The Prisoner of Second Avenue Page #3

Synopsis: The story of Mel and Edna (Jack Lemmon and Anne Bancroft), a middle-class, middle-aged, middle-happy couple living in a Manhattan high rise apartment building. Mel loses his job, the apartment is robbed, Edna gets a job, Mel loses his mind, Edna loses her job . . . to say nothing of the more minor tribulations of nosy neighbors, helpful relatives and exact bus fares. The couple suffers indignity after indignity (some self-inflicted) and when they seem on the verge of surrender, they thumb their noses defiantly and dig the trenches for battle.
Genre: Comedy
Director(s): Melvin Frank
Production: Warner Home Video
  Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination.
 
IMDB:
6.8
PG
Year:
1975
98 min
2,214 Views


ln two years,|we've had only four burglaries...

...two attempted rapes|and one completed rape.

Give me the country anytime.

Don't lie there.|We just had manure put down.

Well, listen, tell me about the girls.|Do they like college?

Karen seems very happy.

Maggie, l don't know about.|She never writes.

Come on. Try it.

Up and down.

Up and down, never sideways.

Never sideways.|Okay, l'll try to remember.

What do you do with yourself|now that the girls are gone?

-lt must be very lonely for you.|-lt is sometimes.

l've thought about going back to work...

...but l like to be home|when Mel gets there.

Up and down.|Up and down, never sideways.

Can l ask you something personal?|After all, l'm your brother for 55 years.

-Forty-eight. You had seven on your own.|-Fifty-five, 48, what's the difference?

l think something's wrong.|l think you got some kind of trouble.

l'm not blind.|You're not enjoying yourself.

l've been here three hours. l've got|poison ivy, l'm chewed up by gnats...

...l laid in manure|and your dog piddled on my car.

So l haven't really had a hell of a lot|of time for rural ecstasy.

l can tell by the way you put|that Scotch away.

-Something is very wrong.|-Nothing is--

l'd like to know|so that maybe l can help you.

What is it? Trouble with Edna?|Another woman?

Edna's the only damn thing|l can depend on.

Then you got no troubles.

You're happy with your wife,|got your health, got no trouble.

l got fired, Harry.

All right. You got a problem,|but not trouble.

Good. For a minute there,|l was worried.

l'm not saying it's wonderful news, but|it's not the end of the world. Don't panic.

When the littlest thing would happen,|you'd panic. Am l right?

Oh, you're right. Every time l lose a job|after 22 years, l panic.

You were 4 years old.|Look how you were crying.

Look how you panicked.|Look how calm l am.

Look how you didn't have|to get on the damn pony.

l was on plenty of ponies in my time.

Bigger ponies than this.

l was the breadwinner.|Don't forget that.

-l have never forgotten the bread.|-But l never panicked.

l always tried to examine the situation|intelligently.

You always fell apart.|You were that way in the crib.

-Remember that?|-Distinctly.

l remember panicking in the crib.|You sat in the highchair...

...figured it out intelligently.

Why? What was the reason they gave?

-You worked there over 20 years.|-They lost $3 million last year...

...and 2 the year before.|They're looking to save pennies.

The vice president of my department|used the same paper clip for six months.

Nobody came to work late anymore.

They were afraid somebody|would sell your desk.

ln other words, you saw it coming.

All right.

You know what you can do, don't you?|Come in with me.

Thank you, Harry. No offense,|l'm not cut out for the chandelier business.

Lighting fixtures, not just chandeliers.|Lighting fixtures!

And don't knock it.

Could we turn all of this off?|lt looks like a night game at Shea Stadium.

And what did Edna say|when you told her?

-Nothing.|-lsn't that something? No tears, no panic.

l knew it.|She's got a lot of strength, that girl.

-l didn't tell her, Harry.|-Oh, my God, l wonder how she'll take it.

Why do you think l slept two minutes|in six weeks? l keep waiting...

-...for something to turn up.|-Tell her, Mel.

Tell her.|Don't bear this burden by yourself.

lt helps to share it with other people.

-l told you, and l don't feel any better.|-l'm not your wife.

This is something you have to share|with your wife.

What's something you share|with your wife?

Dinner.

How would you like your steaks?

Medium.

Medium.

Medium.

What were you talking about so long|with Harry?

l don't know. l never listen|when l'm talking to Harry.

Talk to me, Mel.|l'm a good listener.

-Edna.|-Yes, Mel?

Get a dollar for the toll.

This is Dan Raller|with news on the hour.

It's 5:
00, and the temperature|is 92 degrees.

A member of the Albanian Diplomatic Corps|was mugged today in Central Park...

