The Disaster Artist Page #6
Okay.
Okay.
All right, picture's up!
Let's roll camera, roll sound.
Scene 109, take one.
Speed.
Action.
Hey, Denny.
Hey, Chris-R,
I was looking for you.
Yeah, sure you were.
You have my money, right?
You wanna play some horse?
Don't wanna play
some f***ing horse!
Where is my f***ing money?
It's coming, it's coming.
What do you mean it's coming?
J-just give me five minutes.
Five minutes?
You want five
f***ing minutes, Denny?
I don't have
five f***ing minutes!
-Where's my f***ing money, Denny?
-No! No!
Tell me where my f***ing
money is, Denny!
I want my f***ing money, Denny!
-Please, don't!
-Goddammit, where is...
-I don't have anything!
-my f***ing...
-money!
-I don't have anything!
Okay, okay, okay.
Okay, cut, cut, cut!
-Oh, man!
-Oh, my God, man.
Wow, you like monster.
Little boy, you okay?
You okay, man?
-Little boy.
-So good!
Oh, man!
That's real.
That acting like real life.
Great one.
Great take, everyone.
-Good job.
-Thanks.
Action.
Who do you think you are?
You're acting like a kid.
Just grow up.
Hey, who are you calling kid?
Chill out, Mark,
just trying to help.
You're having an affair
with Lisa, aren't you?
What?
Okay, cut. Greg, come here
I need to talk to you.
Let's go back to one!
Okay.
What's going on, man?
I want you to be aggressive.
I know, I know.
This is your moment.
Go to edge of your moment.
-All right? Intensity.
-Okay.
Be aggressive. The Room.
-Great drama. Intensity.
-Yeah.
Emotion.
Thanks, Tommy.
Thank you, yes.
Okay, go again.
Okay, here we go, people!
Ready.
-Okay.
-Set.
Ready...
Speed.
and action.
Wait a sec, who do
you think you are?
You're acting like a kid,
just grow up.
Hey, who you calling kid!
Look, just chill out, Mark.
I'm just trying to help.
You're having an affair
with Lisa, aren't you?
What?!
-I'm right, aren't I?
-What?!
What are you nuts?
Cut.
Wow, Greg!
-Give me five!
-Yeah?
Yeah! Going ten.
Next.
Hello, how can I help ya?
I'd like to cash this
check if uh, possible.
Okay.
Uh, is 20's okay?
-Went through?
-Yeah.
That is shocking.
There's actually money in there?
This account...
It's like a bottomless pit.
-Really?
-Yeah.
-Tommy?
-Yeah.
So, uh, what's the deal?
Do you work with this guy or?
Yeah, he's a filmmaker.
Oh.
Yeah, I'm working with him
Okay.
You a movie fan?
Is it a period piece?
No.
Nah.
More spray, more spray.
-Hey, great job yesterday.
-Oh, thank you.
Hi, Mark.
Oh, hi, oh, hi, Mark.
Hi, Mark.
-Hi, Mark.
-Tommy.
Hi, Greg.
Dude, first day
in front of the camera.
How you feeling?
You excited? Nervous?
Nervous? Why you say that?
I'm not nervous.
Oh, no, um...
-Hi, Mark.
-I'm just, um...
I was like, I almost threw up.
You think I'm nervous?
-Not, not at all.
-I'm not nervous.
I'm fine. More spray!
Please.
No, it look good!
It look good,
I know how I look.
Okay.
-Okay?
-I just wanna say good luck, man.
You're gonna do great.
You guys, uh, five minutes
away from shooting.
-Great scene yesterday.
-Oh, thanks.
Oh, whatever.
Maybe you think
I don't do great scene
-or something.
-Tommy, not at all.
Where wardrobe girl?
I'm sure she's...
Where wardrobe girl?!
Right here, right here.
Where you been?
I been looking all over.
I just went to get ties.
Well, ready now.
