Even Cowgirls Get The Blues Page #15
- R
- Year:
- 1993
- 95 min
- 384 Views
JELLY:
Debbie says that if women are to
take charge again, they must do it
in the feminine way; they mustn't
resort to aggressive and violent
masculine methods. She says it is up
to women to show themselves better
than men, to love men, set good
examples for them and guide them
tenderly toward the New Age. She's a
real dreamer, that Debbie-dear.
SISSY:
You don't agree with Debbie, then?
JELLY:
I wouldn't say that. I expect she's
right, ultimately. But I'm with
Delores when it comes to fighting
for what's mine. I can't understand
why Delores is so uptight about the
Chink; he could probably teach her a
thing or two. Ee! That grass tickles,
doesn't it? God knows I love women,
but nothing can take the place of a
man that fits. Still this is cowgirl
territory and I'll stand with Delores
and fight any bastards who might
deny it. I guess I've always been a
scrapper. Look. This scar. Only twelve
years old and I was felled by a silver
bullet.
Jelly takes Sissy's hand, carefully avoiding the thumbs and
helps her feel the depression in her belly. The depression
is a dimple, like another navel.
AFTER A HUNGRY STILLNESS, like intermission at a wolf dance,
rhythms are established. Jelly and Sissy are socked into one
another now, and they arch and push and corkscrew and
jackknife softly but with pronounced cadence.
Everything becomes scrambled. They rock each other in cradles
of sweat and saliva, until we can see nothing.
Noisy breaths buck out of Sissy: "Jelly, Jelly" but she can't
hear Sissy because she is screaming. Hysterical from the
scalding hot softness of girl-love.
EXT. HILLTOP DAY
The Chink looks on from the hilltop above indifferently.
EXT. FIELD DAY
Sissy and Jelly are riding on the back of a horse.
A WHOOPING CRANE is spied by Sissy as she rides on the back
of Jellybean's horse back to the ranch. Delores and Big Red
hurry to meet them.
DELORES:
He's here.
Sure enough across the yard, in the midst of the low-cal
barbecue in progress, monocle reflecting sunlight, cigarette
holder stabbing the air, stands the Countess.
DELORES:
Look at him. Perverse as a pink
pickle.
BIG RED:
Sick as a vice squad.
DELORES:
He's in a snit. He wants to see you
right after the barbecue.
Jellybean chuckles sardonically and dismounts.
JELLY:
Get the girls. He's gonna see me
right now.
Sissy, confused, and loyalties torn in the face of an
impending revolution, leaves the corral and
SLIPS INSIDE THROUGH THE KITCHEN.
DOWN THE HALL:
ENTERING HER ROOM, SHE LOCKS HERSELF IN. As she locks the
latch she hears Jelly's voice.
INT RANCH OFFICE DAY
Jelly has taken over the ranch loudspeaker system and is
giving an ultimatum.
JELLY:
Any of you ladies who would like to
join us, you're welcome to stay on
as a full working podner at the Rubber
Rose. Rest of you get packed -- and
I mean now. You've got fifteen minutes
to move your lard asses off this
ranch.
INSIDE THE EXERCISE ROOM
Women are reacting to the demands.
INSIDE THE GREENHOUSE
Some women are taking up trowels and brooms as weapons.
INSIDE THE KITCHEN
The help is joining the revolt.
INSIDE THE HALLWAY
Other women are running for their lives.
INSIDE SISSY'S ROOM
She hears the screen door screech open and a chaos of
footsteps in the hall. She goes to her window. And she can
see, partially cut off by the corner of the building, Miss
Adrian screaming.
MISS ADRIAN:
You will all be rounded up and sent
to prison if you take this any
farther! This is not your ranch!!!!
EXT. THE FRONT YARD OF THE RUBBER ROSE
The Countess seems to be taking it slowly, and calmly smoking
a French cigarette. He observes the fighting among them with
amusement.
THE COUNTESS:
You pathetic little cutesy-poos. Do
you actually suppose this exhibition
of childlike melodrama is advancing
the cause of freedom?
JELLY:
You owe us this here ranch, as a
token payment for your disgusting
exploitations
THE COUNTESS:
(tranquilly)
Then take it.
JELLY:
Go for it, girls!
The hands, who carry axes, picks, pitchforks and shovels,
retreat. The Countess, still grinning, reaches for an hors
d'oeuvre and subjects his cigarette to a measured, self-
assured puff.
MISS ADRIAN:
(shaking her fist)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Even Cowgirls Get The Blues" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/even_cowgirls_get_the_blues_468>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In