Maz Jobrani: Brown and Friendly Page #4
- Year:
- 2009
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WAS THE MEXICAN REFEREE.
HE CAME OVER,
HE LOOKED AT ME, HE GOES,
"IT'S NOT BROKEN."
I WAS LIKE,
"HOW DO YOU KNOW?"
"IT'S NOT BROKEN!"
AND I'M THINKING,
"WOW, THIS GUY'S A GENIUS.
HAS NOT EVEN TOUCHED ME,
HE KNOWS IT'S NOT BROKEN."
AND THEN HE GOES, "WIGGLE YOUR
AND AT THAT POINT,
THAT MIGHT BE:
FOR A BROKEN ANKLE,
TALKING, I WAS LISTENING TO HIM.
HE COULD HAVE BEEN LIKE,
"DO THE MACARENA!
DO THE MACARENA!"
I WOULD HAVE GOTTEN UP,
BEEN LIKE,
" HEY, MACARENA!
AH-YOW!"
SO HE SAYS, "WIGGLE YOUR TOES,"
SO I WIGGLE MY TOES.
HE GOES, "SEE?
IT'S NOT BROKEN."
I WAS LIKE,
"YOU ARE A GENIUS, SIR.
BUT I'M GOING TO A HOSPITAL
ANYWAY, JUST CHECK IT OUT."
"IT'S BROKEN."
I'M LIKE, "I KNEW IT!"
AND THE WORST TIMING
IN THE WORLD, PEOPLE.
I BROKE MY ANKLE WHEN MY WIFE
WAS 8 1/2 MONTHS PREGNANT.
-YEAH, THE LADIES KNOW WHA I'M TALKING ABOUT, YEAH.
THAT'S WHEN YOU'RE SUPPOSED TO
PAMPER YOUR WIFE.
YOU'RE SUPPOSED TO PAMPER HER
WHEN SHE'S
8 1/2 MONTHS PREGNANT.
AND I KNOW SOME OF
THE PERSIAN MEN ARE LIKE,
YOU ARE TALKING ABOUT?"
"NEVER HEARD OF 'PAMPER'
AS A VERB.
NEVER HEARD OF IT.
BUT 'PAMPERING,'
THAT ONE:
TAKEN CARE OF:
'CAUSE YOU WOMEN ARE SPECIAL.
THE PREGNANCY --
WITH THE PREGNANCY,
YOU ARE AMAZING, WOMEN.
WE DON'T DO IT.
YEAH, GIVE IT UP FOR THE LADIES.
WE DON'T DO ANYTHING.
WE JUST SIT AROUND.
YOU DO EVERYTHING.
MY WIFE STARTED:
HAVING CONTRACTIONS,
WHICH I'M TOLD HURT.
I'VE NEVER HAD ONE BEFORE.
BUT SHE STARTS,
SHE'S LIKE, "AAAAAAH!"
AND I DIDN'T KNOW WHAT TO DO.
I WAS LIKE, "MMMMM."
AND SHE GOES, "OW!"
AND I TOOK THE CLASS,
BUT I FORGOT.
I WAS LIKE, "MMEEEHH!"
AND SHE'S LIKE, "AAAAAH!"
AND I WAS LIKE, "WIGGLE YOUR
TOES, WIGGLE YOUR TOES."
"LET'S SEE
IF YOUR ANKLE'S BROKEN.
I CAN FIGURE THAT OUT."
"IT'S NOT BROKEN."
GETTING OLDER, MAN.
MAN, IT GOES FAST.
20-YEAR-OLDS, ENJOY IT.
YEAH.
YEAH, WHAT'S UP, PLAYER?
MAN, WHEN I WAS IN MY EARLY 20s,
MAN, MY DAD WENT BACK TO IRAN.
IN AN IRANIAN FAMILY,
THAT MEANS:
YOU'RE NOW THE MAN OF THE HOUSE.
"MAZ, CONGRATULATIONS.
YOU ARE NOW:
THE MAN OF THE HOUSE!"
I WAS LIKE, "WOW!
WHAT DOES THAT MEAN?
DO I GET, LIKE,
SHE GOES, "YOU GET TO DRIVE
YOUR BROTHERS TO SCHOOL.
YOU GET TO DRIVE YOUR
GRANDFATHER GROCERY SHOPPING."
I WAS LIKE,
"SO I'M LIKE A DRIVER?"
SHE GOES, "YOU'RE MORE LIKE
A UTILITY PLAYER.
I WILL TELL YOU WHAT TO DO
AND WHEN TO DO IT."
I GOT TO DO ALL THAT STUFF.
GOT TO DRIVE MY BROTHERS
TO SCHOOL.
ONE OF MY BROTHERS, IRANIAN KID,
GREW UP IN L.A.,
AND IN HIS MID-TEENS,
ALL OF A SUDDEN,
HE STARTED BECOMING ALL HIP-HOP.
HE WAS HIP-HOP.
HE'S LIKE, "YO, DAWG.
WHAT'S UP, PLAYER?
WHAT'S UP, DAWG?
YO, DAWG.
WHAT'S UP, DAWG, DAWG, DAWG?"
AND MY GRANDFATHER
WOULD BE LIKE,
"WHY DOES HE KEEP SAYING 'DOG'?
WE HAVE NO DOGS."
"I THINK HE'S CRAZY. I DON' KNOW WHAT HIS PROBLEM IS.
HE NEEDS A GOOD BEATING.
THAT'S WHAT HE NEEDS.
I WILL BEAT THE DOG
OUT OF HIM."
