Stolen Summer Page #6

Synopsis: Pete, an eight-year-old Catholic boy growing up in the suburbs of Chicago in the mid-1970s, attends Catholic school, where as classes let out for the summer, he's admonished by a nun to follow the path of the Lord, and not that of the Devil. Perhaps taking this message a bit too seriously, Pete decides it's his goal for the summer to help someone get into heaven; having been told that Catholicism is the only sure path to the kingdom of the Lord, Pete decides to convert a Jew to Catholicism in order to improve their standing in the afterlife. Hoping to find a likely candidate, Pete begins visiting a nearby synagogue, where he gets to know Rabbi Jacobson, who responds to Pete's barrage of questions with good humor. Pete also makes friends with the Rabbi's son, Danny, who is about the same age; when he learns that Danny is seriously ill, he decides Danny would be an excellent choice for conversion. When the priest at Pete's church informs Pete that all will be tested before they pass the
Genre: Drama
Director(s): Pete Jones
Production: Miramax Films
 
IMDB:
6.5
Metacritic:
36
Rotten Tomatoes:
36%
PG
Year:
2002
91 min
$119,841
Website
87 Views


but you could try it. That...

was a really good throw. I could beat it,

I just need a really good rock. No. No. No. That's no good. [ Chuckles ]

Heh heh heh. Yeah, yeah. How ya doin'? Danny: No wonder people die

trying to get to Heaven. The last one's

gotta be tough. I don't know. 'Cause some of those

were real tough. Yeah, but the last one's gotta

be really, really tough. Something that takes strength,

speed, and courage. I don't know. Swim out to the buoy. I can't even see the buoy. I can't get there. You're gonna have to if you want

to win the decathlon. Go ahead. [ Gasping ] Danny: Help! I need help! You passed 9 out of 10

tests. God's gotta be happy

with you. Yeah, but I don't know if I'm

gonna pass the last one. That's tough. I really want to pass

the decathlon. I want to go to Heaven. Pete: Do kids die

from what you have? Well, I heard some adults

whispering about it. Adults always get quiet when

they talk about death. Sometimes I hear my parents talk

about it late at night. Sometimes they start to cry. I don't want them to feel sad

if I die. Well,

there's our little man. Thanks for joining us. [ Speaking Hebrew ] What are you doing? Thanking God for the food. Yeah, but what was that you did

as I began the prayer? Oh, you mean this? Yeah. Well, it's like picking up

a phone and calling God. I just wanted to make sure

he was there to hear you. Okay. You know, this quest

for Heaven -- it's, uh, it's a good thing,

of course, but as Jewish people, we have

our own rituals and customs... different than Pete's. Yeah, I know. I taught Pete some of them,

but I like this one. I see. [ Speaking Hebrew rapidly ] But let's, uh... let's maybe do this less... as in not at all. Okay. Thanks. There you go. It probably wouldn't be good

for business if the rabbi's son converts

to Christianity. I wouldn't think so. No. Kenny, maybe this is going

too far. What would you have me do, tell our son he can't go out

and play with Pete? Would that make you happy? I don't think it's about

making me happy. I think it's about you

bending over backwards not to make waves

with your son. Make waves. I thought we were gonna let our

children make choices in life, that we were gonna try to be

a little bit different than our parents were

with us. Leave my parents

out of this. Was I alone when we talked

about this? No, but I don't think

this is the time for our child

to be making these choices. Or maybe

it's the best time. Why? So Danny can cover all

of his bases? It's not about

covering bases. When was the last time

our son went out... enjoying himself...

playing... like a boy? Not like a sick boy, just... a boy. Good luck. Thanks. I'll need it. Yeah, I know. Help, Pete! Help! I don't understand. You look like you're gonna make

it, and then you don't. I don't know. Well, you make it back fine

with me. I know. So, then, what's wrong? Well, I look up to see

where the buoy is, and I can't see it. And then I realise how far out

I am, and then, well... What if I go with you? Um, no.

I gotta do it alone. Mmm... But what if you don't

look up? But then I don't know

where I am. Don't worry.

