The Prisoner of Second Avenue Page #6

Synopsis: The story of Mel and Edna (Jack Lemmon and Anne Bancroft), a middle-class, middle-aged, middle-happy couple living in a Manhattan high rise apartment building. Mel loses his job, the apartment is robbed, Edna gets a job, Mel loses his mind, Edna loses her job . . . to say nothing of the more minor tribulations of nosy neighbors, helpful relatives and exact bus fares. The couple suffers indignity after indignity (some self-inflicted) and when they seem on the verge of surrender, they thumb their noses defiantly and dig the trenches for battle.
Genre: Comedy
Director(s): Melvin Frank
Production: Warner Home Video
  Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination.
 
IMDB:
6.8
PG
Year:
1975
98 min
2,214 Views


Mel, l think we better have|a long talk tonight...

...a long, serious talk.

My begonias are coming up beautifully.

Well, that's because Daddy's here|to take such nice care of them.

Gently, gently.

Gently, gently.

Very gently.

-Help you, Mr. Edison?|-Don't touch it.

Come here.

Here, here.

-You know the guy in 1 5B?|-1 5B?

-1 5B. The floor right above me.|-Above you? Mr. Jacoby.

Jacoby!

-What time does he get home from work?|-About 6:00.

About or exactly?

-Usually about 6.|-About 6.

-Why?|-Nothing, nothing. lt's perfect, perfect.

-Want me to give a message?|-No, l'll give him the message.

l got my own message.

Look, l'm very tired. Would you mind|trying your perversions on someone else?

-What's funny?|-Nothing. Nothing's funny.

Then why are you laughing?

Private joke.

You're not gonna tell me, Mel?

-l could use a good laugh.|-When the time comes.

When the time comes.

-Mel, you're staring at me.|-Well, l'm sorry.

-What is it?|-Am l allowed to turn back now?

-Yes, you may turn back now.|-What was your question, Edna?

lt's the same as every night, every meal,|every time we're together.

-What's wrong?|-Do you feel something is wrong?

Yes. l think you're miserable and tormented|because you're out of work.

-Now, that's it, isn't it?|-Only part...

...Edna, only part of it. Now, you tell me,|why do you think l'm out of work?

l don't know why.

-Because you can't find a decent job.|-That's why? That's why?

You haven't the slightest inkling|of what's really going on, do you?

You are so naive, it's ridiculous.

-Mel, what are you talking about?|-You have no suspicion of the truth.

-What truth are you talking about?|-l'm talking about the plot, Edna, the plot.

-What plot, Mel?|-''What plot, Mel?''

What plot? l'm talking about the plot,|and all you can say is, ''What plot, Mel?''

You say there's a plot.|l don't know what you mean.

-So all l can say is, ''What plot, Mel?''|-''What plot, Mel?'' There. Jesus.

What plot? What plot?

A social, economic and political plot|to undermine the working classes...

...of this country.

Oh, that plot.

Yes, that plot.

You know, instead of rushing downtown|every morning, stay home.

Listen to the radio,|find out what's going on.

Listen to the talk shows, you'll find|out what's going on.

-Well, what's going on in this country?|-lf you don't know, l'm not gonna tell you.

Mel, l'm your wife. You can tell me.

lf you're too lazy, ignorant|and uninformed...

...to find out what is going on...

...then you deserve exactly what|you're gonna get. All of you.

Mel, would you like some|caramel custard?

Come here.

Now, l'm gonna tell you something,|and it may frighten you.

Sit down.

Not here! ln there.

Away from the wall.

There is a plot going on|in this country.

Very complicated, very sophisticated!|lt's practically invisible!

And maybe only a handful of people|in this whole country know about it.

-And they told it on the radio?|-Oh, yeah, yeah.

-Then everyone heard it.|-Well, did you hear it?

-No.|-Then maybe everybody didn't.

Who's listening to a radio at 1 0:00 in|the morning? They're all working. l heard it.

And as sure as you are sitting here|in this room...

...there is a plot going on|in this country today.

-Against whom?|-Against me!

-The whole country?|-Well, not against me personally.

But they're after you, our kids,|my family, every one of our friends.

They're after the cops, hippies,|the government, women's lib...

...the blacks, the fag, the whole|military complex and even more.

Who? You mentioned everybody,|there's no one left.

Oh, baby, there's someone left,|all right.

Would you like me to give you actual|indisputable proof...

...that 6.7% of the working class|of this country is unemployed...