...despite the fact that two patrolmen|were only 1 00 yards away.

The Albanian claimed he screamed loudly|for two minutes.

But unfortunately did not know|the English word for ''help. ''

Good afternoon.

-Thank you.|-You're welcome.

Oh, my God.

Oh, my God.

Oh, my God.|Oh, my God.

Oh, my God!

l don't know yet.|The television, some jewelry...

...liquor, clothing.|Lots of clothing.

All my dresses, my coats.

All of my husband's suits.|There's not a thing left in his closet.

Well, could you send somebody|right away?

l'm all alone here.

Thank you.

Goodbye.

Valium. l need a Valium.

Edna?

Mel, it's you.

Didn't Mildred come to clean today?

Not today. Mondays and Thursdays.

Well, what the hell happened here?|Why is this place such a mess?

We've been robbed.

What do you mean, robbed?

Robbed. Robbed.

What does rob mean?|They come in, they take things out.

They used to be yours,|now they're theirs.

We've been robbed!

l don't understand.|Someone walked in and robbed us?

You think they made an appointment?|We've been robbed!

Calm down. Take it easy.|l'm asking one simple question.

-What did they get?|-l don't know yet.

l was shopping.|l was only gone five minutes--

You couldn't have been gone five minutes.|Look.

Five minutes. That's all.

lt took the Santini brothers two days|to move everything in.

How could junkies move it out|in five minutes?

lt's a special talent.

When you came back|did you notice anybody suspicious?

-Everyone in this building is suspicious.|-Did you notice anybody leaving...

-...with bundles or packages?|-Three guys in the elevator.

How should l know it was our television?

They took the television.|A brand-new color television.

-You saw them and didn't say anything?|-Should l have made a citizen's arrest?

l had bundles in my arms.|l didn't know it was ours!

Could you describe them to the police?

l didn't notice.|l'm not Bulldog Drummond.

-What do you want from me?|-Sit. l'll get you a Scotch. lt'll calm you.

-lt won't calm me down. They took it.|-My Chivas Regal too?

No, they're gonna take cheap Scotch,|not the Chivas.

They took it all.|They cleaned us out!

Sons of b*tches.|Sons of b*tches.

Sons of b*tches!

Dirty rotten bastards!

You heard me!

Must've been gorillas to lift all that|in five minutes. Sons of b*tches.

-Stop swearing. l just called the police.|-Did you call the police?

-Didn't l say that?|-Tell them we were robbed?

Why else would l call them?

-What kind of questions are you asking?|-Calm down. You're hysterical!

-l am not.|-You're hysterical.

You're making me hysterical.

Don't you realize my house|has been robbed?

What am l, a boarder?|My house has just been robbed too.

My Scotch, my television are missing too.

-You didn't walk in and find it.|-What is the difference who found it?

There's still nothing to drink or watch.

Oh, my God.

They found my kitchen money too.

What kitchen money?

l kept my kitchen money in here.

-Eighty-six dollars.|-ln cash?

Rate this script:2.3 / 3 votes

Neil Simon

Marvin Neil Simon (born July 4, 1927) credited as Neil Simon, is an American playwright, screenwriter and author. He wrote more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer.Simon grew up in New York City during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood. He often took refuge in movie theaters where he enjoyed watching the early comedians like Charlie Chaplin. After a few years in the Army Air Force Reserve, and after graduating from high school, he began writing comedy scripts for radio and some popular early television shows. Among them were Sid Caesar's Your Show of Shows from 1950 (where he worked alongside other young writers including Carl Reiner, Mel Brooks and Selma Diamond), and The Phil Silvers Show, which ran from 1955 to 1959. He began writing his own plays beginning with Come Blow Your Horn (1961), which took him three years to complete and ran for 678 performances on Broadway. It was followed by two more successful plays, Barefoot in the Park (1963) and The Odd Couple (1965), for which he won a Tony Award. It made him a national celebrity and "the hottest new playwright on Broadway." During the 1960s to 1980s, he wrote both original screenplays and stage plays, with some films actually based on his plays. His style ranged from romantic comedy to farce to more serious dramatic comedy. Overall, he has garnered 17 Tony nominations and won three. During one season, he had four successful plays running on Broadway at the same time, and in 1983 became the only living playwright to have a New York theatre, the Neil Simon Theatre, named in his honor. more…

All Neil Simon scripts | Neil Simon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Prisoner of Second Avenue" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/the_prisoner_of_second_avenue_16256>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Prisoner of Second Avenue

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "logline"?
    A The title of the screenplay
    B A character description
    C A brief summary of the story
    D The first line of dialogue