Grand Beast's Scripts Collection
Here's where you can create your own personal list of scripts that you can get back to anytime — Grand Beast currently have 59 entries on its collection.
| Title | Script | Writer |
|---|---|---|
| Se7en | INT. OLD HOUSE -- DAY Sunlight comes through the soot on the windows, more brown than bright. SOMERSET, 45, stands in one corner of this small, second-story room. He looks over the ceiling... | Andrew Kevin Walker |
| Untraceable | FADE IN: INT. SUBURBAN BASEMENT -- RAINY NIGHT. . VIDEO CAMERA POV: held at hip level, jerking with each step, we move in dim light past boxes of junk...a dormant furnace . ...a rusty bicycle...she... | Allison Burnett |
| Unbroken | 1 EXT. OCEAN 1 We are panning, from high, a horizon that is water, all water, a world of water. It is softly, warmly lit. We are starting to hear the distant thrum of engines. Our high sweep of the plan... | Joel Coen |
| Up in the Air | 1. A SPOTLIGHT reveals RYAN BINGHAM standing at a PODIUM. He unzips a BACKPACK and sets it down beside him. RYAN How much does your life weigh? Ryan pauses to let us consider this. RYAN (CONT’D... | Jason Reitman |
| Blade Runner | android (an'droid) adj. Possessing human features - n. A synthetic man created from biological materials. Also called humanoid. (Late Greek androeides, manli... | Hampton Fancher |
| Blade II | EXT. COMMUNITY BLOOD BANK - NIGHT PULL BACK from a neon red cross ablaze in the cold December night to REVEAL an inner-city, store-front clinic. Trash and leaves blow ov... | David S. Goyer |
| Blade | Darkness, BLOOD-CURDLING SCREAMS. Presentation credits roll as we FADE UP ON: INT. HOSPITAL, INNER-CITY TRAUMA WARD - NIGHT It's 1967, the Summer of Love and -- BOOM! Entry doors swing open as PARAMEDICS ... | David S. Goyer |
| Blade: Trinity | FADE IN: EXT. IRAQI DESERT - DAWN Harsh sunlight beats down over a bleak, unforgiving stretch of rocky desert. Amidst this desolation rise the ruins of an ... | David S. Goyer |
| Black Swan | 1. 1 INT. DARK STAGE - NIGHT 1 OPENING CREDITS: A SPOTLIGHT slices black space. In its beam, a DANCER materializes. She is fair-skinned. Beautiful and pure. The maiden twirls on pointe, a smile on ... | Mark Heyman |
| La La Land | FADE IN... A sun-blasted sky. We HEAR radios -- one piece of music after another... We're -- 1 EXT. 101 FREEWAY - DAY Cars are at a standstill. It's a horrific traffic jam. M... | Damien Chazelle |
| Kubo and the Two Strings | KUBO AND THE TWO STRINGS 1/92 (0100 PRO) PROLOGUE BLACK A child’s whispered voice HISSES through the darkness... CHILD’S VOICE (V.O.) If you must blink, do it now! A full moon fills the s... | Marc Haimes and Chr… |
| Jurassic Park 3 | 1 EXT. PACIFIC OCEAN – DAY1 A speedboat cuts swiftly through the ocean swells beneath the looming cliffs of ISLA SORNA. 2 EXT. BOAT - DAY 2 Illegal Costa Rican parasail operator ENRIQUE CARDOSO helps Ame... | Peter Buchman |
| Jurassic Park | 1EXTJUNGLENIGHT An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from side to side, alert as hell. A legend tries to place us - - I... | Michael Crichton |
| Jaws | OVER BLACK Sounds of the innerspaces rushing forward. Then a splinter of blue light in the center of the picture. It breaks wide, showing the top and bottom a ... | Peter Benchley |
| King Kong | EXT. SKIES OVER FRANCE 1917 - DAY CAMERA drifts towards a large puffy cloud floating 6000ft above the French countryside ... ... a roar of engines - sounding like angry buzzing bees - and three ... six .... | Fran Walsh |
| Lion | EXTREME HIGH AERIAL - DAY (1987) We’re soaring - 20,000 feet above this vast island earth VERY HIGH AERIAL - DAY 15,000 feet now - we’re soaring over a dark emerald ocean - HIGH AERIAL - ABOVE IND... | Luke Davies |
| Mission: Impossible II | FADE IN: A WORN SATCHEL (MOVING - DAY) is being carried by a world weary middle European wearing a black armband. VLADIMIR NEKHORVICH exits a gleaming building, pausing for a mom... | Robert Towne |
| Mission: Impossible | INT. KIEV APARTMENT - NIGHT We're in a large closet. JACK KIEFER, an athletic American in his late thirties wearing a headset, is wedged into a corner, staring at a television screen. ... | David Koepp |
| Men in Black | EXT. ROAD - TEXAS/MEXICO BORDER - NIGHT A million stars wink in the night desert sky. Down here on earth, an insect, one of those big, beautiful, multicolored ... | Ed Solomon |
