War of the Buttons Page #4

Synopsis: The children of Ballydowse & Carrickdowse engage in battles in which they cut off the buttons, shoe-laces, belts and braces of their captured opponents. This gets their opponents in trouble with parents. They go to battle in mass groups of dozens, wielding sticks & slingshots. It's a battle of strategic skills for the opposing leaders, Including one scene in which the principal gang uses an ancient war trick to overcome their opponents with successful and itchy results.
Director(s): John Roberts
Production: Warner Home Video
  2 nominations.
 
IMDB:
7.5
PG
Year:
1994
94 min
569 Views


(All shouting)

Just bugger off, the lot of you.

What`s up with you?

One pound a week, that`s what.

Where am I gonna get a pound from?

Where are we all?

We`re all in the same boat.

- A republic, yeah.

- We`re all not equal.

Some has money and some don`t,

and I don`t.

I got none.

- Me neither.

- I get a bit on Saturdays.

OK.

Stand over there,

all those who have money.

Those who don`t,

join Little Con in the jacks.

Why should the poor

stand in the toilets?

Just because we`re broke, it`s not fair.

This isn`t equality,

it`s shaming those that have nothing.

All right, then, swap over.

Those who can pay, stand in there.

You`re jokin`. I`m not paying good money

to stand in the toilets. Forget it.

He`s right. We can`t all be equal

if some pay and some don`t.

- Exactly.

- We`re all equal if no one pays.

- (All) Yeah.

- No.

- Only when everybody pays the same.

- (All) Yeah.

Boffin, what`s equality?

Having identical privileges, rights and

status in the eyes of society and the law.

Like the Amish in America...

OK!

Forget what you`ve got in your pockets now,

that doesn`t count.

We don`t use it for the war,

it`s for our own things.

I have nothing anyway.

Me neither, but we`ve got to find ways

to make money.

Money for all of us to buy buttons

and things for the war.

Boffin, is that equality?

- Yeah, that`s equality.

- (All) Yeah.

And all the stuff, when we get it,

where we gonna keep it?

In our HQ.

- What`s an HQ?

- (Bell)

(All laugh)

Ready?

Watch your backs.

- Where will I put this?

- On the roof.

And make sure there`s no leaks.

- l`m off on my rounds now, good luck.

- Good luck.

How many buckets?

Two and a bit.

Two buckets, that`s two pounds,

and a bit, 20p.

That`s 2.20.

- Good luck.

- See you.

Where`s he going?

(Mooing)

- How many have you got?

- We can`t find none.

What do you mean?

There was loads when I passed here

this morning.

That was this morning.

What do you think they`re eating - celery?

You have to be up at the crack of dawn

to beat them lot.

Then get up.

Fergus`ll want some tomorrow, or else.

- Fox!

- A fox?

They`re worth a fortune.

A fox! A fox!

Fergus can go to hell.

Aren`t I up at the crack already,

milking our cows?

It`s Sunday tomorrow.

Tell that to the flippin` cows!

I can`t find them on my own.

Fergus, Fergus,

the boys are after a fox.

Get after it quick.

See where it goes to ground.

(All shouting)

Here, I got him here!

Right, we`ll smoke him out.

Boffin, get some dry grass.

Pat, Con, get a long stick.

- Little Con, bark.

- What?

Bark like a dog. You too, Tich,

down the hole.

(Both bark)

Boys, out the way.

Down, Boffin, quick.

- Yeah!

- Keep on poking back, keep on poking.

- Come on, Pat!

- Go on!

I can feel it moving.

- (All) Yeah!

- Go on, Pat!

Take it out!

It`s here.

- Ahh!

- (All cheer)

- (Thud)

- (All stop cheering)

It`s OK, it`s dead.

It`s a male.

Dammit.

Only half the price.

Pigs.

You pigs.

He was beautiful

and you killed him for money.

They`re killers, they all are.

They kill for the fun of it.

Yeah, like you did, all of you.

Fishy!

What happened?

Geronimo, he said

I looked too pleased with myself.

Who was supposed to be with him?

Where were you, Riley?

There wasn`t any mushrooms.

The cattle had eaten them all.

You did good, Fishy. Thanks.

- (Backfire)

- (She gasps)

Sorry, Marie.

The devil himselfs in me motor.

I`d be better off driving

the entire contraption into the sea.

It`s OK, Mr Riley. No harm done.

If we have a table here

we can all get round,

- for war councils and that.

- (All) Yeah.

Where will we get a table?

We`ll make it -

planks, a few bricks, easy.

Yeah, and an old tablecloth on it,

it`ll look great.

