The Prisoner of Second Avenue Page #7

Synopsis: The story of Mel and Edna (Jack Lemmon and Anne Bancroft), a middle-class, middle-aged, middle-happy couple living in a Manhattan high rise apartment building. Mel loses his job, the apartment is robbed, Edna gets a job, Mel loses his mind, Edna loses her job . . . to say nothing of the more minor tribulations of nosy neighbors, helpful relatives and exact bus fares. The couple suffers indignity after indignity (some self-inflicted) and when they seem on the verge of surrender, they thumb their noses defiantly and dig the trenches for battle.
Genre: Comedy
Director(s): Melvin Frank
Production: Warner Home Video
  Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination.
 
IMDB:
6.8
PG
Year:
1975
98 min
2,214 Views


...in an elevator for over 45 minutes.

Panic broke out, and 1 2 of the doctors|were treated for hysteria.

-l had a dream last night.|-Yes.

And in the dream, l was in bed,|but l couldn't sleep, but l was sleeping.

-Yes.|-All right, now what does that mean?

-Well, what does it mean to you?|-l don't know. lt mean anything to you?

lt's more important to know|what it means to you.

Oh, yeah.|Oh, l don't know, l'm not sure.

But l remember when l was a kid...

...l used to sleep with my brother Harry|when l was 7 or 8.

One night, l woke up, l looked at Harry,|and it suddenly occurred to me--

-Sorry, your time is up.|-Jesus!

This is Roger Kelting|and the 1:00 news.

A Polish freighter,|the 6000-ton Majorsky...

...sailed into New York Harbor|in a dense fog at 7 a.m. this morning...

...and crashed|into the Statue of Liberty.

Two seamen were injured.

Electrical damage caused flickering|in Miss Liberty's torch.

It was the first recorded maritime accident|involving the famed statue...

...although the Polish freighter|had been in six previous sea collisions.

lt's 20 to 2:
00.|Can we talk business, please?

l gotta get back to work, Edna's waiting.|Can we settle this quickly?

-What are we gonna do?|-About what?

About what. About the Suez Canal!|What are we here for?

What did Pearl come from Lakewood for?|Our brother!

Our sick brother|who had a nervous breakdown!

Every time l hear it....

What are you crying for now?|You've known for a week.

Harry, let her cry if she wants.|She came all the way from Lakewood.

All right, let's face the facts.|Mel needs help.

-Who else would he go to but his family?|-You're right, Harry, who else?

All right, this is my suggestion:

We make Mel a loan.

We all chip in X number of dollars|a week.

He gets a job again,|then he can pay us back.

Now, that's my suggestion,|what do you all think?

How much is ''X number of dollars''?

X....

X is X.

ls X.

l mean, is it a big X or a little X?

lt's not even an X. lt's a blank|until we fill in X with a figure.

That's right, it's a blank.

l'm not complaining.|We have to do the right thing.

But when you say it like that, it sounds|like a lot. l have limited capital, you know.

Do you have unlimited capital?

l wish l did. l'd give Mel|X number of dollars in a minute.

Forget X!

Forget l ever mentioned X.

The biggest expense|is gonna be the doctor, right?

You mean a fancy psychiatrist.

l'm beginning to see what X|is gonna come to.

Maybe it's not even|a nervous breakdown.

Doctors can be wrong too.

They took out all my top teeth,|then found out it was kidney stones.

Correct me if l'm wrong,|but when Mel was a tiny baby...

...didn't you think his head|was too large for his body?

Mel? Mel had a beautiful head.

l'm not saying it wasn't.|l'm saying it was too large for his body.

lt always kept falling over to one side.

l can't believe what l'm listening to.

You're 1 1 3 years old|between the two of you...

...and neither one of you|makes any sense!

Let's go to Edna's, please!

Gotta get this settled before we go up.|We've all got to agree.

Now, the most important thing|is that Mel gets well. Agreed?

Agreed.

The only way he's gonna get well is|he doesn't worry about doctor bills. Agreed?

-Agreed.|-We see this to the end...

...if it takes a week, a month, a year|or even five years. Agreed?

Okay, we got a disagreement.

Now, Edna, dear...

...we know it's gonna take time|and it's gonna take money...

-...and that's why we're here.|-And l really appreciate your coming.

lt's all right, just tell us how much|you think the bills will come to.

That's very generous, but l couldn't|let you. Mel wouldn't let me.

Don't be ridiculous.|Where are you gonna get money, a bank?

You can't put up a nervous breakdown|as collateral.

But l have no idea how long|Mel will be in treatment.

l mean, it may run as high|as $20-25,000.

