The Romantics Page #4
- Do it again.
- I don't wanna do it again because...
- Just do it one more time.
- You won't be as impressed anymore.
- That is so cool.
Hey, hey, hey, Laura!
I should go and let
everyone know that you're OK.
Laura, just come here
for a minute. Just come here.
- We've been really worried about you.
- Please, just...
Don't go.
Nobody knows that I'm out here.
Exactly.
Yeah, nobody knows
that you're out here.
What's your point?
I don't... maybe we can
just hang out for a minute.
Nobody's gonna know the difference.
Why are you here?
I don't know. Just thought that I would
at the chance
to be alone with you.
- You're so full of it.
- I'm totally serious.
So, you excited about tomorrow?
Yeah.
- What's your song?
- My song?
Your wedding song?
Your first dance at your wedding.
I don't know. Lila picked it.
Well, you're gonna have to
dance anyway. You realize this.
- And everyone will be watching.
- Yeah, well, I can hold my own.
- Yeah?
- Yeah.
- Well, let's see it.
- Well...
You...
OK.
No.
- No?
- No.
Maybe you should show me.
You're gonna teach me something.
Come on.
So, what do I do?
Try not to step on her feet.
Yeah, might annoy Augusta a little bit.
And try not to let her lead too much.
You don't want to make it obvious.
OK.
I owe you an apology.
It's OK, let's not talk about it.
So, you...
You forgive me?
I wouldn't push your luck.
You know, a heads up
would've been nice.
You know, nothing...
Nothing major, just...
Just a quick email.
You know, ''Hey, Laura.
I know I saw you last night
and countless others
over the last ten years,
and not excluding the four years
we dated in college
and the year that we got back together
to try again and the handful of times
that we've slept together since...
...but you know that
Lila and I are together now.
And though I've struggled
endlessly with this predicament,
I think we both know the inevitable
here, so don't be surprised
when she calls and asks you
to be her maid of honor.''
Or, you know what?
This is another approach:
Less direct, but same effect.
''Hey, Laura.
Great seeing you last night.
Great movie, great meal,
great sex, but the problem is...
...greatness makes me sick.
I'll see you at the wedding.''
You know, on the other hand, I mean...
Look, ten years of
a loving friendship and...
...sporadic, incredible sex...
...scattered with nights...
...so fun, they explain the
evolutionary purpose of talking.
You know, not to mention
the time that we've clocked together.
Listening to music.
You know, driving with...
...no destination.
I guess this, this...
...beautiful mess is best ended
without notification.
Probably better.
I'm sorry.
Don't be. It was a gift.
An act of cowardice so complete,
disqualifies a person
from consideration.
I tried to do
what I thought was right, OK?
It's not like I came at this lightly.
- Oh, no.
- Laura.
You're the one that broke up with me.
F*** you.
- Laura, we were seniors in college.
- Don't even start.
What did you want to do?
Get married at 21 ?
- What is this, 1 950?
- No, it isn't.
We were too far apart.
I was busy trying
to finish my dissertation,
practically living in Widener Library.
in New York City,
probably fending off
all your hipster boyfriends.
Oh, yeah. You know,
try to think of something
a little more original.
- We gave it a college try.
- Yeah, we did.
It was an accident of timing.
What? Let me guess.
Your proposal was an accident, too?
You got the wrong woman?
- Give me a freaking break.
- You know what?
What difference does it make?
Just stop talking.
Yeah, you know, I think that
would be a really good idea.
Come here. Listen to me.
I was a lifeguard in high school,
you remember that?
- Yeah, I remember.
- It was my favorite summer job.
You and every other guy in America.
I would sit in that chair itching,
itching to get out,
dying to get into the water.
and I would make a break for it,
but as soon as I got into the water,
Ambivalence is a disease, you know.
- That's not funny.
Let me guess. When you were a kid,
you would order chocolate ice cream,
then immediately wished
you'd gotten vanilla?
- That's not what I'm talking about.
- No, I get it.
- You're torn between two women.
- What I'm trying to say is...
I'm afraid of the ocean.
I'll remember that the next time I...
...I swim on your clock.
You think you have
some kind of a special gift
- for knowing what's in my heart, Laura?
- No!
No, I think we both do for each other.
Has it ever occurred to you
that I might need a woman like Lila?
- And what kind of woman is that?
- I don't know. Somebody happy.
- Meaning numb?
- Somebody practical.
- Meaning busy.
- Somebody confident.
- Meaning rich. Meaning frigid!
- Somebody stable.
Somebody who doesn't
- just to build herself back up.
- ln other words, your polar opposite.
- Yeah. Yeah, maybe.
- Well, haven't you heard?
Opposites attract and then
they bore each other to death.
You know, boring is
better than maddening.
I'd rather die of excitement.
- Hey.
- What?
Hey, hey! Hey!
Do you remember that paper,
junior year?
Yeah. Of course.
The Hopeless Romantics:
Misconceptions of a Movement.
50-page paper the night before...
- And still get an A-minus.
Ode to a Nightingale:
A love song to inspiration.
The Romantics weren't
writing about love,
they were writing about religion.
Then I'm not sure
I know the difference.
''Forlorn.
The very word is like a bell tolling
me back from thee to my sole self.''
What's the next line?
I can't remember.
Liar.
Anybody can make a big
romantic gesture, all right?
The question is:
What happens after?
Do you remember?
Do you remember
what you said to me that night?
- Yeah, I remember everything.
- So what'd you say?
- I said it was the perfect night.
- You said it was the perfect night.
- So?
- So? How do I top that?
- We had so much fun.
- We had so much fun.
So what's the problem with that?
had one of these amazing nights,
I would wake up the next morning
in a freaking panic.
So why don't we just spare each other
a mundane life
of crushing disappointment,
and just do it with somebody else.
That is the weakest excuse
I have ever heard.
- Just say you're in love with Lila.
- Say what?
Want me to say
that I want to marry you?
That I'm gonna spend the next 50 years
regretting this very moment?
You inspired me.
You inspired me, too.
Then we were supposed to be together.
I know.
I'm gonna go and I'm gonna...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Romantics" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/the_romantics_21223>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In