Mr. Hobbs Takes a Vacation Page #6

Synopsis: St. Louis based banker Roger Hobbs is writing a letter to his wife, Peggy Hobbs, about his true feelings concerning their just returned from month long vacation, the letter to be opened only after his death, whenever that may be. Mr. Hobbs wanted the vacation to be a romantic getaway for two, but Peggy insisted that it be a family vacation to a central California beach-side house, given to them for the month by friends. The vacation included all their offspring, and their offspring's respective families where applicable. Hobbs hated the idea as he felt he didn't know his offspring - and their spouses even less - and that they, in turn, no longer needed him. They include: daughter Susan Carver, who, with her husband, Stan Carver, have a permissive parenting style as per the latest child psychology books; daughter Janie Grant, whose husband, college professor, Byron Grant, has an academic view of everything in life; fourteen year old daughter, Katey Hobbs, who is self conscious around bo
Genre: Comedy, Family
Director(s): Henry Koster
Production: 20th Century Fox
  Nominated for 1 Golden Globe. Another 1 win & 5 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
80%
APPROVED
Year:
1962
116 min
451 Views


Boys, remain in the middle | of the floor.

Now, at the third stroke | of the bass drum...

I want each boy to go to a girl | and invite her to dance with you.

But this is to be a new girl...

one you have not danced with before.

Do you understand?

At the stroke- | the third stroke of the bass drum...

you are to invite a new girl | to dance with you.

All right. Are we ready?

Yeah!

At the third stroke of the bass drum. | All right, Artie.

Some people look on the Spatterbox | as a child's toy...

and, in a sense, I suppose it is...

but it calls for a steady hand | at all times.

An old blue-water man like you won't be long | in discovering it can be very tricky indeed.

But is it- is it very long?

Some people think so. | It just so happens I don't, but many do.

- Of course, it all depends on what you call "long. " | - Naturally.

- Rog. | - Yes, dear?

- Will you excuse me, please? | - What's the matter?

- I've got to talk to you. | - Oh. Excuse me.

- Of course. | - What is it?

Rog, nobody will dance with her.

- Oh, they're crazy. Where's that albino? | - Not so loud, Rog, please!

But look at her, Peg! | They must be out of their minds.

She's the prettiest girl | in this whole dump.

I know, but not so loud, Rog, please.

Look there. Now, look at that one.

You can't tell me that Katey's | not prettier than that little hobgoblin.

Of course not.

All right, boys, back inside. | Come on.

Everybody back inside.

Now, this next dance will be | the girls' invitational dance.

This time, the girls | will ask the boys to dance.

All right, girls, remain on the floor.

All right, now, attention.

At the third stroke | of the bass drum...

I want each of you girls to go | and find a boy to dance with you.

All right, Artie.!

Well, now, look, what's she | doin' there standin' like a dope?

She's looking at one now, isn't she?

Wanna dance?

Dance? Okay.

Holy Moses, this one's a pygmy.

Look- a white pygmy.

- Well, at least she's got somebody. | - Come on. L-I need a drink.

You're-You're too tall for me.

First a spook, now a midget.

- Two scotch and waters. | - Well, I think I've got that Spatterbox for you.

Did you see one single thing about him | that wasn't awful?

Don't you think he had rather | an intelligent-looking face?

It looked to me like the inside | of a small cantaloupe.

You know, the beauty | about a Spatterbox is this-

- At least she's still not sitting there. | - Oh, Rex?

Now, here's the lad who can really handle | a Spatterbox. Rex Mclntosh.

- Rex, Mr. And Mrs. Hobbs. | - She's back in the chair again!

You are still interested | in the Spatterbox, aren't you?

No, Rog! No!

The poor chap must be drunk.

Little monster.

Honey, don't you think you ought to | go and sit with her or something?

If she wants to leave, | shall I say yes?

I guess so.

Don't worry. | I'm not going to jump.

- Hey, Joe? | - Yes, sir?

Come here a minute, will you?

Excuse me.

- I'm Mr. Hobbs. | - Glad to meet you, sir.

Say, Joe, uh, I was just wondering, | could you use five bucks?

But it's just a matter of time, darling.

