The Runaways Page #5

Synopsis: In 1975, San Fernando Valley teen Joan Larkin reinvents herself as Joan Jett, a guitarist who wants to form an all-girl punk band. She pitches the idea to a sleazy manager, Kim Fowley, who pairs her with a drummer and then searches for a face: he finds Cherie Currie, at age 15, the perfect jailbait image for his purpose; by luck, she can sing. Two others round out the band, The Runaways. Fowley books a tour, signs them to Mercury Records, and packs them off to crowds in Japan. Seeds of conflict sprout early: Fowley puts Cherie front and center in the publicity, she's soon strung out on drugs and vodka, and jealousies arise. Without adult supervision, where can Joan and Cherie end up?
Director(s): Floria Sigismondi
Production: Apparition
  6 nominations.
 
IMDB:
6.6
Metacritic:
65
Rotten Tomatoes:
69%
R
Year:
2010
106 min
£3,600,000
Website
1,265 Views


Robin Robins, the brainy brainiac

who's rolling thunder on the bass.

411

00:
34:54,551 -- 00:34:58,012

It's incredible.

When do you need the press kits by?

412

00:
34:58,722 -- 00:35:00,556

Oh, no problem.

413

00:
35:00,724 -- 00:35:02,850

-l'll have it to you then.

-Hey.

414

00:
35:07,355 -- 00:35:08,773

Cops!

415

00:
35:08,940 -- 00:35:10,983

Oh, sh*t. The cops? Let's split.

416

00:
35:11,151 -- 00:35:12,777

-Hey.

-l gotta go.

417

00:
35:12,944 -- 00:35:16,697

Come on. Hey, Terri, wake up.

The cops are here.

418

00:
35:17,741 -- 00:35:19,867

-Sh*t, the cops. Let's go!

-Holy sh*t.

419

00:
35:20,035 -- 00:35:22,369

Come on. F***.

420

00:
35:23,663 -- 00:35:25,831

Hey. F***ing hecklers drill

really worked.

421

00:
35:25,999 -- 00:35:28,751

This girl threw a bottle at my face,

smashed it back at her.

422

00:
35:28,919 -- 00:35:32,463

You did the death dance in there. You

showed those punks how to cockfight.

423

00:
35:32,631 -- 00:35:34,381

Did you get the money

for the concert?

424

00:
35:34,549 -- 00:35:36,008

-No, you played for free.

-What?

425

00:
35:36,176 -- 00:35:38,135

Takes money

to make money in this business.

426

00:
35:38,303 -- 00:35:40,888

-Wanna play living rooms or stadiums?

-Stadiums.

427

00:
35:41,056 -- 00:35:44,016

I racked up their phone bill

booking your tour overseas.

428

00:
35:44,184 -- 00:35:45,559

-Overseas, really?

-Yeah. Easy.

429

00:
35:45,727 -- 00:35:49,396

You gotta pay your dues first here on

the road in a van, then come thejets.

430

00:
35:49,564 -- 00:35:50,940

-When?

-l don't go on the road.

431

00:
35:51,107 -- 00:35:53,734

I'll talk to your keepers. Scatter!

432

00:
35:58,573 -- 00:36:00,366

This.

433

00:
36:02,077 -- 00:36:04,578

-Can l take this?

-No.

434

00:
36:06,081 -- 00:36:07,081

It's my favorite.

435

00:
36:07,249 -- 00:36:08,958

When was the last time

you wore this?

436

00:
36:09,125 -- 00:36:11,418

Exactly.

I save it for special occasions.

437

00:
36:13,046 -- 00:36:15,464

It's not like you're playing

the Shrine Auditorium.

438

00:
36:19,135 -- 00:36:20,886

Forget it.

439

00:
36:47,122 -- 00:36:48,998

Bye, Grandma.

440

00:
36:54,296 -- 00:36:56,463

What's wrong?

441

00:
36:56,631 -- 00:37:00,009

Yourfather.

He didn't come home last night.

442

00:
37:00,176 -- 00:37:01,635

Oh, well...

443

00:
37:01,803 -- 00:37:04,555

...he's a big boy,

I'm sure he'll be okay.

444

00:
37:05,056 -- 00:37:07,808

I'll call when l get to a pay phone,

okay?

445

00:
37:21,489 -- 00:37:23,824

-l love you.

-Don't forget the little people.

446

00:
37:23,992 -- 00:37:25,701

You're taller.

447

00:
37:25,994 -- 00:37:27,077

-Hey.

-Hey.

448

00:
37:27,245 -- 00:37:28,829

-Scottie, I'm your roadie.

-Cherie.

449

00:
37:28,997 -- 00:37:30,456

Nice to meet you.

450

00:
37:30,624 -- 00:37:31,874

Thanks.

451

00:
37:32,042 -- 00:37:34,919

-Take care of my sister, okay?

-Yeah, you bet.

452

00:
37:36,504 -- 00:37:37,922

Dad?

453

00:
37:40,008 -- 00:37:41,842

-Dad!

-What's wrong?

454

00:
37:42,427 -- 00:37:43,510

Dad?

455

00:
37:43,678 -- 00:37:44,803

What happened?

456

00:
37:44,971 -- 00:37:47,348

Dad, are you okay?

457

00:
37:48,850 -- 00:37:50,351

Dad?

458

00:
37:53,688 -- 00:37:55,272

Is he dead?

459

00:
37:55,440 -- 00:37:57,232

He's passed out.

460

00:
37:57,692 -- 00:38:00,152

Let's go! We gotta hit the road!

