Mr. Hobbs Takes a Vacation Page #4

Synopsis: St. Louis based banker Roger Hobbs is writing a letter to his wife, Peggy Hobbs, about his true feelings concerning their just returned from month long vacation, the letter to be opened only after his death, whenever that may be. Mr. Hobbs wanted the vacation to be a romantic getaway for two, but Peggy insisted that it be a family vacation to a central California beach-side house, given to them for the month by friends. The vacation included all their offspring, and their offspring's respective families where applicable. Hobbs hated the idea as he felt he didn't know his offspring - and their spouses even less - and that they, in turn, no longer needed him. They include: daughter Susan Carver, who, with her husband, Stan Carver, have a permissive parenting style as per the latest child psychology books; daughter Janie Grant, whose husband, college professor, Byron Grant, has an academic view of everything in life; fourteen year old daughter, Katey Hobbs, who is self conscious around bo
Genre: Comedy, Family
Director(s): Henry Koster
Production: 20th Century Fox
  Nominated for 1 Golden Globe. Another 1 win & 5 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
80%
APPROVED
Year:
1962
116 min
434 Views


Well, this is a real occasion, isn't it?

The whole gang together again. | How long has it been?

Well, Janie's wedding | was the last time.

Well, we mustn't ever | let it get too long, kids.

Just don't ever let it get too long.

It's a very important thing, family.

A very important thing.

What we all mean to each other and, | of course, your mother and me...

when you were all young...

and then now- | now you with all your families.

Don't ever let | either one of them fall apart.

Uh- Because it's | the one solid thing that lasts in life...

and that's the family.

Is this all I'm gonna get? | This... guck?

Yes, dear. I'm afraid until you're | a little older, that's- I'm sorry.

All right now. What do you say?

Now that we're all together again, | let's make this first drink to the family.

- Can I go now? It's 8:00. | - J-Just a minute, son.

- But it's Tombstone Raiders, Dad. | - I'm- Oh.

Tombstone Raid- | All right. Okay. Okay.

Tombstone Rai- | Oh, I don't know.

You know what this country needs?

D- Do you know what this country needs? | An un-Edison.

An un-Thomas A. Edison. | He can uninvent things.

You know the first thing | I'd have him uninvent? Television.

That's an amusing idea, of course, | but, uh-

Oh, what it would reveal | about you to a psychiatrist.

Yeah, yeah. | Thanks a lot, Professor.

- Well, all right now- | - Good night.

- No, honey, please. | - I don't feel well, Dad.

I know-Just-Would you-

- What's the matter with her? | - Oh, just the same as with you and Janie at her age.

- New braces. | - Poor kid.

Yeah. New braces. Let's raise our glasses | and drink a little toast to the family.

- The roast! | - Couldn't you wait a second?

- I'll be right back. It'll take a minute. | - I know, but could you wait-

- Are you all well again now? | - Oh, sure.

- I hate to go on without her. | - In fact, we're gonna try and have another one right away.

You're gonna try and have- | What? What did you say?

We're gonna try and have | another baby right away.

Well, that's the first time | I ever heard that one in the parlor.

Well, psychologists have pretty well agreed | that closely spaced children...

promise the minimum | of intra-familial friction actually.

- He kills me the way he says, "Let's | turn 'em out fast. " - Uh-huh. Yeah.

Well-Well, to what's left | of the family.

Could we have a little-

- Listen, dear. | - That's him, all right.

- Well, couldn't we just- | - You want me-

Not unless you want to change him.

That's one thing | I'm not gonna even try to learn.

- Well, uh, uh- | - Will you pour me another one?

- Sure. Sure. | - With all these false starts, I-

Yeah, I know.

This didn't seem difficult | when I thought of it.

You know, one little drink for | a few people sitting around a room-

But they can't be having this much trouble | putting our man on the moon.

But look, | let's sort of close forces here...

and let's have a little drink | to the family, huh?

- Hey! | - Peter, dear. Oh!

Just take it easy there.

- Look, darling, let's play with Flopsy again. | - I don't like Boompa!

How do you think I feel about it?

Is this the best you can do | for your own father? Boompa?

Geez- Hey! Now, look, | let's not overdo this thing!

Come here to Mother. | It's all right. Don't worry.

- I hate Boompa! | - Well-

Would you excuse me?

I think you oughta take a firmer stand on this-

- Don't anybody touch her. | She's all right. She's scared.

Here, darling. That's all right.

Play with this.

It's all right, baby.

Hey!

Didn't I tell you to stop that? And when I | tell you something, young man, I mean it.

- This stuff costs money. | - I'll take him.

You wanna throw things on the floor, | throw your own stuff.

It's all right, darling. | Boompa didn't mean it.

Yes, Boompa did mean it too! | He meant every damn word of it.

Somebody's gotta straighten this kid out | when he gets out of line.

If you don't mind, Dad- | I hate to say this- It is your house-

We don't believe | in saying "no" to the children.

According to all modern psychologists, | saying "no"leads to neuroses.

It can also lead to bankruptcy, | too, if he breaks enough stuff.

What we do is put all the ashtrays | and other breakables out of their reach...

like on the mantelpiece.

If I want to smoke in this house, | I have to stand beside the mantelpiece?

Well, maybe Susan does | carry it a bit too far at times-

Susan carries it no further | than Susan has been advised to carry it.

All I know is that I smoked sitting down | when you kids were little...

and none of you have gone crazy yet.

I only meant that under certain circumstances, | when other people are disturbed...

we could afford to be | a little flexible about it!

You know so much more than the men who | have devoted their lives to child psychology...

I don't see why you don't go | into the business yourself.

You mean that's better than nothing.

As usual, you put your own construction | on anything I say!

Well, now, Susan, we don't have to | make a big thing out of this.

You don't have to remind me of my position. | I assure you, I never forget it for a second.

You bet you don't!

Don't think for one second either that | I'm not sick of your reminding me of it!

- You want me to take him? | - Oh, I do not! Give me that doll!

- Susan! Susan. | - This has nothing to do with you, Dad!

- I'm kind of in the dark about this whole thing. | - Oh, stop pretending!

- I'm not a child! | - I don't know what you're talking about, either one of you.

Well, here's to Boompa.

That was some family reunion.

Some family, as a matter of fact.

One kid going blind, | watching actors shoot each other.

Another resigning | from the human race...

'cause she's got a little chicken wire | in her mouth.

A married one squaring off at her husband, | raising infant delinquents.

And what do you hear | from Janie and Professor Egghead?

Oh, now, Rog, let's not overdo it.

Do you know what the truth of this is? | It just occurred to me.

- I don't know those people. | - Well, now, listen-

No, I mean it! I mean it.

I used to know a pretty little girl | named Susie...

and another freckle-faced | little monkey named Janie.

- You remember? | - Oh, Rog, I wish you wouldn't talk like that.

Well, they were two little honeys, | weren't they?

- Well, they're not dead, darling. | - Not technically, no.

- I know. | - Just "bye-bye, kids. "

Oh, now, Rog, really, | you're just being maudlin.

And as for those | two fellas down there-

I'm scared to death I'll run into them someday | on the street without their wives...

and won't even recognize them!

Stan's the one who needs the haircut.

Do you realize that I've seen | Mr. Stanley Carver...

exactly three times | in my whole life before today?

The next time I saw him after meeting him | for five minutes in Cleveland was at the altar.

"The dark one on the left," | somebody said.

And I gave my own flesh-and-blood daughter | to this complete stranger.

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Nunnally Johnson

Nunnally Hunter Johnson was an American filmmaker who wrote, produced, and directed motion pictures. more…

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Submitted on August 05, 2018

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