma, what was it like #

# To be on the holiday site? #

Something a little|less demonic, please!

# But with them by my side|in the twilight... #

Thank you.

playing)

Yes! Okay, okay, um,|just-just follow

whatever it is I'm doing, okay?

- Step forward...|- All right.

- # You went to school... #|- Step back.

To your right.

# Things you never,|never knew before... #

To your left.

Turn to the right.

# Like "l" before "E"|except after "C" #

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Kevin Smith

Kevin Patrick Smith (born August 2, 1970) is an American filmmaker, actor, comedian, public speaker, comic book writer, author, and podcaster. He came to prominence with the low-budget comedy Clerks (1994), which he wrote, directed, co-produced, and acted in as the character Silent Bob of stoner duo "Jay & Silent Bob". Jay and Silent Bob have appeared in Smith's follow-up films Mallrats, Chasing Amy, Dogma, and Jay and Silent Bob Strike Back which were mostly all set in his home state of New Jersey. While not strictly sequential, the films frequently featured crossover plot elements, character references, and a shared canon described by fans as the "View Askewniverse", named after his production company View Askew Productions, which he co-founded with Scott Mosier. more…

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Submitted on August 05, 2018

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