Ed Wood Page #10
- R
- Year:
- 1994
- 127 min
- 517 Views
ED:
Dolores. I need your help...
WIPE TO:
A scene is being shot, on camera. Ed (as Glen) and Dolores (as
Barbara) stare into each other's eyes. He's dressed normal,
and she wears a fuzzy angora sweater.
ED (as GLEN)
"My mind's in a muddle. I thought
I could stop wearing these things.
I tried, honestly I tried..."
DOLORES (as BARBARA)
(tentative)
"Glen, I don't fully understand this.
But maybe together -- we can work it
out."
She stands up, dramatically takes off her angora sweater, and
gives it to Ed.
He holds it meaningfully, then smiles proudly.
ED:
Music swells... and CUT and PRINT IT!
Ed and Dolores hug.
CUT TO:
On a MOVIOLA, we see the black-and-white image of Dolores
taking off her angora and giving it to Ed.
WE PULL OUT. Ed and Georgie are hunched over, watching the
movie. Ed smiles proudly.
ED:
And we fade out. "The End."
(the film runs out)
What do you think?
Georgie peers at his watch. He shakes his bead.
GEORGIE:
I think it's fifty-seven minutes
long.
ED:
Yeah? Whatever. So did you like it?
GEORGIE:
(like a lecturing teacher)
Ed, what was the one thing I asked
you to do? Make it seven reels long.
I've got contracts with my
exhibitors. If it ain't over an
hour, they won't play it.
ED:
Gee, I used every frame of film we
shot. Maybe they won't notice.
GEORGIE:
They'll notice.
(beat)
Look, why don't you let me take over
from here? I can do a few tricks:
Pad it out with more stock footage,
add establishing shots...
ED:
Um, I guess --
GEORGIE:
Good. And one more thing. I think
your "Written, Directed, and Starring
Ed Wood" credit is a bad idea.
ED:
Why?! I did all those things! Hell,
I even built the props.
GEORGIE:
And you did a bang-up job, too. But
you don't want other producers to
know that's you in drag. Trust me.
It's a career killer.
Ed is quite upset.
ED:
But I'm proud. I wrote, directed,
and starred in it just like Orson
Welles in "Citizen Kane"!
GEORGIE:
Yeah?? Well Orson Welles didn't
wear angora sweaters, did he??!
Ed is beaten.
CUT TO:
It's the cast and crew screening! The eager two-dozen people
are packed into a tiny screening room.
The lights dim, and the movie starts. A LIBRARY MUSIC fanfare,
and then:
"Bela Lugosi in GLEN OR GLENDA"Everyone APPLAUDS excitedly. Bela smiles.
Credits continue: "Featuring Daniel Davis and Dolores Fuller"
The audience is audibly baffled. Bunny BLURTS out.
BUNNY:
Daniel Who?!
Dolores leans in to Ed.
DOLORES:
Ed, who is Daniel Davis?
ED:
(sour)
dresses.
DISSOLVE TO:
ON-SCREEN, Dolores looks tenderly at Ed.
DOLORES (on screen)
"Glen. Is it another woman?"
Ed as Glen nervously ponders his response.
But suddenly -- MUSIC THUNDERS in. The movie cuts to buffalo
stampeding. Bela's angry face is superimposed over this.
BELA (on screen)
"Pull the string! Pull the string!"
IN THE AUDIENCE:
People are impressed by this technique. Bela nods in approval.
ON-SCREEN
Out of nowhere, CHEAP JAZZ MUSIC starts, and the movie abruptly
cuts to SLEAZY STAG PARTY-STYLE FOOTAGE! A bare-chested man
whips a bound woman! A woman dominates another tied to a large
stick! A brunette violently rips off her dress and does a
hoochie-coochie dance!
IN THE AUDIENCE:
The crowd is stunned.
CAMERAMAN BILL:
I didn't shoot that!
Ed looks back at Georgie, who's wearing a big satisfied grin.
ED:
Georgie, what's with the stag
footage?? You said you were cutting
in establishing shots!
GEORGIE:
I did. I established some tits and
ass.
Ed rolls his eyes. He turns back to the movie.
Everybody is CELEBRATING, with a raucous party. People are
boozing it up. BIG BAND MUSIC plays. Ed dances with Dolores.
Paul smokes a joint. Conrad falls over a table and breaks a
lamp. Bela dances happily with a cute young REDHEAD.
BELA:
Wasn't I something..? Did you see
how I command the screen?!
Ed's giddy buddies stumble over with foaming glasses of beer.
BUNNY:
Ed, it was superb.
CONRAD:
A great show! A little strange...
but great -- especially my scenes.
ED:
Just like I always promised. Now
you're among the immortals. You're
movie stars.
PAUL MARCO:
(he raises his glass)
Here's to Ed. For making us into
something.
It's a warm moment. They all CLINK their glasses.
Dolores kisses Ed.
CUT TO:
We're outside a cute little Spanish bungalow house. Ed and
Dolores are moving in. They lug furniture from a rented truck.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ed Wood" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/ed_wood_426>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In