My Neighbor Totoro Page #4

Synopsis: Two young girls, Satsuki and her younger sister Mei, move into a house in the country with their father to be closer to their hospitalized mother. Satsuki and Mei discover that the nearby forest is inhabited by magical creatures called Totoros (pronounced toe-toe-ro). They soon befriend these Totoros, and have several magical adventures.
Director(s): Hayao Miyazaki
Production: Tokuma Shoten
  5 wins & 2 nominations.
 
IMDB:
8.2
Metacritic:
86
Rotten Tomatoes:
94%
G
Year:
1988
86 min
4,774 Views


But Mei, today Father is at the university.

350

00:
42:53,820 -- 00:42:57,480

You promised to be a good girl at Granny's.

351

00:
42:59,780 -- 00:43:04,340

I still have two more classes

and Granny's too busy for this...

352

00:
43:04,450 -- 00:43:09,320

She was good up 'til now, right?

353

00:
43:16,840 -- 00:43:19,710

Granny, I'll go and speak with the teacher.

354

00:
43:25,100 -- 00:43:29,769

Since Satsuki's mother is in the hospital,

355

00:
43:29,770 -- 00:43:32,600

I want you all to be nice to her.

356

00:
43:39,450 -- 00:43:41,029

What's that?

357

00:
43:41,030 -- 00:43:42,540

It's Totoro.

358

00:
43:43,990 -- 00:43:45,949

You have to be quiet.

359

00:
43:45,950 -- 00:43:47,110

Okay.

360

00:
43:57,420 -- 00:43:59,960

Bye bye, Mei-chan!

361

00:
44:00,300 -- 00:44:02,420

Tell them I'm going to skip the club today.

362

00:
44:02,510 -- 00:44:03,929

We'll let the teacher know.

363

00:
44:03,930 -- 00:44:05,179

See you!

364

00:
44:05,180 -- 00:44:06,400

Bye bye!

365

00:
44:07,230 -- 00:44:09,059

Mei, let's hurry. It's going to rain!

366

00:
44:09,060 -- 00:44:10,220

Okay.

367

00:
44:17,900 -- 00:44:19,660

Ah, here it comes!

368

00:
44:31,620 -- 00:44:32,630

Here.

369

00:
44:36,500 -- 00:44:39,200

I won't cry. Am I a good girl?

370

00:
44:41,470 -- 00:44:44,040

Yes, but what a problem.

371

00:
44:46,180 -- 00:44:49,630

Dear Guardian Spirit, please let us

share your roof for a little while.

372

00:
45:33,190 -- 00:45:34,470

But...

373

00:
45:54,870 -- 00:45:57,120

Good thing. Right, Sis?

374

00:
45:57,975 -- 00:46:00,370

It's got holes in it.

375

00:
46:11,850 -- 00:46:14,389

Father forgot his umbrella.

376

00:
46:14,390 -- 00:46:16,200

I'm going, too.

377

00:
46:19,360 -- 00:46:21,319

I said I forgot it!

378

00:
46:21,320 -- 00:46:24,870

What idiot forgets his umbrella on a rainy day?

379

00:
46:25,150 -- 00:46:26,830

Ouch!

380

00:
46:26,910 -- 00:46:29,119

You broke it while playing around, I bet.

381

00:
46:29,120 -- 00:46:30,650

I did not!

382

00:
46:43,760 -- 00:46:45,430

Excuse me.

383

00:
46:47,390 -- 00:46:49,719

Oh, Satsuki. And Mei-chan, too.

384

00:
46:49,720 -- 00:46:51,420

Granny!

385

00:
46:52,560 -- 00:46:54,139

Thank you for today.

386

00:
46:54,140 -- 00:46:56,479

You're welcome. It wasn't much.

387

00:
46:56,480 -- 00:46:59,729

Kanta lent us this umbrella.

388

00:
46:59,730 -- 00:47:01,939

Really? That kid?

389

00:
47:01,940 -- 00:47:03,819

A broken old thing like that!

390

00:
47:03,820 -- 00:47:06,109

Mei was with me, so I was glad.

391

00:
47:06,110 -- 00:47:10,119

But Kanta got wet.

Thank you very much.

392

00:
47:10,120 -- 00:47:11,239

That's all right.

393

00:
47:11,240 -- 00:47:15,000

He's always so dirty anyway,

he must have gotten a little bit cleaner.

394

00:
47:15,330 -- 00:47:16,869

Are you off to meet your father?

395

00:
47:16,870 -- 00:47:17,539

Yes.

396

00:
47:17,540 -- 00:47:19,300

What good girls you are.

397

00:
47:19,500 -- 00:47:21,169

Bye bye, Mei-chan.

398

00:
47:21,170 -- 00:47:22,370

Bye bye!

399

00:
47:32,510 -- 00:47:34,349

Who was that?

400

00:
47:34,350 -- 00:47:35,570

I don't know.

401

00:
47:39,810 -- 00:47:41,800

There it comes.

402

00:
47:54,830 -- 00:47:56,300

Are you getting on?