We'll figure this out. I can see fine. I can see it from here,

but when I get in the water, I can't see it, and then everything starts

getting really fast, and I can't go

any further. Stay right here and watch me

swim to the buoy. I'll be right back. 51... 52... 53... 54... Listen, all you have to do

is count your strokes. It took me 50 strokes there

and 55 strokes back. You don't even have

to look up. Can you count to 50? Yeah. I'm a little bigger, so it might take you

a few more strokes. Can you count to 60? Yep. Well, then just count to 60

strokes, and then swim back. Okay. I can do that. But let's do it tomorrow. Meet me under the stairs

at the synagogue. Right. Tomorrow. Tomorrow you complete

the decathlon. Danny said

I might find you here. Well, uh, I don't know how

he knew I would be here. He said tell you he couldn't

complete the decathlon today. Well, tell him I can meet him

tomorrow. Tomorrow's no good,

either. He's got to see the doctor

about his cancer. I think he's fine. I think so, too. Are they gonna give him

any more of that medicine that makes him

lose his hair? I don't know. I'm not a doctor. My oldest brother wants

to become a doctor. Yeah? Could always use another

good doctor. My dad says they play

too much golf, and they charge

like bastards. Seamus says it's okay

to say swear words as long as you're saying what

the person before you said. Seamus sounds like he'll be

a good journalist someday. Tell me about

your older brother. Is he, uh, studying medicine

in school? No, he can't afford it. Medicine's very expensive. Certainly worth it, though,

if you work hard. Rabbi, when do you think

Danny will be better? [ Sighs ] I think that one's

in God's hands. Well, you're close to God. Hopefully that rubs off

a little on Danny. I really hope

he gets better soon. We've got some unfinished

business to handle. I certainly hope you get to take

care of that business. For now, what Danny needs

is our prayers. Okay. I'll pray to Jesus,

and you pray to God, and hopefully one of the two

will answer. That's a deal. See you later,

Rabbi Jacobsen. Oh, that was good. Thank you, dear. You know, um,

the rabbi called and said he wanted to stop by

after dinner, and I said it was okay. Rabbi?

Mm-hmm. Jewish people go overboard

with this gratitude stuff,

don't they? Honey, I don't think it has

anything to do with him being

Jewish. He's just saying thank you. Where's knucklehead? Mom,

where does this dish go? He called,

he said he'd be late. He called, alright? At least he called. Probably sitting on his can

in that lifeguard tower

reading a book. Dirty book. [ Knock on door ] Come in. He's at the door.

You don't yell. What?

Oh, hi. Hi. Rabbi Jacobsen.

Margaret O'Malley. Hey, Rabbi.

How are you? Good, good, good.

I'm sorry to interrupt you. No, no. Would you like

something to eat? I can make you a plate.

Oh, thanks, no. My wife thinks if I eat

another woman's cooking, it's a form of adultery,

so I shouldn't. But I brought something

for after the meal. Oh. Alrighty.

Would you like some coffee? That'd be great.

That'd be great, yeah, thanks. Sit.

Okay. So, how's your, uh,

how's your little boy? Oh, he's good. Thanks. Yeah, we go in tomorrow

for the monthly checkup, and hopefully it'll be

six months remission. Oh, good, good.

We hope so, too. Oh, thanks, thanks. Here you go. Oh, great.

Thank you very much. So what's going on? Oh, well, you probably remember

I mentioned to you that the synagogue would like

to formally thank you for your bravery. Oh, no, no, no, no. There's no need for that. I told you, you know,

we're just doing our job. And I have a standing order

not to disagree with a man

under his own roof, but, um, you risked your life

to save my son's life, and if not for the explosion, you would've marched back

Rate this script:0.0 / 0 votes

Pete Jones

Pete Jones (born 22 September 1957) is an English musician, who played bass in different bands since the punk rock era of the 1970s, but is known for being a member of Public Image Ltd., during 1982–1983. He played bass guitar on PiL's highest charting UK single "This Is Not a Love Song" as well as recording Commercial Zone whilst with the band in New York.He was born near Watford, England, to an ex-merchant seaman who also sang and played ukulele. After learning guitar and listening to discs from his father's collection, he took up bass guitar and formed his first band called Cosmosis while still at school at age 14. During punk days, in the late 1970s, he played in The Hots with Martin Atkins, formerly Blonde (not Blondie). After The Hots split up, he was asked to join Cowboys International, touring with them across Europe. After that he formed part of Brian Brain with Atkins, then joined Public Image Ltd. while he was in the band. He left PiL in 1983, and has since produced his own material under his own name and released several CDs. Jones has also done various cross-collaborations with Mikee Plastik over the years. In 2008, he teamed up with Fred Suard to form The Creepy Dolls, and released an EP entitled Grande Finale, and released various tracks with Clem Chambers under the name Pete & Charlie. He has recently returned to the live stage with a guest appearance for Mod Revivalists, Back To Zero and has joined post punk band Department S as permanent bass player and producer. Jones currently lives in Harpenden where he writes and records. more…

All Pete Jones scripts | Pete Jones Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Stolen Summer" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/stolen_summer_18913>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "logline"?
    A The first line of dialogue
    B A brief summary of the story
    C A character description
    D The title of the screenplay