461

00:
38:01,696 -- 00:38:03,530

Go. l got it.

462

00:
38:03,698 -- 00:38:05,366

Are you sure?

463

00:
38:11,373 -- 00:38:13,332

Thanks, Marie. l owe you.

464

00:
38:13,500 -- 00:38:15,918

Yeah. Call, okay?

465

00:
38:50,578 -- 00:38:52,454

Stop it.

466

00:
38:52,622 -- 00:38:54,581

Are we there yet?

467

00:
38:55,834 -- 00:38:58,085

How much longer?

468

00:
39:27,449 -- 00:39:29,533

What the f***?

469

00:
39:29,701 -- 00:39:31,660

What, we're supposed to

share two beds?

470

00:
39:31,828 -- 00:39:33,871

I thought we were getting

another room?

471

00:
39:34,039 -- 00:39:35,539

F***ing Kim, man.

472

00:
39:35,707 -- 00:39:39,626

Hey, look, guys, ifyou need

an extra bed, I'm right down the hall.

473

00:
39:53,141 -- 00:39:55,184

I gotta make a call.

474

00:
40:09,574 -- 00:40:11,492

No. No!

475

00:
40:11,659 -- 00:40:12,868

No!

476

00:
40:13,036 -- 00:40:15,496

-Hey, Robin, come here.

-What?

477

00:
40:23,838 -- 00:40:25,672

It's great.

We each have our own room...

478

00:
40:25,840 -- 00:40:28,258

...and there's a pool with a waterfall

and a wet bar.

479

00:
40:28,760 -- 00:40:31,261

-l wish l was there.

-Yeah, me too.

480

00:
40:31,429 -- 00:40:34,431

-Next time for sure. l promise, okay?

-Okay.

481

00:
40:35,642 -- 00:40:37,518

Did everything go well after l left?

482

00:
40:37,977 -- 00:40:41,021

Grandma Oni keeps asking

if Dad's full of dope.

483

00:
40:41,564 -- 00:40:43,941

-He looks better.

-Okay.

484

00:
40:44,109 -- 00:40:45,901

Cherie, get in. What are you doing?

485

00:
40:46,069 -- 00:40:48,153

They're calling me,

so l'm gonna go practice.

486

00:
40:48,321 -- 00:40:50,447

-But l'll talk to you soon.

-Get offthe phone!

487

00:
40:50,615 -- 00:40:52,658

All right. Bye.

488

00:
41:04,587 -- 00:41:07,047

Open up, you filthy varmint.

489

00:
41:12,345 -- 00:41:15,889

This is compliments

ofyour non-alcoholic father.

490

00:
41:20,812 -- 00:41:22,396

How's he doing?

491

00:
41:22,564 -- 00:41:24,231

He's okay.

492

00:
41:28,570 -- 00:41:30,737

It's still not working.

493

00:
41:30,905 -- 00:41:33,282

D*cks aren't even hard.

494

00:
41:34,367 -- 00:41:36,577

-You rubbing?

-Yeah.

495

00:
41:38,329 -- 00:41:39,830

I think I'm doing it wrong.

496

00:
41:39,998 -- 00:41:41,582

Try using the showerhead.

497

00:
41:42,083 -- 00:41:45,502

Now, think about someone

you have a crush on.

498

00:
41:50,508 -- 00:41:52,509

It's still not working.

499

00:
41:55,597 -- 00:41:58,682

How about Farrah Fawcett?

You like her?

500

00:
41:59,225 -- 00:42:00,893

Yeah, who doesn't?

501

00:
42:04,439 -- 00:42:05,939

Wait, l think I feel something.

502

00:
42:14,616 -- 00:42:17,117

Oh, sh*t.

503

00:
42:18,536 -- 00:42:21,079

Check. Check. One.

504

00:
42:44,812 -- 00:42:46,313

What the f***? Plug me back in.

505

00:
42:46,481 -- 00:42:49,942

Watch your mouth, kid, or we'll have

to turn you over to Child Services.

506

00:
42:50,109 -- 00:42:52,361

F*** you, old man.

507

00:
42:53,321 -- 00:42:56,406

Hey, what's your f***ing problem,

man?

508

00:
42:56,574 -- 00:42:58,450

What's your f***ing problem, man?

509

00:
42:58,618 -- 00:43:00,410

Hey, hey, l wouldn't.

510

00:
43:00,578 -- 00:43:02,829

-lt's a lose-lose situation.

-How's that?

511

00:
43:02,997 -- 00:43:06,416

Well, ifyou win, you beat up a girl.

Ifyou lose, you get beat up by two.

512

00:
43:06,584 -- 00:43:08,502

Teenage ones.

513

00:
43:09,087 -- 00:43:10,921

All right, sound check is canceled.

514

00:
43:11,089 -- 00:43:13,006

Maybe ifyou ever headline

you'll get one.

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Floria Sigismondi

Floria Sigismondi is an Italian-Canadian photographer and director. She is best known for writing and directing The Runaways, starring Kristen Stewart and Dakota Fanning as well as directing music videos for Justin Timberlake, Rihanna, The White Stripes, David Bowie, Pink, Marilyn Manson, Katy Perry, Björk, The Cure, Christina Aguilera, Ellie Goulding, Fiona Apple, Sigur Rós, Muse, Interpol, Leonard Cohen, The Dead Weather, Alice Glass and Perfume Genius, as well as commercials for Gucci, MAC, Target, Samsung, Absolut Vodka, Old Navy, Motorola, Adidas, Thierry Mugler and Eaton's. more…

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Submitted on August 05, 2018

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