Police Academy 2: Their First Assignment Page #6

Synopsis: Mahoney and friends have graduated from the Police Academy (1984) and are issued with their first assignments. As before, their cheerfulness and devotion to duty outweigh any shortcomings, but are they ready to do battle with a band graffiti daubing terrorists?
Genre: Comedy
Production: Warner Home Video
  1 win.
 
IMDB:
5.7
Metacritic:
39
Rotten Tomatoes:
29%
PG-13
Year:
1985
87 min
1,141 Views


What's the matter, you never saw

a man wash his hair before?

462

00:
39:48,159 -- 00:39:49,433

Captain Lassard.

463

00:
39:49,919 -- 00:39:51,955

l'll be in my room if you need me.

464

00:
39:53,519 -- 00:39:55,316

Proctor!

465

00:
39:55,759 -- 00:39:57,829

Proctor!

466

00:
39:58,559 -- 00:40:00,914

-Oh, this is gonna be just fine.

-Yeah?

467

00:
40:01,079 -- 00:40:03,752

Wait, one snip here.

Let me get by the thumb.

468

00:
40:05,839 -- 00:40:08,148

-Yeah?

-Oh, that's-- That looks very natural.

469

00:
40:08,319 -- 00:40:10,037

-Looks okay?

-lt's very, very good.

470

00:
40:10,199 -- 00:40:12,952

l don't think you'll be able

to tell the difference.

471

00:
40:13,119 -- 00:40:16,077

l'll bet you anything it was Mahoney

responsible for this.

472

00:
40:16,239 -- 00:40:19,197

After l'm through,

just let me shape this a little bit. . .

473

00:
40:19,359 -- 00:40:23,272

. . .and l think you're gonna really be

happy with what we've got here.

474

00:
40:23,439 -- 00:40:25,077

-Yeah? Let me see it.

-Sure.

475

00:
40:25,239 -- 00:40:26,911

Okay.

476

00:
40:29,039 -- 00:40:31,951

Just look at it in the back here.

Look at it over here.

477

00:
40:32,119 -- 00:40:34,349

Could l have the mirror, please?

478

00:
40:34,959 -- 00:40:36,278

Sure.

479

00:
40:39,119 -- 00:40:40,632

Lieutenant?

480

00:
40:42,279 -- 00:40:43,598

Sir?

481

00:
40:47,119 -- 00:40:49,508

No, no, no. We'll get a wig.

482

00:
40:49,679 -- 00:40:52,637

Have you seen the state-of-the-art

in wigs today, sir?

483

00:
40:52,799 -- 00:40:54,790

What the hell are you talking about?

484

00:
40:54,959 -- 00:40:56,870

What am l gonna do about this?

485

00:
41:10,039 -- 00:41:14,112

-Hey, what you doing?

-Leave me alone, lady, please?

486

00:
41:21,439 -- 00:41:22,952

Well. . . .

487

00:
41:25,679 -- 00:41:28,477

This is just what l've been looking for.

488

00:
41:30,359 -- 00:41:33,556

-l'm not afraid of you punks.

-Come on, man. Come on!

489

00:
41:33,999 -- 00:41:36,638

-Right here.

-Where are you going?

490

00:
41:36,799 -- 00:41:39,552

-l ain't going nowhere.

-Come on, l'll take you all on.

491

00:
41:39,839 -- 00:41:42,911

Come on, l want you.

l'm not afraid of a wallet thief.

492

00:
41:43,079 -- 00:41:44,990

-Now it's just you and me.

-You and me.

493

00:
41:45,159 -- 00:41:46,831

Okay, come on. Come on.

494

00:
41:46,999 -- 00:41:49,149

Come on. l'm tired of talking

to you, punk.

495

00:
41:49,319 -- 00:41:51,753

l wanna dance.

l wanna get my hands on you.

496

00:
41:51,919 -- 00:41:54,797

Yeah. You ready to talk to me now?

Come on. Show me.

497

00:
41:55,279 -- 00:41:56,871

Teach me.

498

00:
41:58,279 -- 00:42:00,235

Okay, one at a time.

Put me down!

499

00:
42:00,399 -- 00:42:03,994

-Come on, put me down.

-Oh, we'll put you down, all right.

500

00:
42:05,199 -- 00:42:06,951

At this point in time. . .

501

00:
42:07,119 -- 00:42:10,555

. . .yours truly was the object

of a malicious prank.

502

00:
42:12,199 -- 00:42:13,427

Now. . .

503

00:
42:13,599 -- 00:42:17,433

. . .can anybody in here

tell me how this happened?

504

00:
42:17,839 -- 00:42:20,831

l can, sir. And if you don't stop that,

you could go blind.

505

00:
42:23,919 -- 00:42:26,228

You think that's funny,

don't you, Mahoney?

506

00:
42:26,479 -- 00:42:29,039

Well, you're on report.

Put him on report.

507

00:
42:29,519 -- 00:42:34,957

We are not gonna leave this room

until we find out what happened.

508

00:
42:35,119 -- 00:42:37,394

-What happened?

