The Prisoner of Second Avenue Page #5

Synopsis: The story of Mel and Edna (Jack Lemmon and Anne Bancroft), a middle-class, middle-aged, middle-happy couple living in a Manhattan high rise apartment building. Mel loses his job, the apartment is robbed, Edna gets a job, Mel loses his mind, Edna loses her job . . . to say nothing of the more minor tribulations of nosy neighbors, helpful relatives and exact bus fares. The couple suffers indignity after indignity (some self-inflicted) and when they seem on the verge of surrender, they thumb their noses defiantly and dig the trenches for battle.
Genre: Comedy
Director(s): Melvin Frank
Production: Warner Home Video
  Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination.
 
IMDB:
6.8
PG
Year:
1975
98 min
2,214 Views


You could be the head, l would cook...

...and the girls could|be the swimming and riding instructors.

You'd like that, wouldn't you, Mel?

All we have to do|is just save some money.

Even if you don't get|another job right away...

...l can always work. l'm strong.

But you mustn't get sick.

You mustn't get sick and die.

Because l don't want to live|in this world without you.

l don't want you|to leave me alone here, Mel.

l don't like it here.

We'll show them.

We'll show them all.

-Wayne, this is the lady you were expecting.|-Edna Reale?

-No. lt's Edison now.|-l'm Wayne Morgan. Thank you, Jack.

Cooperman told me you were a hell|of a production assistant in your day.

Yeah, in my day. Well, what am l in for?

Easiest job in the world.|Just give up your home life.

Will you sit here?|We're having a reading now.

-We'll need a breakdown tonight.|-Tonight?

-Sorry.|-That's show biz.

Fine, Ed. Fine. Ed...

...l thought l'd take you up on that|offer you made to have lunch sometime.

You always said you wished you|had a man like me with the company.

After the 1 5th?|Swell, l'll give you a call.

After the 1 5th. Right.

Right. Yeah.

Name, please?

Edison. lt's right there on the card.

And how long have you|been unemployed, Mr. Edison?

-Ten weeks now.|-Ten weeks, was that?

Monday will mark the 1 0th anniversary|of my unemployment.

Have you been looking for employment|in the past week--?

l've been looking in the past week.

l've been looking for the past|1 0 weeks now. That's why l'm here.

-Have you turned down any employment--?|-Have l turned down any employment...?

l haven't turned down any employment.|Why should l?

Why do you always--?

lf l'm coming here every week,|why would l turn down employment?

-That's why l'm unemployed, for Christ--|-Then the answer is no.

Right. Yes. No. That's the answer.|Write down no. No.

Twenty-two off.

Eighteen off.

-Twelve on.|-Twelve on.

Mel.

Mel, l'm home.

Hi, love. How are you?

We need a shave, don't we?

You must be starved. l just couldn't|get out of the studio before 8:00.

They're still there working.

l told them l just couldn't stay.

l got us a cheese souffle. lt'll only take|a couple of minutes to heat it up again.

l brought you Sports Illustrated.

There's a terrific story about the Knicks.|He thought you might get a kick out of it.

Here you are.|Everybody's working like crazy...

...hoping we can finish|this Christmas show before the weekend.

Otherwise, we may have to go in.

l'm just not going.

l mean, l see you little enough as it is.

Oh, boy.

Oh, that's good.

That's the first food|l've had since yesterday...

...that wasn't from a vending machine.

Sit down. Have dinner and talk to me.

l don't have the energy|to talk when l get home.

l don't know how l do it.|l've been saving energy...

...for the past 22 years.

How are you, sweetheart?|You feeling all right?

Well?

You feel all right?

You don't feel like talking?

Come on, Mel. l haven't seen you|since breakfast yesterday...

...and l'm gonna be fast asleep|in 1 5 minutes.

Talk to me. What did you do today?

l took a walk.

-Good. Where?|-From the bedroom into the living room.

-That's all?|-Then l walked back into the bedroom.

Once l went into the kitchen|for a glass of water.

l'd say that was my high peak|of the day.

Okay, you don't feel like talking--

Want to hear about my morning?

-lt's all right.|-l looked outside three times...

...l listened to the radio...

...and l went to the toilet.

Which is still flushing,|but l didn't jiggle it...

...because l know you like|to do that when you come home.

You didn't sleep well again last night.

Was last night the night before|this morning? l get them mixed up.

My life is so busy.

l thought you were gonna|take a walk in the park.

