Crash Page #3

Synopsis: Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city. Among the players are: the Caucasian district attorney, who uses race as a political card; his Caucasian wife, who, having recently been carjacked by two black men, believes that her stereotypical views of non-whites is justified and cannot be considered racism; the two black carjackers who use their race both to their advantage and as an excuse; partnered Caucasian police constables, one who is a racist and uses his authority to harass non-whites, and the other who hates his partner because of those racist views, but who may have the same underlying values in his subconscious; a black film director and his black wife, who believes her husband doesn't support their black background enough, especially in light of an incident with the racist white cop; partnered police detectives and sometimes lovers, one Hispanic female an
Genre: Crime, Drama, Thriller
Director(s): Paul Haggis
Production: Lions Gate Films
  Won 3 Oscars. Another 64 wins & 111 nominations.
 
IMDB:
7.8
Metacritic:
69
Rotten Tomatoes:
74%
R
Year:
2004
112 min
$55,382,847
Website
833 Views


that's exactly

what I was worried about right there.

Oh? You weren't afraid that

all your good friends at the studio

were gonna read about you in the morning

and realize he's actually black?

You need to calm down right now.

What I need is a husband who will not just

stand there while I am being molested!

They were cops for God sakes!

They had guns!

Maybe I should've let them

arrest your ass.

Sooner or later you gotta find out

what it is really like to be black.

F*** you, man.

Like you know.

The closest you ever came to being black,

Cameron, was watching The Cosby ShoW.

At least I wasn't watching it

with the rest of the equestrian team.

You're right, Cameron.

I got a lot to learn

'cause I haven't quite learned

how to shuck and jive.

Let me hear it again.

Thank you, mister policeman.

You sure is mighty kind

to us poor black folk.

You be sure to let me know next time

you wanna finger-f*** my wife.

How the f*** do you say

something like that to me?

You know, f*** you!

That's good. A little anger.

It's a bit late, but it's nice to see!

How's it goin'?

Okay.

You didn't get scared

or something, did you?

There's no monsters in the closet, right?

'Cause I hate monsters.

There's no such thing

as monsters.

Ah, that's a good thing.

I heard a bang.

Like a truck bang?

Like a gun.

That's funny, 'cause we moved

outta that bad neighborhood.

And there's not

too many guns around here.

How far can bullets go?

They go pretty far.

But they usually get stuck

in something and stop.

What if they don't?

You thinking about that bullet

that came through your window?

You think we should move again?

I like it here.

Me too. But if that bullet

found out where we lived...

Oh, hold on.

What?

So stupid!

How can I forget this?

What?

Nah. Forget it.

You ain't gonna believe me.

Tell me.

Okay.

When I was five, this fairy

came into my room one night.

- Right.

- See, I told you you weren't gonna believe me.

- Okay, go to sleep now, you little rat.

- No, tell me.

Okay.

So this fairy comes into my room and I'm like,

"Yeah, right, you're a fairy."

Anyway, we're talking, you know.

And she's flying all around the room,

knocking down all my posters and stuff.

She was flying?

She had these little stubby wings.

She could've glued 'em on, you know?

Like I'm gonna believe

she's a fairy.

So she said, "I'll prove it."

So she reaches

into her backpack.

And she pulls out

this invisible cloak.

She ties it around my neck, and she tells me

that it's impenetrable.

You know what

impenetrable means?

It means that nothing

can go through it.

No bullets. Nothing.

She told me that if I wore it,

nothing would hurt me.

So I did. And my whole life,

I never got shot, stabbed.

Nothing.

I mean, how weird is that?

Only she told me that I was supposed to give it

to my daughter on her fifth birthday.

And I forgot.

Can I touch it?

Sure, go ahead.

- I don't feel it.

- Yeah. It's pretty cool, huh?

I can take it off and tie it around your

shoulders. She told me how to do it.

- Unless you think it's stupid.

- Don't you need it?

No, not anymore.

So what do you think?

You want it?

Okay, let's get outta here.

Okay.

Put your head up.

Okay. Is that too tight?

Do you feel anything at all?

Good. Then it's just right.

