The Clapper Page #5
- R
- Year:
- 2017
- 89 min
- 263 Views
one more time?
[LAUGHS]
[EXPLOSION]
I'm... I'm here to see
the producer guy
for the TV shows, the TV.
His name is Ralph Ratner.
I'm here for a meeting.
The TV guy, a meeting.
Chris!
Chris Plork!
- Chris Plork, it's Raf.
- Hi.
Ralph Ranter,
from The Stillerman Show,
- We spoke on the phone.
- Yeah.
Awesome, man.
Is he here with you?
- No. The Clapper?
- Yeah.
No, he's not here.
He just gave me this letter,
said deliver it
to Mr. Stillerman and go.
- Wow.
- And that's what I want to do.
Mr. Stillerman,
that's my boss.
I can bring you to him now.
You want to come inside?
- Yeah.
- All right,
He's good.
We can let him in.
Chris, listen to me.
Now, if you don't mind,
obviously you don't,
I'm gonna go take it to Jayme.
In the meantime, I want you
just to hang here: green room.
Help yourself
to whatever you like.
- See you in a bit.
- Okay.
[MUZAK PLAYS]
[SIGHS]
No.
RAF:
Number one trending topicon Twitter is
"Who is The Clapper?"
It's your call.
What do you think?
I don't know. I don't know much
about the guy.
What if he's dangerous?
Right. That's a valid point.
What if this guy,
Then what? My kids are
going to public school.
He's not a cell. He's presently
afraid to eat our sushi.
Literally.
CADWELL:
He makesa good point, J. Stills.
What do you think?
Just say f*** it. Let's do it.
- F*** it, let's do it.
- Let's put him on. Tina?
Ladies and gentlemen,
it is my pleasure
to introduce you to our
very own insider, Chris Plork.
- [MUSIC PLAYS]
- [CHEERING]
CADWELL:
No, no, no!Just give him the letter and go.
Doing great, turn around.
Good to see you, Chris.
Welcome, Chris.
This is Sarah,
Victoria's Secret model.
Hey, Sarah.
You all may recognize Chris,
who we previously met
on one of our
"Out on the Street" segments,
So, Chris,
tell us why you're here.
Those two guys.
My producer Raf?
Yeah. Those two guys told me
to come sit this way.
That'd be Raf, our producer,
and Cadwell.
They told you the right thing,
'cause this is
where it all happens.
I don't think
I should be here.
No, no, Chris, stop thinking.
You should be here.
And I tell you that because
I need you to be confused
when I tell you
these things.
Now I understand you have
some sort of letter,
a list of demands
from The Clapper?
His demands?
I don't know.
Well, let's read 'em.
I don't think
I should read it.
Yeah!
Read it, yeah!
I don't know
if I should read it.
- I don't, I don't.
We all think
you should read it.
Everybody at home thinks
you should read it.
DJ Spider thinks
you should read it.
- Whoo!
- Read it!
- Yeah!
- Read it, yeah!
[APPLAUSE CONTINUES]
Read it, read it!
All right.
"A message to Mr. Stiller-mer.
I see that you have
found an interest
in my clapping, I guess."
- [LAUGHTER]
- I guess?
Yeah, he wrote "I guess."
is right there.
- He wrote I guess?
- Yeah, he...
I guess.
"It also seems to me that you
would like to meet in person
on your show.
I do not know how much
your normally pay guests,
however me and my friend
would be happy to appear
for one million dollars."
One million dollars?
"Enclosed is proof
of who I am..."
Wait. Hold the phone there
a second.
- Did you say a million dollars?
- Yeah.
Well, thank you
for the discount.
I want to get paid that
as well.
So do I. That's a lot of money.
Hold on a second.
Can somebody pull up my next
guest on the monitor for me?
Ladies and gentlemen,
Mark Cuban.
What's up, Jayme?
Mark, you're a billionaire.
Let me ask you a question.
How much are we paying you
to be on the show?
Not a damn thing, Jayme.
Just this amazing spread
of food that's awesome.
JAYME:
Thank you, Mark.- What?
- Are you out of your mind?
Hmm? I mean, are you
out of your mind, man?
It was so simple. All you had
to do was give him the note.
That's it.
CHRIS [ON TV]:
Shark Tank.I love that show.
- They asked me to read it.
- Yeah, of course they did.
That's how they do it.
They just...
[GROANS]
You weren't supposed
to go on TV, Chris.
Now you're in it,
you realize that?
You just got roped in
over the airwaves.
That's probably a federal
offense or something.
I don't know.
We could go to jail.
- They thought it was funny.
- I don't know what's funny.
We're broke.
How's that funny?
- Funny.
I gotta think.
I gotta...
I gotta go home
I gotta go home and think
about this, and that's it.
JAYME:
We are getting closerand closer to The Clapper.
"If that is too much money
that we are asking for,
please let us know
how much can happen.
Thank you."
Oh, wow, look at who it is.
Mr. Movie Star, huh?
Yeah, you piece of sh*t.
Where are you going, buddy?
Huh? You don't want to stay in
Hollywood?
Hi. Where's your camera?
Oh, Mr. Movie Star, huh?
Okay.
Hey, buddy, get out of here.
That's right, go.
And don't bring your f***ing
movie cameras here again.
Haul ass.
Judy! Judy!
Eddie, you can't
let him see you.
You can't let him
see you, Eddie.
What? Who?
What are you talking about?
Some people came by tonight,
asking questions.
They had a photograph of you.
They were blocking the pump.
Hercules was just going nuts.
And they said they were
following you.
Like following you.
And then they had this guy
with a camera.
- Yeah, yeah.
- Are you in trouble, Eddie?
No, I'm not in trouble
exactly,
but I mean, sort of.
Remember the Stillerman thing
that I mentioned?
They got it in for me somehow.
They're basically stalking me.
- Stalking?
- Yeah.
Mm-mm, no, Eddie, you didn't
I don't know about that,
but Hercules knows
that we are friends,
and we can't just have
the police show up.
- Police?
- And that can't happen.
It's just a TV guy.
I like you, Eddie,
I really do,
but I need my job,
and I know it's a stupid,
stupid, stupid job,
but I need it,
and you know that.
- Of course I know that.
- It's stupid, I know.
Yes, it's fine,
but I need the job, Eddie.
And you know
that I need the job.
- I get it.
- But is it about your shows?
I don't understand.
I mean, sh*t!
- It's just a...
- Thing with the Growing Pains,
and you were with a TV star
or something?
- Alan Thicke.
- Is that what it is?
It's not funny, Eddie.
- This isn't funny.
- No, I know. It's not funny.
I'm not saying it's funny.
I'm sorry.
I should've told you before.
What?
- It's embarrassing.
- What's embarrassing?
The thing.
I don't know.
- What?
- Well, how do I explain it?
- It's like a...
- I have to go to work.
- I'm going to work now.
- This is coming out all wrong.
No. Yes, I am!
I'm gonna fix it!
I'm gonna fix it, Judy.
I'm so sorry.
Chris, wake up.
Come on.
Chris.
Chris, come on, wake up, man.
Wake up.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Clapper" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/the_clapper_19934>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In