There's no place left for me to walk.|l know every path and bridge and stone.

l know every squirrel in the park|and l know where they all bury their nuts.

Maybe tomorrow l can sneak an hour off,|and we can have lunch...

-...in the zoo.|-l've been to the zoo every day for 34 days.

Every time l pass the monkeys,|they say, ''He's here again.''

Give me the fork.

-Did anyone call?|-Your mother. We exchanged recipes.

Anyone else?

l'm not an answering service.

You want me to answer the phone,|hire me, l could use the work.

l take it then there was nothing|in the paper today.

-About what?|-About a job!

Well, certainly, Edna.

There's lots of jobs.|Cooks, dishwashers, male nurses.

Delta is looking for hostesses...

...but l don't wanna be away from home|that much.

Do you want me to give up my job|and hang around the house with you?

l think this arrangement is fine.|You've been so nice to me.

Pay the rent, buy the food,|bought me a new sports jacket.

Who knows, maybe next year you'll|take me to Hawaii for our anniversary.

-Stop torturing yourself.|-l don't have to torture myself.

l got a lot of help.

Dogs and flushing toilets.

The Red Baron's two sisters in there.

-What time would you like breakfast?|-Will you stop it?

lt's no problem. l mean l'm up...

...l've got eggs, and l steal|the milk from the people next door.

And if l'm real quick,|l can get The New York Times too.

We'll talk when you're in a better mood.

l'm just trying to contribute, Edna.

Just trying to do my share. l don't know.

This is Charles Tracker|and the 8 a.m. news.

''We won't go back to work''|was the cry...

...of 47 state and federal judges|today...

...defying the court order|of Judge Ackerman.

Speaking for the striking judges, Judge|Precona told this to Bethesda Wayne:

''We will not go back to work and|we ain't working until this gets settled. ''

l'll get some coffee down at the office.

-l'll try to be home early.|-Don't work too hard, dear.

Leave me some quarters for the Laundromat.|l've got so much wash to do today.

Please, let's not start|the day out like this.

Here's something interesting.|''Maurice Le Pew in Queens.''

He wants a hairstylist.|Maybe l'll practice on you tonight...

...and if you don't go bald,|l'll give him a call tomorrow.

-You know what l'd suggest?|-What would you suggest, Edna?

l suggest you get a tight grip on|yourself or find somebody to help you.

l don't need any help.|l'm retired. l got it made.

You know what l mean.

Medical help. A doctor.

Someone who can straighten you out...

...because l'm running out|of energy and patience.

You have enough for Mr. Cooperman!

And what does that mean?

What does that mean?

lt just means you seem to have enough|patience and energy for Mr. Cooperman.

Lots of laughs down|at the office, right?

Listen, l know what goes on down there.|l used to be one of the boys too.

Oh, yeah?|Well, l am not one of the girls.

How come you get home|at 7 or 8:00...

...when everybody knows|that no one works past 5 anymore?

-l work past 5--|-Where, at Charley O's bar?

l understand. Just a little drink to unwind|before coming home to face the little man.

-l don't believe this.|-You used to when l came home at 7.

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Neil Simon

Marvin Neil Simon (born July 4, 1927) credited as Neil Simon, is an American playwright, screenwriter and author. He wrote more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer.Simon grew up in New York City during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood. He often took refuge in movie theaters where he enjoyed watching the early comedians like Charlie Chaplin. After a few years in the Army Air Force Reserve, and after graduating from high school, he began writing comedy scripts for radio and some popular early television shows. Among them were Sid Caesar's Your Show of Shows from 1950 (where he worked alongside other young writers including Carl Reiner, Mel Brooks and Selma Diamond), and The Phil Silvers Show, which ran from 1955 to 1959. He began writing his own plays beginning with Come Blow Your Horn (1961), which took him three years to complete and ran for 678 performances on Broadway. It was followed by two more successful plays, Barefoot in the Park (1963) and The Odd Couple (1965), for which he won a Tony Award. It made him a national celebrity and "the hottest new playwright on Broadway." During the 1960s to 1980s, he wrote both original screenplays and stage plays, with some films actually based on his plays. His style ranged from romantic comedy to farce to more serious dramatic comedy. Overall, he has garnered 17 Tony nominations and won three. During one season, he had four successful plays running on Broadway at the same time, and in 1983 became the only living playwright to have a New York theatre, the Neil Simon Theatre, named in his honor. more…

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Submitted on August 05, 2018

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