ONE TIME, I PICKED UP
MY BROTHER FROM SCHOOL,
HE'S LIKE, "YO, DAWG, YOU GOT TO
LISTEN TO THESE LYRICS, DAWG.
THESE ARE DEEP LYRICS, DAWG.
THESE ARE DEEP."
HE PUT THE TAPE IN THE TAPE
PLAYER, AND THE LYRICS SAID,
"LIFE'S A B*TCH,
AND THEN YOU DIE.
THAT'S WHY WE PUFF LYE
'CAUSE YOU NEVER KNOW
WHEN YOU'RE GONNA GO."
IT'S NAS, YEAH.
HE SAID, "LIFE'S A B*TCH,
AND THEN YOU DIE.
'CAUSE YOU NEVER KNOW
WHEN YOU'RE GONNA GO."
BASICALLY,
"LIFE SUCKS, THAT'S WHY WE GE HIGH, 'CAUSE YOU'RE GONNA DIE."
I WAS LIKE, "KID, THAT'S
I GO, "HAVE YOU EVER HEARD
OF PINK FLOYD?"
THAT'S DEEP LYRICS.
THAT'S WHY YOU GET HIGH --
TO UNDERSTAND WHAT THE F***
THEY'RE TALKING ABOUT!
YOU DON'T EVEN KNOW
WHO'S SINGING ON PINK FLOYD.
LIKE AT THE END:
OF THAT ONE SONG, IT'S LIKE,
YOU CAN'T HAVE ANY PUDDING!
HOW CAN YOU HAVE ANY PUDDING
AND YOU'RE LIKE,
"HE'S RIGHT!"
"HOW CAN YOU HAVE ANY PUDDING
"WHO THE F*** IS THAT?!"
MY BROTHER --
DROVE HIM TO SCHOOL.
DROVE MY GRANDFATHER
GROCERY SHOPPING.
HE WAS AMAZING.
MY GRANDFATHER COULD PICK
WATERMELONS BY FLICKING THEM.
IT'S AN AMAZING TECHNIQUE.
WE'D BE AT THE GROCERY STORE,
HE'D BE LIKE THIS.
"NO."
"NO."
"YES!"
I'D BE LIKE, "HOW DO YOU KNOW?"
HE'S LIKE, "DON'T WORRY,
YOUNG JEDI.
PICK IT UP. LET'S GO."
WE'D GO HOME, OPEN IT UP --
SWEETEST WATERMELON
IN THE WORLD.
BUT I NEVER LEARNED.
SO I JUST GO TO RALPHS NOW
AND PRETEND.
MAKE SURE PEOPLE ARE WATCHING.
I'M LIKE, "HEY, HOW YOU DOING?
WHAT'S GOING ON?
YEAH. WATCH THIS."
"NO."
"I DON'T THINK SO."
"YES!"
ROTTEN.
TRY AND RETURN IT, THEY'RE LIKE,
"YOU CAN'T RETURN
AN OPEN WATERMELON, SIR."
LIKE, "BUT I FLICKED IT.
IT DIDN'T WORK.
GRANDPA WAS AMAZING.
GRANDPA LIVED:
WE DON'T KNOW.
WE DON'T KNOW.
HE WAS AMAZING. HE WAS AMAZING.
WE DON'T KNOW HOW OLD HE WAS
BECAUSE HE CAME OVER
AND WHEN YOU COME TO AMERICA
IN YOUR 80s,
YOU LOSE YOUR BIRTH CERTIFICATE,
YOU LOSE YOUR NAME,
YOU LOSE YOUR MEMORIES.
EVERYTHING WAS GONE.
SO EVERY ONCE IN A WHILE, WHEN
IT WAS SOMEONE ELSE'S BIRTHDAY,
WE'D JUST THROW HIM IN THE MIX.
I SWEAR.
A YEAR.
HE'D BE LIKE, "I'M AGING
REALLY FAST THIS YEAR.
WHAT...
COULD HAVE SWORN
I WAS 90 EARLIER.
I'M 94 ALREADY.
AND IT'S ONLY MARCH.
HOW DOES THAT HAPPEN?
GRANDPA WAS AMAZING.
GRANDPA WAS VERY
SHARP TILL THE DAY HE DIED.
HE WAS VERY SHARP.
THE ONE THING:
HE NEVER UNDERSTOOD
WAS HOW:
AMERICAN TELEVISION WORKS.
WAS REAL.
SO, TILL THE DAY THAT HE DIED,
HE THOUGHT THE BOXING CHAMPION
OF THE WORLD WAS ROCKY BALBOA.
I COME HOME, HE'S LIKE,
"THE KID WON AGAIN."
I'M LIKE, "WHAT KID?"
HE'S LIKE, "ROCKY!"
I WAS LIKE,
"GRANDPA, THAT'S A MOVIE."
HE'S LIKE,
"NO, I'VE SEEN HIM BEAT TWO
OR THREE DIFFERENT GUYS.
HE BEAT THE RUSSIAN,
TWO BLACK GUYS."
HE GOES, "NO, NO.
I DON'T KNOW WHAT A SEQUEL IS.
I KNOW WHO THE CHAMP IS --
ROCKY!"
I WAS LIKE,
"GRANDPA, IT'S A MOVIE."
HE GOES, "OKAY,
NOW YOU'RE GOING TO TELL ME
HE DIDN'T GO TO VIETNAM,
EITHER?"
I WAS LIKE, "'RAMBO'?"
HE DIDN'T UNDERSTAND
WHAT WAS REAL AND WHAT WAS NOT.
LIKE, WHEN I WAS IN MY TEENS,
WE LEARNED A WAY TO PRESS
THE BUTTONS ON THE CABLE BOX
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