Too late. Already dressed.
But none of that matches. I...
Look, it's his first day in front
of the camera. He's just nervous.
Don't talk about me, Greg.
I hear you.
Look, I'm sorry.
I have ear
for your information.
Are you gonna film with all
that stuff in your pockets?
I keep my stuff, sweetie.
a photo for continuity?
Continuity in your forehead.
What's that even mean?
Don't take it personally.
He's going crazy.
I need five more
minutes for lighting.
No, I'm ready now!
Let's go, let's go, Sandy.
Come on!
Right, let's uh, roll.
-Set.
-Yeah, we're rolling.
Ready... And...
Action!
What line?
What is line?
"I did not hit her."
"It's not true."
"It's bullshit."
"I did not hit her."
"I did not."
"Oh, hi, Mark."
Okay.
Action!
What is line?
"I did not hit her."
"It's not true."
"It's bullshit."
"I did not hit her."
"I did not."
"Oh, hi, Mark."
Scene 112.
Take 13. Mark it.
Action.
I did not hit her. I...
Okay, okay. Line?
-"I did not hit her."
-"I did not hit her."
-"It's not true."
-"It's not true."
-"It's bullshit."
-"It's bullshit."
-"I did not hit her."
-"I did not hit her."
-"I did not."
-"I did not."
-"Oh, hi, Mark."
-"Oh, hi, Mark."
Take 17.
Action.
I hit her!
No! Do you wanna change the line?
Script is script.
Script stay same.
You're doing great, man.
We'll get there.
Action.
Action!
Action, action!
You have to say out loud,
I can't hear in here.
Say "action" so I can hear.
Okay.
Action!
I did not hit her.
It's not true.
It's bullshit.
I did not hit her.
I did naaat.
Oh, hi, Mark.
What the f--where
are you looking?
It doesn't work if you're
looking at the camera.
What?
Take 67!
Action!
It's not true. I did not hit her.
It's bullshi--
Ugh!
Ugh!
All right, I'm gonna f***in'...
try something, I dunno...
F***!
Hey, hey, hey...
What?
Okay, uh, maybe just use this...
You know, I think it'll
help you take your mind off...
Water bottle?
Hey, hey, listen, listen,
what do you always say to me?
All right?
Intensity, show emotion!
Throw it! Do something crazy!
-Oh, show emotion.
-Use the bottle, yes!
That's easy part.
Why don't you say that
to me before, Greg?
-I don't know, I...
-See, Greg...
These other guys,
these other people...
they don't care like
you care, you know?
I care, yeah, yeah.
-Okay, we do this together.
-Me and you, man, you got this.
-Show emotion.
-Yes!
-Okay, I do it.
-Okay, all right.
-All right.
-All right, let's see.
Oh, we got a bottle now.
Look out.
Action.
I did not hit her.
It's not true.
It's bullshit.
I did not hit her.
I did not.
Oh, hi, Mark.
-Yeah!
-Yeah!
He did it!
I got it!
We got done!
Okay, moving on now!
Hey, babe.
Babe.
Babe.
You wanna take a break?
Um...
How's it going?
You feeling good?
I am.
I am, yeah, feels like
it's coming together.
-Good.
-Yeah.
And Tommy's?
-Tommy is...
-Settling?
Yeah, h-he's stressed.
You know, he did his
first scene, which uh...
took a million takes, but
Oh, acting it?
But you know, he's the director
too, and that's like...
it's a lot, a lot to think about,
acting, directing, producing.
So, he's doing-he's doing great.
He'll get there.
-Yeah.
-Yeah.
What do you do...
if it turns out...
really bad?
-It's...
-Like...
It's not gonna be bad.
Like if it turns out...
terrible...
would you...
-That would...
-can you take it off...
-your IMDB?
-That would suck, but...
when it feels good, it feels good
and it's like, you know
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Disaster Artist" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_disaster_artist_20092>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In