The Debt Page #10
He smiles and walks back towards her.
He lights her cigarette, studies her face.
WORKER:
You new?
RACHEL:
First shift. The girls said it
was okay to come out for a
smoke....
David and Stephan lie listening to the murmured
conversation.
WORKER:
Yeah, it’s okay. Are you working
until midnight?
RACHEL:
Yes.
WORKER:
After the late shift most of us
go to the Vetter. Do you know it?
David checks his watch again, nods at Stephan. We hear
another APPROACHING TRAIN.
...smiling, pretending to be listening to the Worker.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 48.
WORKER:
...it’s just on the corner. You
should come along.
She glances through the fence and down the track to where
the train’s LIGHT can be seen approaching in the gloom.
This is it.
The inert body of Vogel, lying on the floor. His hands,
bound at the wrist, suddenly twitch involuntarily.
112 IN THE TRAIN - DRIVER’S CAB - CONTINUOUS 112
POV - the Border Guards on the platform.
The Border Guards watch in surprise as the train slows...
As it passes them, the train screens Stephan and David from
the platform. The two men rise and swiftly begin to cut the
remaining section of fence.
As the train comes to a halt the last carriages stop
directly opposite them, empty and dark.
They’re almost there.
In the distance, at the head of the train, the driver can
be seen stepping down and gesturing to the guards, pointing
up ahead.
DRIVER:
There’s something on the tracks
up here!
The Guards peer doubtfully into the gloom ahead. One sets
off to investigate.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 49.
...getting rid of the Worker.
RACHEL:
Well, maybe I’ll see you there? I
finish in half an hour. Why don’t
you go and get me a drink ready?
The Worker can’t believe his luck.
WORKER:
Half an hour then.
He starts to move towards the gate...
Suddenly the VAN HORN BLARES, shattering the silence of the
car park.
115A
Stephan and David turn back to the van.
115B
ON RACHEL 115B
She turns, shocked. The Worker too turns back in surprise.
116
Vogel, hands still tied has wormed his way over the seats
and is pressing frantically on the HORN. He claws at the
tape over his mouth, manages to pull it free.
Stephan leaps into the van and is upon him in seconds.
Vogel manages to give a HOARSE YELL, then Stephan uses a
krav magah move to silence him.
117
The remaining Border Guard is staring over at the darkened
car park, trying to work out what he just heard.
WORKER:
What was that...?
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 50.
David watches in dismay as a Guard comes into view at the
far end of the platform, entering a GUARD HUT. He lifts a
TELEPHONE inside.
DAVID:
(Softly)
F***.
He heads for the van at a crouching run.
119 OMITTED 119
Rachel indicates the vans closest to them.
RACHEL:
I think it came from over here?
WORKER:
No, it was one of those...
He steps past her, peering at the shadowy vans ahead.
Rachel stares at him wondering if she can take him down
silently.
BORDER GUARD (O.S.)
Stay where you are!
She turns to see two BORDER GUARDS approaching the side
gate of the car park.
...as the Border Guard comes back from checking the lines
ahead.
BORDER GUARD:
There’s nothing there. Get moving
now!
His part of the mission completed, the Driver climbs back
into his cab.
...as one of the Guards approaches her, pistol drawn. The
second guard fans past, walking slowly towards the bridge.
The first guard SHINES A TORCH into Rachel’s face.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 51.
FIRST GUARD:
What are you doing here?
RACHEL:
I work here. I’m on a break.
FIRST GUARD:
Show me your papers, both of you.
The Worker nervously fumbles for his papers, passes them to
David watches Rachel offer her papers to the Guard as the
train starts to rumble back into life.
He moves back towards the van.
AT THE VAN:
STEPHAN:
(hissing)
We have to go!
David stares over at Rachel.
Stephan grabs Vogel.
STEPHAN:
We can make it. Help me with
him...
FIRST GUARD:
(Handing them back)
You can go.
The Worker gratefully hurries away. Rachel is watching
tensely as the Second Guard closes on the van...
Stephan watches the train pulling away, THEIR LAST CHANCE.
He has pulled Vogel’s body to the door.
STEPHAN:
(Hissing)
We’re going! Now!
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 52.
David shakes his head.
DAVID:
Not without her.
He moves up the blind side of the van...
The Second Guard takes a few more steps and stops in
surprise- the OPENING in the fence VISIBLE NOW.
SECOND GUARD:
(Startled)
Hey! Over here!
David appears behind him and downs him, fast.
A Guard on the platform has turned to see the opening in
the fence, and yells out.
As the Guard beside her turns his attention to his comrade,
Rachel grabs the guard’s gun hand, sweeping it away from
her, at the same time stepping in close and punching the
guard’s throat with her other hand. As he staggers back
choking, she twists the gun free.
126 OMITTED 126
Another guard hits an ALARM.
About to head back to the van. A shot rings out and a
BULLET suddenly strikes the ground beside her. She looks up
to see a GUARD has appeared up on the bridge, rifle aimed
at her.
Other Guards open FIRE, jumping down onto the tracks and
advancing towards the cut fence.
Acting on instinct, Rachel returns fire with the pistol,
and takes cover behind the wall...
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 53.
Stephan has jumped into the driver’s seat and starts the
engine. David scrambles into the back, barely making it
before Stephan is peeling out, the back door hanging
open...
...as more guards appear at the side-gate behind her -
she’s caught between them now.
She watches in dismay as the van heads for the exit.
Suddenly it brakes...
IN THE VAN:
Stephan throws the gear into reverse..
ON RACHEL:
and the van begins to reverse with a scream of tyres
towards Rachel.
The Guards at the side-gate open fire on the van hurtling
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Debt" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/the_debt_566>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In