Death to Smoochy Page #9
NORA:
May I come in?
SHELDON:
Sure.
Nora enters. She seems a little wobbly. Sheldon notices
she's holding a pint of whiskey.
SHELDON:
Uh... are you okay?
NORA:
I'm getting drunk and I'm not usedto it.
SHELDON:
Oh. Well, not to make you feelworse, but with alcohol you'realso consuming empty calories.
Nora looks at him for a moment.
(CONTINUED)
50.
CONTINUED:
NORA:
It's just that... I want toapologize, actually. And on those
rare occasions when I feel the
need to apologize for something,
it helps if I'm, you know... shitfaced.
SHELDON:
Wow. I'm honored.
Nora trips slightly. Sheldon takes the whiskey from her.
SHELDON:
Why don't we get some air?
He leads her out on the balcony. They look out at thecity.
NORA:
I... I may have been a littleharsh when we spoke the other day.
A little out of line.
SHELDON:
Well, it wasn't as bad as the week
before when you called me a pasty-
faced, no-talent hack.
NORA:
Yes, that was probably insensitiveas well.
(looks at him)
I heard you're not doing the iceshow. I find that... incrediblyadmirable. Why didn't you tellme?
SHELDON:
I guess I didn't want to spoilyour fun. You look so content
when you're berating me.
Nora looks down.
NORA:
I'm afraid I have become a bit
hardened over the years.
Sincerity's an easy disguise inthis business. It's hard to know
who's on the level.
(CONTINUED)
51.
CONTINUED:
SHELDON:
Believe me, I'm learning that moreand more every day.
(wistfully)
'Sometimes light is really dark,
Sometimes crows can sing like
larks
Spring,
Don't think you know everything.'
NORA:
(in disbelief)
'Rickets the Hippo'?
SHELDON:
You remember Rickets?
NORA:
That was my favorite show when Iwas a kid. Rickets was the one
face I knew I could trust.
SHELDON:
That's how I felt! Rickets had
real depth. He was my inspirationfor Smoochy.
NORA:
Really? He was my inspiration towork in children's television.
SHELDON:
I can't believe it. I never met
anyone who even remembers Rickets.
Do you remember the Klunky-Wunkydance?
NORA:
Remember it? I did it at my firstcommunion.
Sheldon starts doing the rather insane-looking Klunky-
Wunky dance. Nora does it with him. They both stop andlook at each other. Sheldon impulsively leans in andkisses her.
SHELDON:
I'm sorry. That was a mistake,
right? I didn't mean for that to
hap-
Nora grabs his head and pulls it toward her. They beginkissing passionately.
(CONTINUED)
52.
CONTINUED:
NORA:
(as they kiss)
You're not full of sh*t like all
the others, are you?
SHELDON:
No, no.
NORA:
(as they kiss)
You're for real, right?
SHELDON:
Yes, yes.
NORA:
(through the kisses)
I mean, I couldn't tell... First I
thought it was an act... and thenI just thought you were a simp orsomething...
SHELDON:
Shhh... you don't have to
explain...
They continue to kiss. Nora abruptly stops.
NORA:
I should go.
SHELDON:
Why?
Nora exits the balcony and collects her coat and purse.
SHELDON:
What's wrong? Is it the whiskey?
If you have to throw up, be my
guest. Anywhere you like.
NORA:
It's just getting late.
Sheldon follows her to the door. She stops and looks athim for a moment. The PHONE starts to RING. Neither of
them says anything for a beat.
NORA:
Better get that. Good night.
She exits. Sheldon shuts the door and sighs. He goes tothe bar to pour himself another orange juice beforepicking up the phone.
(CONTINUED)
53.
CONTINUED:
SHELDON:
Hello?
ANGELO'S APARTMENT
We GO TO a HORIZONTAL SPLIT-SCREEN. Randolph is on theBOTTOM HALF. He lies on his bed in Angelo's apartmentwearing a bathrobe with a towel wrapped around his head.
His head dangles off the bed as he talks on the phone.
The SHOT is reminiscent of Bye Bye Birdie.
RANDOLPH:
Hello, Mr. Mopes? My name isBenjamin Kunklepeck and I'mcalling on behalf of 'Parents forDecency in Children's Television,'
perhaps you've heard of us?
SHELDON:
No, but I like where you're comingfrom. It's an issue very close tomy heart. Why just yesterday Iwas commenting -
RANDOLPH:
Sir, we're having a banquettomorrow and we'd be honored to
have you perform for us. We would
also like to present you with aplaque for your ongoing commitmentto children's television. The
presenter will be a young orphanwith mild asthma. Can you attend?
EXT. VERRAZANO NARROWS BRIDGE - NEXT MORNING
A black Lincoln Town Car travels across the bridge towardStaten Island.
SHELDON (V.O.)
Thanks for picking me up, Mr.
Kunklepeck. It's very nice of
you.
INT. TOWN CAR - CONTINUOUS ACTION
Sheldon is in the back seat. The Smoochy costume is nextto him. Behind the wheel is Randolph. He's in disguise.
(CONTINUED)
54.
CONTINUED:
RANDOLPH:
Don't be silly. The chance to
have Smoochy the Rhino perform atour little soiree? I'd carry youpiggy-back through a bed of hotrusty glass if I had to.
SHELDON:
Well, it's always a pleasure tohelp out a worthy cause. And
believe me, I've learned latelythat it's not all sunshine and
daffodils in the land of nonprofit.
RANDOLPH:
I just looove your show, by the
way. It's such a refreshingchange of pace from that dreadfulembezzler... what's his name
again? Rainbow something orother?
SHELDON:
Randolph.
RANDOLPH:
Yes. Rainbow Randolph. What a
scoundrel! He's probably gay too.
SHELDON:
Oh, I don't know. I feel sorryfor him, actually. He obviouslyhas problems or issues that heneeds to sort out.
RANDOLPH:
(getting frustrated)
Yeah, yeah, yeah, but don't youtake particular glee in that youbasically stole his time slot?
Helped shovel dirt onto hismiserable corpse, as it were?
SHELDON:
No, I would never take pleasure insomeone's downfall. You know the
old expression about walking amile in another man's shoes?
Well, that really holds water.
Just try to imagine -
(CONTINUED)
55.
CONTINUED:
RANDOLPH:
(snapping)
Come on, he's a f***ing a**hole!
You hate him! Admit it!
SHELDON:
(uncomfortable)
Uh... can we listen to the radio?
EXT. WAREHOUSE - SHORT WHILE LATER
The Town Car is parked behind an old warehouse in themiddle of nowhere. Sheldon is now in costume. Randolphrushes out of the door, very excited.
RANDOLPH:
Okay, they're ready for you!
SHELDON:
I gotta say, this is a first -- Inever performed in a tractor partswarehouse before.
RANDOLPH:
Well, we like to do these thingsno-frills. It's all about the
kids.
SHELDON:
Amen to that.
Randolph opens the door a crack and listens. We hear an
O.S. VOICE from inside.
VOICE (O.S.)
It gives me great pleasure tointroduce our very specialguest... a supporter of the causeand a friend to the brotherhood.
Please welcome, the one, the
only... Smoochy the Rhino!
We hear APPLAUSE. Randolph quickly opens the rusty door.
RANDOLPH:
Knock 'em dead, kid!
INT. WAREHOUSE - CONTINUOUS ACTION
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