Here Come the Co-eds Page #3

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- You're in the dough?

I'm wearing it.

What are you doing now? What are

you doing now? What is this here?

- What did you do?

How'd you get into this?

- Slats!

- Wait a minute!

What did you get into now?

Get this thing off your feet.

Get this thing out of the way.

- Look at this mess.

- Now, wait a minute!

Quiet. All right,

put 'em back. Put 'em back.

Put 'em back.

Put 'em back there.

That's it.

All right, put 'em back

where they belong.

Here, I'll help you.

Hold on to me.

Get down.

Go on, get down.

Come on.

Come on, get down.

Get down!

Look at this mess you're into.

Throw those away.

Throw 'em away. Tell me,

what's the matter? What is it?

Lookit... molasses, glue.

Gimme that. Gimme it.

- Oh, good.

- There. Now, look at this.

Huh?

Look at this.

- Well, let's both wear one.

- Never mind that.

Gimme that one.

Gimme that. There you are.

- Huh?

- Look what you did.

Yeah.

Take that.

Get a load of this mess.

Hold it. Hold it. I'll get

you out. I'll get you out.

Get it off.

There you are.

- Now take a hold of this.

- Okay.

Hold on to it!

What a mess.

- Hey!

- What's the matter?

Well, get it...

get it off.

I don't know what

I'll ever do with you.

Always getting me

into trouble.

You're always doing something

that's all... get rid of it.

Throw it out...

- Hey...

- Here, wait a minute. Wait a minute. Turn around.

- I can't get the legs open.

- Turn around.

- I can't get my legs open.

- Turn around! I'll straighten you up.

- No, no! Look!

- There, all right.

- There you are, here. Hold it.

- Hey!

Never mind that.

Take this off.

Get it off the pants!

- Turn around.

- Get my hand off the pants!

My hand off the pants!

Hold still.

Oh, good.

Put that... put that down!

Turn around.

Here, I'll get you out of that.

There you are.

Look at this mess.

- That's good.

- Well... look at this here.

What are you doing?

Now, look.

Now, listen.

- Don't get any on my face 'cause I don't go for it.

- Go wash those dishes.

Look at this mess.

Ah! Wash the dishes.

Slats!

Do they sing like this

every night?

Yeah... they're in a rut.

It's perfect... the whole

college, the girls... everything.

You should have seen it last semester

before Benson gave it a facelift...

no athletics, no make-up,

no singing, no nothing.

The dean really did a job

around here.

- He's nice, isn't he?

- Hmm. Remind me to ask Diane.

Diane? Oh.

All:

Someday

We will remember

This night of nights

All filled

with sweet memories

We'll remember

how the stars danced in the sky

You will recall

touching the moon

And so will I

Oh, somewhere

Out of the nowhere

We'll close our eyes

And be here over again

Woman:

Forever and ever

We'll keep

this night tucked away

All:
Just to remember again someday

Remember, remember

Remember again

Woman:

Someda-ay.

You've just got time to clean

this room up before class.

That's all I heard for two weeks

is, "Clean this up, clean that up,"

"Scrub the floor,"

"Wash the dishes," "Do this,"

- "Mow the lawn and rake up the leaves. "

- All right.

- While all he does is shoot dice.

- How do you know?

I found these in his room.

- Girl:
Oliver!

- Hey, hide those dice.

Hurry up. Hide 'em!

Oliver, I'm sorry I couldn't

keep our date last night.

Are you mad at me?

Oh, Oliver, speak to me.

What can I do to make you

accept my apology?

Of course I'll kiss you.

Oh, gee, I'm late.

See you later. Goodbye.

What're you doing?

What's the matter?

What's the matter?

Hey...

did you swallow

those dice?

Come on, you guys,

quit stallin'.

- What's the matter with him?

- He swallowed your dice.

My dice!

I paid two bucks for those dice.

I could roll a seven

any time I wanted to!

- All right!

- I'm gonna get 'em out of you if I have to choke 'em out.

Stand up there.

Stand still!

- What's the matter?

- Hold still.

Mm-mmm.

Six.

- Bet you five bucks I can make it.

- That's a bet.

- Put it down there.

- Slats, what're you doing?

Quiet! Come here.

- Slats!

- Get in there. Get in there. Hurry up.

Get in there.

Get in there.

- Turn around and hold still.

- Now, let's see.

Two threes!

I made it the hard way!

What do you think of that, hey?

Marvelous! Let it ride, go ahead!

- Okay.

- Put it down. Cover it all.

- I'm the only one ridin'. Up and down the joint.

- There you are. Come here.

- Oh, no, no, no.

- Wait a minute... hey!

I want a better shake

than that for my dough.

- Now, look!

- Come here! Come here!

- Ahhh!

- Get up here on that table!

That's it.

- How do you operate this thing?

- I'll operate it.

You're gonna operate on who?

Now, cut it out!

- Get down!

- Mama!

Slats, no more.

I can't take it, Slats!

Get your feet together.

Slats! Slats!

Get me off, Slats!

No!

I'm afraid, Slats.

Get me off!

Get up. Get up.

- I win.

- Boxcars.

That was very entertaining,

Professor,

but just what does that

teach the other pupils?

Miss Carroll, will you please analyze

the composition you just heard?

Starting the first movement,

moderato,

the second movement is lento,

tres passione,

with the sixth bar played

espressivo.

The balance of the composition

is interpreted as indicated,

namely, en glissant,

ad libitum, rubato

avec beaucoup d'expression,

and allegro molto vivace,

with a cross indicating

pizzicato with the left hand

and a chromatic scale glide

with one finger.

I'd like to hear our scholarship

student repeat that description.

Will you please,

Miss McCarthy?

- Well, I...

- Go ahead, Miss McCarthy, repeat that statement.

Well...

well, beginning with the first

movement, moderato,

the second movement is lento,

tres passione,

with the sixth bar played

espressivo.

The balance of the composition

is interpreted as indicated,

namely, en glissant,

ad libitum, rubato

avec beaucoup d'expression,

and allegro molto vivace

with a cross indicating

pizzicato with the left hand

and a chromatic scale glide

with one finger.

Remember to break fast

when I fake to the guard.

How can I break fast

when my bustle's dragging?

You want a real workout,

try guarding that McCarthy.

Where'd you learn

to play like that?

She said something

about the YWCA in Brooklyn.

I'll have to hand it to her,

she certainly makes the team click.

- Where's Diane?

- She's in the rain.

Diane!

Here!

You better get up

to the dean's office fast.

- Your pop's trying to make Benson expel Molly.

- He can't force him to do that.

Maybe not, but he says he'll withdraw his

financial support unless she gets thrown out.

Ohh.

What's the dean saying?

When I left, he was still saying

no, but you better get up there.

If he cans Molly,

we got no basketball team.

And if he keeps her,

we got no school.

I'm sorry, girls, we were trying to

get cleaned up before anybody came in.

Girl:
That's all right, Slats,

go right ahead.

We're going to write

some jokes for the school play.

Jokes? I wish we had a couple

of jokes to give you.

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