| Mad Max 2 | THE MONTAGE BLACK AND WHITE ACADEMY FORMAT la.THE WASTELAND.DAY. Flurries of dust and sand swirl around us as we move through an eerie, barren land. The only sound is the howl of a rising wind. Ahead so... | Terry Hayes |
| Pitch Perfect | OVER BLACK: We hear the sound of a pitch pipe. VOICE One, two, three, four -- As the Universal logo appears on screen, we hear Universal’s theme song sung a cappella. FADE IN: 1 INT. ... | Kay Cannon |
| Queen of the Damned | FADE IN: 1 EXT. LAFAYETTE CEMETERY (NEW ORLEANS) - NIGHT 1 An empty breeze blows across a deserted cemetery. We hear the sound of FOOTSTEPS APPROACHING, then nineteenth- century boots ENTER FRAME. We FO... | Scott Abbott |
| Rocky | INT. BLUE DOOR FIGHT CLUB - NIGHT SUPERIMPOSE OVER ACTION... "NOVEMBER 12, 1975 - PHILADELPHIA" ... The club itself resembles a large unemptied trash-can. The boxing ring is extra small to insure... | Sylvester Stallone |
| Superman | FADE IN: EXT. STREET - METROPOLIS - NIGHT CLOSE ON a crumpled piece of rubbish lying in the gutter. It is flattened by the wheel of a pushcart. CAMERA PULLS BACK: we SEE a street in a city neighborhood st... | Mario Puzo |
| Star Wars: The Force Awakens | STAR WARS: THE FORCE AWAKENS Written by Lawrence Kasdan, J.J. Ab... | Lawrence Kasdan |
| Star Wars: Episode VI - Return of the Jedi | 1 SPACE The boundless heavens serve as a back-drop for the MAIN TITLE, followed by a ROLL-UP, which crawls into infinity. Episode VI RETURN OF T... | George Lucas |
| Star Wars: Episode IV - A New Hope | STAR WARS Episode IV A NEW HOPE From the JOURNAL ... | George Lucas |
| Star Wars | ÒA long time ago, in a galaxy far, far away...Ó A vast sea of stars serves as the backdrop for the main title. War drums echo through the heavens as a rollup slowly crawls into infinity. ÒIt is a period... | George Lucas |
| Star Trek: The Motion Picture | FADE IN : 1 EXT SPACE (S) 1 An ever expanding infinity of light and color as CAMERA TRAVELS THROUGH deep space, MOVING DIREC... | Harold Livingston |
| Star Trek: Into Darkness | Star Trek Into Darkness (WILDLIFE SQUAWKING) (MAN PANTING) (NATIVES YELLING) (BEAST RISES UP OUT OF BRUSH IN FRONT OF CLOAKED AND VEILED MAN FLEEING FROM NATIVES-MAN YELLS-BEAT ROARS-MAN STUNS BEAST-SECOND... | Roberto Orci |
| Star Trek Generations | FADE IN: 1EXT. SPACE (VFX-I) 1 A vast and sparkling starfield. A pinpoint of light appears and starts moving toward the camera. A small and distant cylindrical object tumbling end over end, but we can't de... | Ronald D. Moore |
| The Nightmare Before Christmas | FADE IN: PROLOGUE CLOSE ON: AN OLD-FASHIONED CALENDAR, the kind that used to hang in offices in the forties. Each day is a tear-off page. The dates are printed in bold black ... | Caroline Thompson |
| The Lord of the Rings: The Two Towers | THE LORD OF THE RINGS: THE TWO TOWERS Screenplay by Peter Jackson, Fran Walsh and Philippa Boyens. Based on "Th... | Fran Walsh |
| The Lord of the Rings: The Return of the King | For Your Consideration Best Adapted Screenplay By Fran Walsh, Philippa Boyens, Peter Jackson Based on the Book by J.R.R. Tolkien THE LORD OF THE RINGS: THE RETURN OF THE KING BLAC... | Fran Walsh |
| The Lord of the Rings: The Fellowship of the Ring | BLACK SCREEN SUPER: New Line Cinema Presents SUPER: A Wingnut Films Production BLACK CONTINUES... ELVISH SINGING....A WOMAN'S VOICE IS whispering, tinged with SADNESS and REGRET: GALA... | Fran Walsh |
| The Lion King | IN DARKNESS: A Native African VOICE calls out in SONG. FADE IN: Dawn. The sun slowly rises over an African plain - full, brilliant. Native African VOICES respond in SONG. The SOLO VOICE continues, joined... | Irene Mecchi |
| The Hunger Games | OPENING KATNISS (V.O.) Winning means fame and fortune. Losing means certain death. I guess I wouldn’t mind dying, but dying means losing the ones I love. INT. Cinna’s workroom.- DAY. The lights flicker on. ... | Suzanne Collins |
| The Goonies | (Interior Jailhouse) (A jail guard unlocks a cell block to call the inmates out for their lunch.) Guard: Lunch time. (The Inmates exit their cells and are talking to each other.) Guard: The longer you animal... | Chris Columbus |
| The Fault in Our Stars | THE FAULT IN OUR STARS Written by Scott Neustadter & Michael H. Weber ... | Scott Neustadter |