-What's going on here?

509

00:
42:37,559 -- 00:42:39,709

Nothing. l was just reprimanding the men.

510

00:
42:39,879 -- 00:42:42,518

-To hell with your reprimands.

-You don't understand.

511

00:
42:42,679 -- 00:42:46,308

-Shut up, l have something to say.

-Would you take a look at my hands?

512

00:
42:46,919 -- 00:42:51,231

l think that's a matter of personal hygiene.

l am talking about public safety.

513

00:
42:51,679 -- 00:42:55,274

Now listen up, everybody.

This is serious.

514

00:
42:57,399 -- 00:42:58,832

We've gotta do something.

515

00:
42:58,999 -- 00:43:01,957

This is war! Now, we didn't start it. . .

516

00:
43:02,119 -- 00:43:04,314

. . .but we are going to finish it.

517

00:
43:04,479 -- 00:43:06,709

l don't care if we work time and a half. . .

518

00:
43:06,879 -- 00:43:09,313

. . .l don't care if we have

to work double time. . .

519

00:
43:09,479 -- 00:43:13,438

. . .but mark my words, we are gonna

nail these punks, starting now!

520

00:
43:13,599 -- 00:43:16,033

-We can get them!

-Yeah!

521

00:
43:16,199 -- 00:43:17,518

Let's kick ass!

522

00:
43:19,439 -- 00:43:21,191

-Freeze!

-Freeze!

523

00:
43:21,759 -- 00:43:23,112

Cuff them.

524

00:
43:24,319 -- 00:43:26,913

l can't. l forgot my cuffs.

They're on the bike.

525

00:
43:27,559 -- 00:43:29,038

No problem.

526

00:
43:38,479 -- 00:43:42,108

Hey, hey. Excuse me. l hate to interrupt,

but can l go to the wedding?

527

00:
43:42,279 -- 00:43:45,794

l mean, l've got a gift.

Look. Remote. Huh?

528

00:
43:53,039 -- 00:43:54,791

Excuse me.

529

00:
43:55,919 -- 00:44:00,231

-l don't think you should be doing that.

-What you gonna do about it?

530

00:
44:01,199 -- 00:44:04,316

-l have to arrest you or something.

-You don't wanna use that.

531

00:
44:04,479 -- 00:44:06,276

Look, l'm serious. That's my--

532

00:
44:06,439 -- 00:44:08,669

Oh, l'm sorry.

533

00:
44:09,079 -- 00:44:10,637

Oh, l didn't know--

534

00:
44:25,279 -- 00:44:28,191

-Zed don't like when you miss payments.

-You're late.

535

00:
44:29,839 -- 00:44:31,352

Hey!

536

00:
44:32,119 -- 00:44:33,598

That's my greengrocer.

537

00:
44:33,919 -- 00:44:35,398

Walk your beat, cop.

538

00:
45:06,679 -- 00:45:09,512

-He thinks he's Bruce Lee.

-You wanna bet?

539

00:
45:11,399 -- 00:45:12,718

Damn you.

540

00:
45:12,879 -- 00:45:14,517

Wanna fight, huh?

541

00:
45:15,759 -- 00:45:16,953

Fight me!

542

00:
45:28,279 -- 00:45:29,473

He's very good.

543

00:
45:34,239 -- 00:45:35,831

l like this.

544

00:
45:54,839 -- 00:45:57,034

Oh! Not on broccoli!

545

00:
46:14,959 -- 00:46:16,551

Oh! Not on cauliflower!

546

00:
46:20,479 -- 00:46:23,073

-Hey, hey.

-Sweetchuck!

547

00:
46:24,479 -- 00:46:26,117

Where you going, man?

548

00:
46:26,279 -- 00:46:28,076

Come on, mother.

549

00:
46:29,599 -- 00:46:31,430

Come on! Come on back here, man!

550

00:
46:42,839 -- 00:46:45,353

-Come on, he ran in here!

-We got him surrounded!

551

00:
46:48,719 -- 00:46:50,311

Hey.

552

00:
46:54,919 -- 00:46:56,989

Right. Okay, okay.

We'll be right there.

553

00:
46:57,159 -- 00:47:01,072

There's a huge fight at the Blue Oyster

Bar. Should we send the SWAT team?

554

00:
47:01,239 -- 00:47:04,117

No. You send Mahoney in.

555

00:
47:04,599 -- 00:47:08,035

M-1 5, a 41 5 in progress

at the Blue Oyster Bar.

556

00:
47:08,199 -- 00:47:10,759

-Blue Oyster?

-l'll get the address. Wait a minute.

Rate this script:0.0 / 0 votes

Neal Israel

Neal Israel is an American actor, screenwriter, film and television producer and director best known for his comedic work in the 1980s for films such as Police Academy, Real Genius, and Bachelor Party. more…

All Neal Israel scripts | Neal Israel Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Police Academy 2: Their First Assignment" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/police_academy_2:_their_first_assignment_16047>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "B.G." stand for in a screenplay?
    A Big Goal
    B Background
    C Backstory
    D Bold Gesture