Topsy-Turvy Page #10

Synopsis: After their production "Princess Ida" meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to "The Mikado," one of the duo's greatest successes.
Director(s): Mike Leigh
Production: October Films
  Won 2 Oscars. Another 11 wins & 27 nominations.
 
IMDB:
7.4
Metacritic:
90
Rotten Tomatoes:
89%
R
Year:
1999
154 min
Website
863 Views


But condemned to die is he,

Wretched meritorious B.

Mikado leads Katisha off.

Off, up the stairs...

Thus... the traditional Japanese posture...

...as adopted by well-meaning | but misguided underlings...

...upon the departure | of their august superiors.

- Thank you. | - Is that a recognised Japanese attitude?

Not as yet, Grossmith. But I have every | confidence that it will become one.

Much obliged.

I'm sure I've seen this | on a vase somewhere.

Jessie.

Thank you, Mr Gilbert.

Ha! A pretty picture! Eh, Seymour?

Charming, sir.

The Mikado has left. Grossmith.

Well... | another fine mess you've got us into.

No! My line is, | 'A nice mess you've got us into.'

And I should be much obliged | if you would play it "comme a".

Well... a nice mess you've got us into.

Righto, sir.

- Well... | - No! Well...

Well...

...a nice mess you've got us into...

...with your nodding head and | the deference due to a man of pedigree.

Mr Grossmith, | you are under sentence of death...

...by something lingering.

Either boiling oil or melted lead.

Kindly bear that in mind. Thank you.

Well, a nice mess you've got us into...

...with your nodding head and | the deference due to a man of pedigree.

Merely corroborative detail...

...intended to give artistic verisimilitude...

...to a bald and unconvincing narrative.

No, Barrington. An "otherwise" bald | and unconvincing narrative.

Was that incorrect? I do beg your pardon.

No, sir. It has only just occurred to me.

Oh! To an otherwise bald | and unconvincing narrative.

- Much better. | - Corrobatative detail indeed!

- Corroborative detail. | - Corrobatative.

- Corroborative. | - Corroborative.

- Corroborative. | - Corroborative.

Thank you.

Splendid!

Corroborative detail indeed!

Corroborative fiddlestick!

And "you're" just as bad as he is...

...with your cock-and-bull stories. | - Cock and "a" bull.

Cock and a bull about catching his eye.

- Line? | - And his whistling an air.

- And his whistling hair!

- Boiling oil, Grossmith. Melted lead. | - Beg pardon, sir.

About catching his eye, | and his whistling an air.

But that's so like you! | You must stick your oar in.

- You must put in your oar. | - Over again.

And "you're" just as bad as he is...

...with your cock-and-a-bull stories | about catching his eye...

...and his whistling an air.

But that's so like you. | You must put your oar in.

- You must put in your oar. | - Over again.

You're just as bad as he is, | with your cock-and-a-bull stories...

...about catching his eye | and his whistling an air!

But that's so like you. | You must put in your oar!

- But how about your big right arm? | - Yes, and your snickersnee.

Well, well, never mind that now.

There's only one thing to be done. | Nanki-Poo hasn't started yet.

He must come to life again at once!

Appear! Appear!

- # Appear!

Yes, now. Since Nanki-Poo | and Yum-Yum have decided...

...not to grace us with their presence...

...it would transpire, Mr Seymour, that | your moment of glory has finally arrived.

On your feet, slopkins!

Whence would you like us | both to enter, sir?

The honeymoon couple appear | at the upstage right entrance...

...travelling in a westerly direction | towards Knightsbridge.

But your journey is interrupted | by Mr Grossmith.

- Mr Gilbert. | - Jessie.

- Might I use my stick? | - By all means. Are you troubled?

I'm quite all right, thank you.

- Well, well. | - Well, well.

Well, well, never mind that now!

There's only one thing to be done.

Nanki-Poo hasn't started yet.

He must come to life again... at once!

- Here he comes.

'Ere... Nanki-Poo!

I've good news for you. You're reprieved.

I beg your pardon, Mr Gilbert. | I have failed to provide a valise.

Indeed, Seymour. And you have also | failed to provide two actors.

Pray continue.

Oh! But it's too late!

- I'm a dead man and I'm off...

...for my honeymoon.

Uncanny, is it not?

Mr Seymour, please inform Mr Lely that | his services will no longer be required.

Thank you very much, sir.

Nonsense!

A terrible thing has 'appened. | You're the son of the Mikado!

A terrible thing "has" happened! | You've become a cockney!

I thought one would suggest | something of his lowly station...

...being a cheap tailor and all.

Rubbish! We're in Japan, | not Stepney or Bow. Do it properly.

Oh. Very well.

Nonsense. A terrible thing has happened. | It seems you're the son of the Mikado.

Yes! But that happened some time ago.

Is this a time for airy persiflidge?

Persiflage, Grossmith.

- Is it? | - It is.

Is this a time for airy persiflage?

Doesn't sound right to me.

Persiflage, mirage, fromage.

- Decoupage. | - Exactly.

Your father is here...

...and with Ka-tisha.

- Katisha. | - It amuses me to say Ka-tisha.

It doesn't amuse me, Grossmith. | Nor does it scan.

My father? And with Katisha?!

Yes, he wants you particularly.

So does she.

- Ooh, but he's married now!

But bless my heart, | what has that to do with it?

Katisha claims me in marriage, but I can't | marry her because I'm married already.

Consequently, | she will insist on my execution...

...and if I'm executed, | my wife will have to be buried alive.

You see our difficulty.

- Yes, I don't know what's to be done. | - Make as to leave. Stop him.

There's one chance for you.

If you could persuade | Katisha to marry you...

...she would have no further claim on me.

And in that case, I could come to life | without any fear of being put to death.

I? Marry Katisha?

I really think it's the only course.

My good girl, have you seen her? | She's something awful.

- Appalling. | - Something appalling.

Ah... that's only her "face".

Ah, that's "only" her face.

She has a left elbow | which people come miles to see.

I'm told her right heeeeel | is much admired by connoisseuuuurs.

Could we do that line again, Barrington? | This time, try it in English.

I'm told her right heel | is much admired by connoisseurs.

That better, sir?

Marginally.

My good sir, I decline to pin my heart | upon any lady's right heel.

Make as to leave.

Stop him.

It comes to this. While Katisha is single, | I prefer to be a disembodied spirit.

When Katisha is married...

...existence will be as welcome | as the flowers in spring.

Tra la.

Very good. Over again, if you please.

- And!

Thank you, gentlemen.

Not surprisingly...

...we were somewhat foxed | by the abbreviated, er... restatement.

Er... letter A.

Discord bordering on cacophony. | Second fiddles?

- Indeed, Sir Arthur. | - My mistake. I do beg your pardon.

- My error, sir. | - I suspect we were a trifle early.

Indeed you were, Mr Harris. | And more than a trifle.

I really don't mind whose mistake...

...it was, Mr Plank, | as long as it doesn't happen again.

The entry is on the third beat of the bar, | not the first. I think that's quite clear.

- Yes, sir. | - It is, sir, yes.

Very good.

And now, we return to Mr Hurley.

- Good morning, Mr Hurley! | - Good morning, Doctor Sullivan.

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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Submitted on August 05, 2018

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