Ed Wood Page #14
- R
- Year:
- 1994
- 127 min
- 517 Views
BELA:
Eddie... my friend.
Aghast, Ed runs over.
ED:
Bela, what happened?!
BELA:
I didn't feel well...
ED:
Let me take you to the hospital.
BELA:
No hospital. Just take me to the
couch...
Ed nods. He picks up the old man and carries him across the
room to the couch. The large portrait of Bela, young and
robust, peers down.
ED:
Should I call a doctor?
BELA:
Nah. This happens all the time...
Ed puts a pillow under Bela's head.
ED:
Is there anything I can get you?
Water? A blanket?
BELA:
Goulash.
ED:
(distressed)
I don't know how to make goulash.
Ed sits next to him. An awkward pause.
ED:
What's in the needle?
BELA:
Morphine, with a demerol chaser.
(he starts crying)
Eddie, I'm so broke. I don't know
what I'm gonna do...
ED:
Don't worry. I'll do something.
CUT TO:
EXT. MOVIE STUDIO GATE - MORNING
Ed stands outside MGM, talking into a phone at the guard gate.
ED (on phone)
Mr. Feldman! I haven't been able to
get through, so I just showed up.
Yeah, out front! So, are we gonna
be working together?
(his face slowly falls)
Really? Worst film you ever saw...?
(beat)
Well, my next one will be better.
(beat)
Hello?
INT. ED'S HOUSE - DAY
Dolores tries to cheer up gloomy Ed. He's wearing angora.
ED:
I'm no good.
DOLORES:
Ed, it's just one man's opinion!
ED:
Bela needs a job... I can't even get
a film going...
(listless)
But of course I can't -- I made the
worst movie of all time.
DOLORES:
That's ridiculous.
Ed sighs.
ED:
All I wanna do is tell stories. The
things I find interesting...
DOLORES:
Well maybe you're not studio kind of
material. Maybe you just need to
raise the money yourself.
Ed looks up.
INT. BANK - DAY
Ed sits opposite a LOAN OFFICER.
ED:
The movie is called "Bride Of The
Atom"...
INT. DENTIST'S OFFICE - DAY
Ed continues, pitching to three DENTISTS in white coats.
ED:
...It will star Bela Lugosi. Each
of you would put up $20,000...
Ed stands at a busy intersection. He YELLS into a phone.
ED:
Yes, that's right. The Bela Lugosi.
He's still alive.
(beat)
Huh? Is he available Friday night?
Gee, I suppose so... Why?
cut TO:
We're backstage at a '5Os variety show. It's exciting live TV:
Showgirls, techies, and cast members dart about in a state of
hyped-up tumult.
INT. DRESSING ROOM - SAME TIME
Bela and Ed sit in his dressing room, running lines. Bela is
in his Count outfit: Cape, jet black hair, red lips, etc. They
both read off SCRIPTS.
BELA:
"Greetings. I am the Count."
ED:
"Greetings. I am Slick
Slomopavitz, Seeker of Adventure."
Audience laughs. Applause. "Say,
that's a funny place to sleep."
BELA:
"It is my home."
ED:
"Oh, tract housing, huh?" Laugh.
"You need a new real estate agent."
BELA:
"Beg to differ. This casket
incarpratates, er, inporporates --"
Ed interrupts.
ED:
No Bela, that's "incorporates." Look,
just say "This casket has..."
BELA:
(upset)
Ach! How do they expect a Hungarian
to pronounce this dialogue? This
live television is madness!
An ASSISTANT knocks and sticks her head in.
ASSISTANT:
Five minutes, Mr. Lugosi.
INT. BACKSTAGE - MINUTES LATER
Ed and Bela stand in the wings. Onstage is the SHOW HOST, a
cheesy comedian. He is doing a routine with Criswell, the
famed psychic who opened this movie. Criswell wears a tux and
a turban and is acting mysterious.
HOST:
And then what's gonna happen?
CRISWELL:
In 1960, the automobile will have
retractable wings, so it can fly.
HOST:
Sounds like a heck of a way to beat
traffic.
Audience LAUGHS. Criswell rubs his temples enigmatically.
CRISWELL:
By 1970, Man will have colonized
Mars. Millions of people will live
there.
Ed is mesmerized.
ED:
Wow! Ain't that something.
INT. STUDIO - LATER
We're out in the audience. The curtain rises on a SPOOKY SET:
Shadows, cobwebs, and a coffin in the center. The Host walks
onstage, to huge APPLAUSE. He's playing his "Slick" character,
a befuddled moron in a funny hat. The Host shines a flashlight
around, and then the coffin opens. Bela sits up. There's more
APPLAUSE.
BELA:
Greetings. I am the Count.
HOST:
Greetings. I am Slick Slomopavitz,
Seeker of Adventure.
The audience LAUGHS. Then APPLAUSE.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ed Wood" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/ed_wood_426>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In