403

00:
47:57,540 -- 00:47:59,570

All right, drive on.

404

00:
48:07,760 -- 00:48:09,879

Father wasn't on it.

405

00:
48:09,880 -- 00:48:12,009

He'll be on the next one.

406

00:
48:12,010 -- 00:48:14,250

Do you want to wait at Granny's house?

407

00:
48:50,220 -- 00:48:51,640

What's wrong?

408

00:
49:23,460 -- 00:49:24,740

Mei.

409

00:
49:25,170 -- 00:49:26,640

Are you sleepy?

410

00:
49:27,300 -- 00:49:29,169

That's why I asked you...

411

00:
49:29,170 -- 00:49:31,370

Want to go to Granny's house now?

412

00:
49:33,340 -- 00:49:35,750

It won't be much longer.

Hang in there.

413

00:
49:41,520 -- 00:49:44,010

The bus is sure coming late.

414

00:
49:51,820 -- 00:49:52,890

Come on.

415

00:
51:16,530 -- 00:51:17,750

Totoro?

416

00:
51:27,710 -- 00:51:29,630

Ah, just a minute.

417

00:
51:35,130 -- 00:51:36,580

I'll lend you this...

418

00:
51:37,840 -- 00:51:40,140

Take it, Mei's slipping off.

419

00:
51:46,350 -- 00:51:48,150

Hold it like this.

420

00:
53:04,970 -- 00:53:06,380

The bus is coming!

421

00:
54:13,710 -- 00:54:17,200

Totoro took Father's umbrella...

422

00:
54:30,430 -- 00:54:32,099

Ah, sorry, sorry.

423

00:
54:32,100 -- 00:54:33,720

All right, drive on.

424

00:
54:33,890 -- 00:54:37,590

The train was late and I missed the bus.

425

00:
54:37,770 -- 00:54:39,510

Were you worried?

426

00:
54:39,940 -- 00:54:42,279

It came! Father, it came! It came!

427

00:
54:42,280 -- 00:54:44,489

A cat, a cat bus!

428

00:
54:44,490 -- 00:54:45,710

What?

429

00:
54:45,860 -- 00:54:47,619

It was huge!

430

00:
54:47,620 -- 00:54:49,659

With big eyes like these!

431

00:
54:49,660 -- 00:54:51,710

It was wonderful!

432

00:
54:52,620 -- 00:54:56,950

We met him! We met Totoro!

433

00:
54:57,250 -- 00:54:59,240

How wonderful!

434

00:
55:10,390 -- 00:55:11,560

Come on.

435

00:
55:19,169 -- 00:55:22,920

Mother, it feels like my heart is still racing.

436

00:
55:22,940 -- 00:55:27,010

It was the scariest, funniest day I've ever had.

437

00:
55:27,020 -- 00:55:30,430

Totoro gave us a lovely present...

438

00:
55:30,440 -- 00:55:34,810

...wrapped in bamboo leaves

and tied with dragon whiskers.

439

00:
55:34,910 -- 00:55:37,529

At home, we opened it.

440

00:
55:37,530 -- 00:55:40,170

It was full of magic nuts and seeds!

441

00:
55:44,670 -- 00:55:47,805

We decided to plant them

in the garden

442

00:
55:47,806 -- 00:55:49,999

to make a lovely forest.

443

00:
55:50,000 -- 00:55:50,810

But...

444

00:
55:50,811 -- 00:55:52,759

They haven't sprouted yet.

445

00:
55:52,760 -- 00:55:57,580

Every day, Mei says

"Still nothing, there's still nothing."

446

00:
55:58,470 -- 00:56:02,510

She's just like the crab

of the monkey-crab fable.

447

00:
56:07,310 -- 00:56:09,229

It's nearly summer vacation.

448

00:
56:09,230 -- 00:56:14,180

Dearest, dear Mom,

get well soon. Love, Satsuki.

449

00:
56:17,070 -- 00:56:20,976

Come on. Bed time.

450

00:
56:23,000 -- 00:56:23,869

Lights off!

451

00:
56:23,870 -- 00:56:25,280

Wait!

452

00:
56:25,830 -- 00:56:28,840

Father, do you think they will come out tomorrow?

453

00:
56:28,960 -- 00:56:34,250

Well, I'm sure Totoro would know. Good night.

454

00:
57:23,060 -- 00:57:24,220

Mei!

455

00:
57:42,130 -- 00:57:43,669

That's where we planted the seeds.

456

00:
57:43,670 -- 00:57:44,560

Yeah.

457

00:
59:16,390 -- 00:59:18,770

We did it!

458

01:
00:34,180 -- 01:00:36,469

Mei, we're the wind!

459

01:
00:36,470 -- 01:00:37,440

Yeah!

460

01:
01:37,780 -- 01:01:39,340

The tree is gone.

461

01:
01:44,330 -- 01:01:46,660

We did it!

462

01:
01:49,380 -- 01:01:50,656

It was a dream.

463

01:
01:50,657 -- 01:01:52,196

Rate this script:3.8 / 5 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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