| The Founder | INT. ED’S DRIVE-IN - KITCHEN - DAY The kitchen of a drive-in restaurant outside St. Louis. It’s 1954. Traveling salesman RAY KROC (52) stands before a sample MIXING MACHINE, making his pitch to the OWNE... | Robert D. Siegel |
| The Fantastic Four | FADE IN: CLOSE ON A MASSIVE STEEL HEAD Our first thought: DR. DOOM? But it's not moving. A welder's torch sparks into frame in the hands of a sculptor ... | Jeremy Slater |
| The Croods | The Croods 12.12.2012 1. SEQ. 75 - PROLOGUE FADE IN: A cave painting of the Dreamworks logo. Push past the moon to the sun. Bright. Beautiful. The sun DISSOLVES TO: Cave paintings of a family of ca... | Chris Sanders |
| The Dark Knight | BLACK SCREEN. GORDON (V.O) Harvey Dent was needed. He was everything Gotham has been crying out for. He was...a hero. Not the hero we deserved - the he... | Jonathan Nolan |
| The Dark Knight Rises | BLACK SCREEN. GORDON (V.O) Harvey Dent was needed. He was everything Gotham has been crying out for. He was...a hero. Not the hero we deserved - the he... | Jonathan Nolan |
| The Avengers | 1BLUE SKY WITH CLOUDS PAN DOWN to reveal: 2EXT - SALTFLATS - DAY A flat horizon, stretching to infinity. A 360 degree pan reveals: nothing. Deserted, no hiding places. No animals, no humans, no object... | Don Macpherson |
| Unforgiven | INT. ALICE'S ROOM - NIGHT NIGHT IN ALICE'S ROOM. A little bit of moonlight coming in through the tiny window might make a highlight here and there but that's about all. Words begin to crawl across the sc... | David Peoples |
| Unbreakable | INT. CLOTHING STORE - AFTERNOON Women's casual wear department. J.C. Penny. Legend "1961" An African-American man carrying two J.C. Penny shopping bags is ushered past the department store manag... | M. Night Shyamalan |
| V for Vendetta | FADE IN: In the darkness, we hear a voice, a woman's voice. Her name is Evey. EVEY (V.O.) "Remember, remember... | The Wachowskis |
| X-Men | BLACK Sounds of a train rolling to a halt, a shrill whistle. EXT. CAMP - DAY UP ON the door of a weathered cattle car as a German soldier steps into frame wearing that familiar... | David Hayter |
| Zootopia | FADE IN: EXT. RABBITON, USA YOUNG BUNNIFER GOODWIN is starring in an elementary school production of “How to Exposit the Premise of Your Entire Universe Without Really Trying”. CGI YOUNG BUNNIFER GOODWIN ... | Jared Bush |
| Edward Scissorhands | OLD KIM Snuggle in, sweetie. It's cold out there. GRANDDAUGHTER Why is it snowing, grandma? Where does it come from? OLD KIM Oh, that's a long story, sweetheart. GRANDDAUGHTER I want to hear. OLD KIM Oh... | Caroline Thompson |
| Ender's Game | It's war in space the way it's really fought silent, flameless. When a ship is hit, there's a brief flash of light and debris sprays in all directions, but that's all. ... | Gavin Hood |
| Into the Woods | FADE UP Grey clouds of an early morning sky. BAKER (V.O.) Once upon a time, in a far off kingdom, there lay a small village at the edge of the woods... Suddenly, the WELL-WORN BOOT of Cinderella... | James Lapine |
| Infinitely Polar Bear | EXT. COUNTRYSIDE. DAY A man strides up a grassy hill. He is in his late-30s, clean- shaven with shaggy hair. He wears a well-cut tweed riding jacket, jodhpurs and riding boots. He carries a large shillela... | Maya Forbes |
| I, Robot | FADE IN: 1 On a DEEP...DEEP...DARKNESS. 1 A FLICKER. Of LIGHT. Off to the side. Just barely. Noticeable. ORANGE...YELLOW...as we realise...It.s FIRE... A SOUND. Something SHATTERING... Then. A DISEMBO... | Akiva Goldsman |
| Braveheart | FADE IN: EXT. THE SCOTTISH COUNTRYSIDE - DAY Epic beauty: cobalt mountains beneath a glowering purple sky fringed with pink, as if the clouds were a lid too sm... | Randall Wallace |
| Before Midnight | FADE IN: INT. AIRPORT - AFTERNOON Jesse and 14-year-old Hank are walking through an airport in Greece. JESSE So you got everything? HANK Mmm-hmmh. JESSE You going to play video games the who... | Richard Linklater |
| Beetlejuice | EXT: WINTER RIVER, CONNECTICUT -- DAY A bucolic New England town, but rather too clean and neat to be entirely real. There is no visible population. Ominous, vibrating music. On Main... | Michael McDowell |
| Alien vs. Predator | EXT. DEEP SPACE We OPEN on TOTAL BLACKNESS, a sea of stars spread across the infinite depths of space. As the TITLES ROLL, we notice that three of these specks seem to be moving; one of them picking u... | Paul W. S. Anderson |