They don't know you yet, | and, besides, boys are shy at first too.

No, really, Mother.

What has that got to do with it?

I just don't feel well. | My stomach hurts.

Well, p-perhaps | if you ate a little ice cream.

Please, Mother.

I want to go home.

All right, darling. | I'll go look for Dad.

Come on, Katey.

Excuse me. Are you Katey?

- Yes. | - Well, come on. Let's dance.

- No, thank you. | - Well, come on. What's the matter?

- I just don't care to, that's all. | - Well, all right.

Just one time around, anyway.

- Break. Come on, break! | - Since when?

Give me a chance too, will ya?

Where have you been | all my life, wife?

Break.

Hey, thanks, Mr. Hobbs!

- What's the matter? | - Well, uh, she's okay, Mr. Hobbs.

- Very cute-looking, but- | - But-But-But what?

- Well, has she got lockjaw or something? | - Oh, no.

I mean, with her mouth all squinched up | like that, I can't get her to say anything.

- Joe, it's her braces. | - You mean, they hurt?

- No, she just doesn't want anybody to see them. | - Well, why not?

Well, she just got them, | and she's not used to them.

You know, it-

Joe, what's your father like?

Oh, Dad? He's okay, I guess.

- All the time? | - Most of the time.

Now and then, he's a little kooky, | of course.

A little kooky. Why don't you | go in there and tell her that?

- What-Are you kidding? | - Who's running this team, now, you or me?

Okay, Coach.

Excuse me.

- Are you paying those boys? | - Five bucks apiece.

But, Rog, is-is that right?

No. Unless it works.

Both of them- absolutely weird!

Well, you oughta see my dad. | He's a real dingbat.

- Do you know what my dad did once? | - What?

You wouldn't believe it. | You wouldn't believe it!

- Well, tell me then. | - Nah. Tell you later.

Wanna dance?

- Where are you goin'? | - We're going to Pizza Heaven, Dad.

- Would you care to join us? | - No, thank you.

- You don't know what you are missing. | - Good night!

I can't find her. | Didn't you get his last name?

- No. | - Well, where did you pick him up?

Well, you-you saw me. I just called | the name "Joe" to a group of boys.

There's always at least oneJoe | in a group.

Well, if you don't mind me saying so, | that's a fine way...

to choose an escort | for your 14-year-old daughter-

giving five dollars to some boy | you don't know from Adam.

- Where are you going? | - Straight to the F.B.I.

Good night.

- Good night. | - I'll call you tomorrow.

Thank you.

- I'll call you tomorrow. | - Promise?

- Yeah. | - Okay. Good night.

- Bye. Good night, Mr. Hobbs. | - Good night.

I, uh, certainly do wanna thank you.

- You're welcome. | - Uh, won't you shake hands with me?

- Not for her, sir. | - We'll be seein' you, Joe.

- Good night. Good night, Mrs. Hobbs. | - Good night.

Good night, Joe.

- Have a nice time, honey? | - Mm-hmm.

Your father and I | were just wondering if-

Oh, Rog, darling.

Oh!

Well. Well.

- How about that? | - I always get my hair so wet.

What's he doing, beating your time?

- No. I mean, seriously. | - Oh, now, Rog, let's not go looking for trouble.

Well, that bathing suit's | a pretty powerful weapon.

Well, you're the one | who ought to know, lover boy.

Oh, stop!

We were just | reading War and Peace together.

Oh, you're crazy. | That kid's much too old for me.

Really? Oh, how marvelous!

Look, if you've got to worry | about somebody...

I wish you'd worry | just a little bit about Danny.

Well, I can give it a try. | It's not gonna do any good, I'll tell you that.

- Well, why wouldn't it? | - I don't know.

I was reading in a magazine | a couple days ago.

It said, "There are no juvenile delinquents- | only guilty parents. "

- Oh, rot! | - One of these days, Danny's gonna grow up...

hit somebody over the head, | and they're gonna hang us.

Well, never mind | about when he grows up.

What I want to know is, what are we | going to do about him now?

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Nunnally Johnson

Nunnally Hunter Johnson was an American filmmaker who wrote, produced, and directed motion pictures. more…

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Submitted on August 05, 2018

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