...and not because of a recession|or wages and high prices...

...but because of a well-organized,|calculated, brilliantly-conceived plot?

Would you like me to give you proof|right here and now?

-Okay.|-l can't give you any proof!

What the hell proof have l got? l can't|work. That's my proof! They won't let me!

Mel, who's behind the plot?

ls it the kids? The addicts?|The Army? The Navy?

-The book-of-the-month club? Who?|-lt is the human race!

The deterioration of the spirit of man.

Man undermining himself,|causing a self-willed, self-imposed...

...self-evident self-destruction.|That's who it is.

-The human race, Mel?|-Yes.

The human race is responsible|for the unemployment?

You're surprised, aren't you?

l never would have guessed.

All the time, l kept thinking|it was somebody else.

Don't mock me.|Damn it! Don't do that to me!

Don't patronize me|and don't mock me!

-l wasn't mocking you.|-You don't understand the first thing...

...l'm talking about. You don't know|what it is to be in my place...

...to stand in an unemployment line.

You've never walked into your building and|had an idiot doorman with beer breath...

...giggling at you|because he's working.

You've never stood on your terrace and|been hit in the head with a bucket of water.

And l haven't forgotten that son of a b*tch!|l haven't forgotten you!

-You son of a b*tch!|-Mel.

-Mel, listen to me--|-He thinks l don't know what he looks like.

-l know what he looks like.|-l want you to see a doctor right away.

Hell, l know what they all look like!|Got their faces engraved in my brain.

Someone gave me the name|of a doctor.

He knows about people who are going|through exactly what you're going through.

-l'm gonna call.|-They can take your clothes...

...your Chivas Regal, your television,|your job, but they can't take your brains.

And that's my secret weapon,|my brains.

And the snow! The snow.|God, l pray that it snows tomorrow.

l bought a snow shovel, Edna.|Wait!

l'm gonna take the day off|and take you myself.

-Hello, this is Mrs. Edna--|-And not a little snow shovel.

One of those great big shovels!|You know, the kind they use at airports.

Oh, l'll go without my shoes this winter,|but l'm not going without my shovel!

l'll bury him so deep,|they'll have to salt him out.

He gets home at 6:00. l checked|with the doorman. l gave him a $5 tip.

l know what time you get home,|you mother!

-Hey! Try using the service entrance!|-lt's very important.

-l got that blocked off too.|-Please, please, right away. Yes.

Have you any idea, any conception|of the impact...

...of two pounds of wet, solid, packed snow|falling from 1 4 floors?

They'll find him in the basement.|ln the garage, bastard!

And l know what you look like!

Yes. Well, it's very difficult|to talk about on the phone.

No, it isn't for me.|lt's for my....

lf it doesn't snow this winter,|l wait till next.

My husband.

Because l'm in no hurry, smart-ass!

-No, no.|-Nothing but time.

No! No, not Wednesday! This is|an emergency! Didn't you hear that guy?

This is the news with Dan Roland.|In a midtown hotel today...

...following a convention|of the National Psychiatric Society...

... 1 7 of the leading psychiatrists|in the United States were trapped...

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Neil Simon

Marvin Neil Simon (born July 4, 1927) credited as Neil Simon, is an American playwright, screenwriter and author. He wrote more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer.Simon grew up in New York City during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood. He often took refuge in movie theaters where he enjoyed watching the early comedians like Charlie Chaplin. After a few years in the Army Air Force Reserve, and after graduating from high school, he began writing comedy scripts for radio and some popular early television shows. Among them were Sid Caesar's Your Show of Shows from 1950 (where he worked alongside other young writers including Carl Reiner, Mel Brooks and Selma Diamond), and The Phil Silvers Show, which ran from 1955 to 1959. He began writing his own plays beginning with Come Blow Your Horn (1961), which took him three years to complete and ran for 678 performances on Broadway. It was followed by two more successful plays, Barefoot in the Park (1963) and The Odd Couple (1965), for which he won a Tony Award. It made him a national celebrity and "the hottest new playwright on Broadway." During the 1960s to 1980s, he wrote both original screenplays and stage plays, with some films actually based on his plays. His style ranged from romantic comedy to farce to more serious dramatic comedy. Overall, he has garnered 17 Tony nominations and won three. During one season, he had four successful plays running on Broadway at the same time, and in 1983 became the only living playwright to have a New York theatre, the Neil Simon Theatre, named in his honor. more…

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Submitted on August 05, 2018

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