What`ll we sit on?

- Our bums. What do you think?

- (Laughter)

What we need is bits and pieces,

to make the place feel like a real HQ.

We`ve an old clock in the shed.

Doesn`t go, but it`ll look good.

We got a picture of Mummy and Daddy

when they got married.

- No, we don`t!

- Yes, we do, above...

We don`t want that.

This is our place, no adults.

- (All) Yeah.

- Right, a place for the treasure.

Didn`t I tell you our Marie was great?

(All cheer)

Right, nobody touch anything

till Boffin`s made a list.

- An inventory.

- That.

- (Laughter)

- Let`s have a look first.

No!

Riley, you don`t touch, you don`t see.

You did nothing for it,

so you get nothing from it.

How much did he cost us?

2.50 easy.

- Right, lads, take him outside.

- What?

Come back when you`ve earned your bit.

This isn`t a democracy.

This isn`t a republic.

- Get lost!

- Go home, Riley.

Clear off.

The whole lot of you can go to hell.

- Long live the King.

- lt`s a queen nowadays, you moron.

Then God save the Queen.

Balls to Ballydowse.

(All shout and jeer)

- What`s he done?

- Nothing, that`s just the point.

Yeah, except he let Fishy get bashed

by the Carricks.

Aye, but don`t worry, Fishy,

we`ll get `em back, won`t we?

(All) Yeah!

(Shouting)

Take aim.

(All shouting)

Fire!

Take aim.

Fire.

Aargh!

Fall back! Fall back.

Take aim.

Fire.

(Screaming)

Hold it, wait.

They`re surrendering.

Don`t you believe it.

What`s your game?

Truce.

We`ve a casualty here.

It`s a trap.

It must be.

Shut up.

OK, bring him out.

- A truce?

- A truce.

See what your flamin` catapults did.

One of you monkeys fired a stone.

- lt`s maybe broken its leg.

- You broke it, you mean.

- We don`t fire at rabbits.

- Only at you mockheads.

- We`ll make him a splint.

- Do you know how?

I did it on a pup once.

He`s young, he`s got a good chance.

Be great if you could.

- Cut me a twig.

- Billy.

- Wanna use my laces?

- No, yours are leather, mine`s string.

Riley? What are you doing here?

I thought Fergus kicked you out.

No, it`s OK, he let me back in.

I was in the fight, but I hurt my leg.

He sent me back to get it looked at.

- Looked at?

- Yeah, l`m injured.

OK. Sit down,

l`ll have a look at it for you.

Now, where does it hurt?

Me ankle.

It`s great being here on our own,

isn`t it, Marie?

- Go on, get out, Riley.

- Why, what`s wrong?

You`re not injured, you`re just a big kid.

Big kid?

And what`s Fergus and the rest, eh?

Playing house like a pack of girls.

Get out of my sight, you`re pathetic.

- You`ll look pathetic when I tell the master.

- You wouldn`t dare.

We`ll see.

Get out!

OK, what now?

What`s the time?

It`s ten past eight.

It`s a bit late.

We ought to be getting back.

Right, lads, back off,

but keep your guard up,

we don`t trust this lot an inch.

What was that? Was it us

waving the white flag, surrendering?

It was a truce, muttonhead.

Watch `em.

A truce? You`re all talk. What`s up,

scared of another hammering?

Funny, I can`t remember the first one.

(All laugh)

Yeah, and how about your da?

Maybe you`re scared he`ll give you one

when I send you home in shreds.

What was that?

Right, we`ll sort this out once and for all.

Saturday,

and this time to the bloody death.

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Louis Pergaud

Louis Pergaud (22 January 1882 – 8 April 1915) was a French writer and soldier, whose principal works were known as "Animal Stories" due to his featuring animals of the Franche-Comté in lead roles. His most notable work was the novel La Guerre des boutons (1912) (English: The War of the Buttons). It has been reprinted more than 30 times, and is included on the French high-school curriculum.A schoolteacher by profession, Pergaud came into conflict with Roman Catholic authorities over the implementation of the Third French Republic's separation of Church and State enacted in 1905. In 1907 Pergaud chose to move to Paris to pursue his literary career. Pergaud's prose works are often considered to reflect the influences of Realist, Decadent and Symbolist movements. He was killed at age 33 in April 1915, by French fire while in a field hospital behind German lines; he was serving with the French Army near Marchéville-en-Woëvre during the First World War. The War of the Buttons has been adapted five times as a film, four times in French productions and once in an Irish one. It was adapted most recently in France in two films released the same week in September 2011. Both were set during the twentieth century. more…

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Submitted on August 05, 2018

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