Do I take it off

when I have a bath?

No, you leave it on

all the time.

Until you have a daughter when she turns five,

then you give it to her.

Okay?

Okay.

Okay. Good night, sweetie.

Good night.

Nah, nah. You wanna listen to music

of the oppressor, you go right ahead, man.

How in the lunacy of your mind

is hip-hop music of the oppressor?

Listen to it, man!

"N*gger this, n*gger that."

You think white people go around calling

each other honkies all day, man?

"Hey, honky, how's business??"'

"Going great, cracker.

We're diversifying."

How 'bout this, huh? Listen. You like that?

Man's singin' about lynchin' n*ggers.

And you think

there's a difference, don't you? Huh?

Gonna buy me a rope

and lynch me a n*gger

You have absolutely no idea where hip-hop

music comes from, do you?

I'd shoot 'em dead first

but I done broke my trigger

See, back in the '60s we had

smart, articulate black men.

Gonna get out my sheet

Put my hood on my head

Like Huey Newton, Bobby Seale,

Eldridge Cleaver, Fred Hampton.

Gonna string 'em up good

These brothers were speaking out,

and people were listening!

Then they'll be dead

Then the FBl said,

"No, we can't have that."

Home of the brave

and the land of the free

"Let's give the n*ggers

this music by a bunch of mumbling idiots

and sooner or later,

they'll all copy it, and nobody

will be able to understand

a f***ing word they say.

End of problem."

What the f*** was that, dawg?

- Holy sh*t!

- What?

Man, we done ran over a Chinaman.

You're sayin' there's a Chinaman

under this truck?

What part don't you understand?

There's a Chinaman stuck

underneath the f***ing truck.

Help me.

Uh-huh. Uh-huh.

Ah, God. What the hell did he do,

just leap out in front of the truck?

Man! This is so

completely f***ed up.

Oh, really? No sh*t!

Okay, hold up.

Hold up, hold up, hold up.

- Get back in the truck.

- What?

- Yes, get back in the truck.

- You think we didn't drag him far enough?

No, we gonna drive away.

And he gonna let go.

He's not gonna let go, Anthony.

You know why? Because he's stuck

underneath the f***ing truck!

Now, if he could've let go, he probably would've

considered that option half a block back.

What you and I gotta do, just grab his arms

and pull him from underneath.

You grab his arm,

it's gonna fall off.

Then you gonna be standing in the street

holding a Chinaman's arm.

Then what your ass gonna do, huh?

If we leave this man here, he dies.

Then we're up for murder charges.

Just grab his arm.

We'll just pull him out.

I don't wanna cause any problems, Lieutenant.

I just want a new partner.

I understand. Your partner's a racist prick.

But you don't wanna stir up

any bad feelings with him.

He's been on the force for a long time.

Seventeen years.

And I do have to work here, sir.

So you don't mind

that there's a racist prick on the force.

You just don't want him

to ride in your car.

If you need me to go on record

about this, sir, I will.

That'd be great.

Write a full report.

Because I'm anxious to

understand how an obvious bigot

could've gone undetected

in this department for 17 years.

Eleven of which he was under

my personal supervision.

Which doesn't speak very highly

of my managerial skills.

But that's not your concern.

I can't wait to read it.

What if I said I wanted a new partner

for personal reasons?

So now you're saying he's not a racist prick,

you just don't like him.

- Yes, sir.

- That's not a good enough reason.

Then I guess I should think of a better one

and get back to you.

So you think I'm asking you

to make one up.

Uh, no, sir. I just can't

think of one...right now.

Rate this script:4.0 / 1 vote

Paul Haggis

Paul Edward Haggis (born March 10, 1953) is a Canadian director, screenwriter, and producer. He is best known as screenwriter and producer for consecutive Best Picture Oscar winners, 2004's Million Dollar Baby and 2005's Crash, the latter of which he also directed. more…

All Paul Haggis scripts | Paul Haggis Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Crash" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/crash_6018>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Crash

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "O.S." stand for in a screenplay?
    A Off Screen
    B Opening Scene
    C On Stage
    D Original Sound