-Can l say something to you in private?|-We don't need any private discussions.

Just found out what X is.

Now, look, you and Pearl can put up|whatever you think you can afford!

l'll make up the deficit!|lf it's 1 5, if it's 20, if it's 25,000...

...l'll see that it's taken care of as long|as Mel gets the best medical treatment.

That's all l'm gonna say.

l'm speechless.

-l don't know what to say.|-Nothing. You don't say nothing.

We just wanna do the right thing.

l know none of us have been very close|the last few years.

Nine. Nine years was the last time|we were invited.

-Has it been that long?|-Nine.

Well, l suppose it's been my fault.

Anyway, l appreciate this|more than you can imagine...

-...but we really don't need it.|-Of course you need it, don't be ridiculous.

No, over the years we've managed|to save something.

-And l have jewelry l can sell.|-You're not selling your jewelry.

Maybe she doesn't wear it anymore.|Let the woman talk.

Mel can cash in his insurance policy,|and l have my job.

l can manage whatever|the medical expenses come to.

But if you really wanna help...

...what l'm worried about|is Mel's future.

We all are, darling.

lt isn't easy for a man Mel's age|to get a job, start all over again.

lf he knew lighting fixtures,|l'd take him in a minute.

Certainly, my God.

lf he could get out of New York|and move to the country somewhere...

-...he'd be 1 00% better off.|-l agree with you 1 000%.

l was thinking of a summer camp.|Mel is so wonderful with kids and sports.

There's a lovely place in Vermont|that's for sale.

We could have it for next summer.

Don't you think Mel|would be better off there?

Again, 1 000%.

They want $25,000 down.

So instead of giving it to us for the doctor,|will you lend it to us for the camp?

-$25,000 for a summer camp.|-The price is 1 00,000.

A hundred--?

A hundred thousand dollars|for a summer camp?

Run by a man that far away|from a nervous breakdown?

lt'll take him till August to figure out|how to blow up the volleyball!

l thought you wanted|to do something, help him.

-We do wanna help him!|-Then help him!

Not when he's sick.|When he's better, we'll help him.

ls that how the rest of you feel?|Do you both agree with Harry?

l'm not familiar with Vermont.

l'd have to go up and see it first...

...but l can't travel with my leg.

All right, forget it.

Forget the money. We don't need it.|We'll do without it very nicely, thank you.

l'm surprised you even offered.

lt's good to know that the minute|Mel is completely recovered...

...that l can count on you for help!|That's just when we'll need it!

Please excuse me,|l have to get back to the office.

And in case l don't see you for another nine|years, l'll get you some homemade cookies!

Mel made them.

Hello, darling. How did it go?

Fine. We had a good session today.

Could l have some water?|My mouth is very dry from the pills.

-Of course. Sit down. Did you walk home?|-l walked home.

-l had a nice walk. Hello, Harry.|-Hello, Mel.

-How you feeling?|-My mouth's a little dry.

Rate this script:2.3 / 3 votes

Neil Simon

Marvin Neil Simon (born July 4, 1927) credited as Neil Simon, is an American playwright, screenwriter and author. He wrote more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer.Simon grew up in New York City during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood. He often took refuge in movie theaters where he enjoyed watching the early comedians like Charlie Chaplin. After a few years in the Army Air Force Reserve, and after graduating from high school, he began writing comedy scripts for radio and some popular early television shows. Among them were Sid Caesar's Your Show of Shows from 1950 (where he worked alongside other young writers including Carl Reiner, Mel Brooks and Selma Diamond), and The Phil Silvers Show, which ran from 1955 to 1959. He began writing his own plays beginning with Come Blow Your Horn (1961), which took him three years to complete and ran for 678 performances on Broadway. It was followed by two more successful plays, Barefoot in the Park (1963) and The Odd Couple (1965), for which he won a Tony Award. It made him a national celebrity and "the hottest new playwright on Broadway." During the 1960s to 1980s, he wrote both original screenplays and stage plays, with some films actually based on his plays. His style ranged from romantic comedy to farce to more serious dramatic comedy. Overall, he has garnered 17 Tony nominations and won three. During one season, he had four successful plays running on Broadway at the same time, and in 1983 became the only living playwright to have a New York theatre, the Neil Simon Theatre, named in his honor. more…

All Neil Simon scripts | Neil Simon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Prisoner of Second Avenue" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/the_prisoner_of_second_avenue_16256>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Prisoner of Second Avenue

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "parenthetical" refer to in screenwriting?
    A An instruction for how dialogue should be delivered
    B A scene transition
    C A character's inner thoughts
    D A description of the setting